Hundred Schools In Arts 2011 Issue 3 Dilemma and Future of Folk Vocal Music

Dilemma and Future of Folk Vocal Music
CAI Duo-qi

..............page:252-253

Schematization Trend of Contemporary Chinese Oil Painting Creation
CHEN Jia

..............page:241-243

Visual Effect of Signs and Symbols of Hui-Style
ZHAGN Guo-bin;JIANG Lu-lu

..............page:229-231

Peking Opera "Xiao He both as a Winner and a Loser"
WAN Su

..............page:111-116

Environment Project Ascribed to American Artist Patricia Johnsson
CHEN Wang-heng

..............page:62-66,110

Representation Characteristics of Figure Language in Digital Media
WANG Xiao-chun;CHEN Lu

..............page:232-233,246

Unrevealed Features of Yuan Drama Viewed from Play Scripts Published in Yuan Dynasty
DU Hai-jun

..............page:148-152,156

On Drama\'s "Innovative Plotting"
WANG An-kui

..............page:135-139

White Cloud Temple and Singular Buddhism Musical Instrument "Chou"
MENG Qing-min

..............page:247-248

A Comparison between Flowers and Birds Painting of Song Court and That of Lingnan
LUO Si

..............page:244-246

Histrionic Methods of Kunqu and Chinese Histrionics System: Several Problems in "Kunqu Histrionics"
DING Xiu-xun

..............page:123-134

Three Relations in Contemporary Chinese Industrial Design
HE Xiao-you

..............page:82-85

The Construction of Neo-Chineseness for Chinese Contemporary Art
LIU Yue-di

..............page:33-42

Art Disciplinary Projects Supported by National Social Sciences Fund
Leading Group Office of National Art Disciplinary

..............page:263-266

Chinese Contemporary Art:The Challenges of Urbanization and Globalization
ke ti si ka te ; shuai hui fang

..............page:17-23,100

Design Style of Walking Street of Jialing Uniqueness in Chongqing
CHEN Jiao-bin

..............page:234-236

Exploration and Formation of "Panoramic Landscape Painting "in Ancient Painting Theory
GAO Ji-yang

..............page:213-216

Value the Function of Country Music Group in Construction of Rural Spiritual Civilization
ZHAO Yan-hui

..............page:223-225

Definition of Folk Artwork and Distinctive Thoughts for its Naissance
HAN Bo

..............page:217-222,216

Different Cultural Forms Ascribed to Human: Cultural Symbiosis and Interactivity between Art and Science
ZHANG Wei

..............page:94-100

A New Research upon Yuchi Yiseng
WANG Min

..............page:204-209,240

Design Conception and Assessment of Chinese Green Architecture
WANG Mei-yan

..............page:210-212

External Promotion Strategy of Chinese Art Industry: Take Film as an Example
GUO Bi-heng;HAN Guan-jie

..............page:86-89,139

Exploration of Scale Development Modes of Culture and Amusement Blocks in Contemporary China: Taking "Nanjing 1912"Block as an Example
LIU Yun

..............page:90-93

Dancing Images of Chinese Buddhism Art
WANG Ke-fen

..............page:43-61

Re-exploration upon Thoughts of Deng Yizheg Music Aesthetics
DU Han-feng

..............page:200-203

The Shape of Artistic Pasts:East and West
a se dan tuo ; shuai hui fang

..............page:10-16

Another Idea about the Nature and Place of Block-Printed Edition "Thirty Poetic Dramas Printed in Yuan Dynasty"
FANG Yan-shou

..............page:153-156

Curriculum Construction of Professional Piano Teaching for Preschool Education in HVE
LAI Shui-e

..............page:260-262

Status and Function of "Folk Drama Troupe "in Modern Kunqu Inheriting
XIE Jian-ping

..............page:176-183

Drama Music,Dancing and Stage Design
YU Ping

..............page:1-9,16

Regional Characteristics of Shandong Liuzi Drama
HE Li-li

..............page:194-199,183

zuo jia zuo pin xin shang

..............page:267-336,封2-封4

Taste upon Tone Color in Piano Performing
CUI Hong-yuan

..............page:249-251

Rethinking upon Cultural Phenomena of Shanghai Film in 1940s
JIN Dan-yuan;ZHANG Ying

..............page:117-122

Application of Representation Symbols to Logo Design
LIU You-quan

..............page:237-240

On Playwriting of Chinese Traditional Opera in Last Thirty Years
ZHU Heng-fu

..............page:72-81,85

Narration as a Performance: Narrative Style of "Platform of Hundred Schools"
QIU Yi-zhe

..............page:257-259

A Study upon "Qinglou Collection "Ascribed to Xia Tingzhi in Yuan Dynasty
YU Wei-min

..............page:140-147

Aesthetic Consciousness of Chinese and Western Music Culture
SUN Shu-ping

..............page:254-256

Periodization of Drama in Ming Dynasty
XU Zi-fang

..............page:162-168,134

Removal of a Notorious Fame of being Robber and Slave from Liangshan Assembling in Shuihu Drama in Yuan Dynasty
LIU Li-wen

..............page:157-161,116

Form Characteristic, Movement Law, and Aesthetic Idiosyncracy of Kun Dancing
CHEN Si-ying

..............page:187-193

Dramatic Music Viewpoint of Mr.Wang Jide
ZHUANG Yong-ping

..............page:169-175,147

Generating of Drama Art and its Multi-Dimensional Way to Modernity: Viewed from Human\'s Subject Psychodynamics
CHU Xiao-qing

..............page:101-110

Gendered Bodies in Contemporary Chinese Art
ma li wei si man ; shuai hui fang

..............page:24-32,93

Self-Transcendence and Modernity Transmutation of Regional Traditional Culture: Taking Youth Version of "Peony Pavilion" as an Example
WAN Jiang

..............page:226-228

Strategy and Way of Inheriting Kunqu: Kun Songs
CHEN Hong-ru

..............page:184-186

Scholars\' Quality and Majors\' Cultivation in Contemporary Construction of Chinese Art Discipline
CHANG Bei

..............page:67-71