Hundred Schools In Arts 2011 Issue 1 Distinctive Style of Expressive Piano Music Ascribed to Grieg

Distinctive Style of Expressive Piano Music Ascribed to Grieg
SU Lin

..............page:230-231

Research on Quyun
YU Wei-ming

..............page:125-133

xin xi dong tai

..............page:84,133

Research Status and Development Trend of National Art Disciplinary(Ⅲ)
Leading Group Office of National Art Disciplinary

..............page:249-258

Concurrency of Cultural Soft Power,"Consumption Society" and "High-tech":Evolvement of Chinese Film Aesthetics Formation in Recent 10 Years
JIN Dan-yuan

..............page:66-72,65

Problems Existing in the Development of Private Drama Troupe in Jiangsu Province
ZHU Guo-fang

..............page:45-50

Market Adaptability and its Special Request for National Policy Environment of Contemporary Chinese Art Performance Profession
FU Cai-wu;CHEN Geng

..............page:11-16,75

Poetry Appeal in Advertisement Transmission Strategy in Contemporary China
LIANG Xiao-mei

..............page:94-98,50

The Situation of Literature under New Media:Further Exploration of Miller\'s "the End of Literature"
DING Guo-qi

..............page:115-118

Traditional Connotation of Fine Art
YAN Qing-lai

..............page:209-213

Our Procession Troops towards the Sun:In Commemoration of 80th Anniversary of Dancing Creation Ascribed to PLA
YU Ping

..............page:51-59

Primary Analysis on Research State for Chinese Fine Art in the 11th Five-Year Period
ZHENG Gong

..............page:33-37

The Divine and Artistic Ideal:Ideas and Insights in Chinese and Western Thought
gu ming dong ; shuai hui fang

..............page:107-114

Advance the Fusion of Culture and Technology and Start a Whole New Phase
WEN Ke

..............page:239-243

Motivation of Playwrights\' Transcreating Predecessors\' Works
FU Di-xiu

..............page:148-152

Golden Mean and Harmony:Relationship between Classical Chinese Art and Cultural Tradition
CHANG Bei

..............page:182-194

Conception Interpretation towards Blessing and Sermon Ritual
MA Yun-fei

..............page:203-208

Entrance Design in Hakka Folk House and its Inspiration to Modern Architecture Decoration
YANG Chuan-jian;XIONG Qing-zhen

..............page:217-219

Improve the Teacher\'s Capability in Normal College with the Aid of Art Association
HE Qian

..............page:232-234

Where is Art Heading?
fu lei de li ke tou na ; shuai hui fang

..............page:99-106,147

Contemporary Situation or Revival Probability of Classical Chinese Drama
HU Ying-ming;LIU Yin-xi

..............page:25-32

Impact of Animation upon Enlightening Values of Young People
HUANG Hui-lin;LI Ming

..............page:76-78

zuo pin xin shang

..............page:后插3-后插60,封2,封3,封底

Several Problems Confronting Chinese Drama in the Context of Globalization
CHU Xiao-qing

..............page:17-24

Visual Orientation of Graphic Design:Character Application Based upon Psychology
FENG Zheng-wei

..............page:223-224,216

Topic-Juxtaposition Narrative in Image Narratives
LONG Di-yong

..............page:88-93,114

A Tentative Discussion of the Characteristics of Artistic Thinking:Starting from Cultural Originality
WANG Xu-xiao

..............page:79-84

Current State and Innovative Fancy of Sign-Seeing and Ear-Trainning in Normal College
WU Xiao-kang;WU Zi-yin

..............page:228-229,227

Practical Dilemma Confronting Cultural Budget in Contemporary China
WANG Lie-sheng

..............page:5-10,208

Influence of "High-Thick Ink" Method upon Artistic Language of Landscape Painting in Contemporary Northeast China
CUI Hao

..............page:214-216

Current State and Reflection:Ceramic Creation in Contemporary Jingdezhen
HU Chang-chun

..............page:225-227

Destiny of Cao Yu and that of Chinese Drama in 20th Century
ZOU Yuan-jiang

..............page:145-147

Character of "Dance" in Inscriptions on Oracle and Bone
XU Shan

..............page:176-177

Background of Chinese Drama Transmission in 20th Century
WANG Ting-xin

..............page:134-139

Current Situation and its Prosperous Way of Chinese Musical Industry
JU Qi-hong

..............page:38-44,59

Contemporary Digital Technology and Chinese Film Education
PENG Ji-xiang

..............page:73-75

Modern Consciousness and Classic Spirit in Newly-Created Drama:Take "The Golden Chain" and "Forbidden City at Twilight" as Examples
SHI Xu-sheng

..............page:153-157,181

Development and Transmutation of Chinese Film in Recent 10 Years
ZHOU Xing

..............page:60-65

Mourn for Bewilderment and Silliness in the World:An Exploration of "Female Mu Lan" Ascribed to Xu Wei
XU Zhen-gui;JIAO Fu-min

..............page:170-175

Diligent in Working,Pursuing the Truth,Inheriting the Past and Expecting a Promising Future:Summing up the Whole Mission of the Past Year
Department of Culture and Technology

..............page:244-248

Three Subjects on Art and Life
LI Rong-you

..............page:178-181

Chinese Aesthetic Modernity Historically Transmuting:Also a Discussion on its Characteristic
LI Shi-tao

..............page:119-124,152

Advance the Fusion of Culture and Technology; Quicken the Development of Contemporary Performance Culture
LI Hong-feng

..............page:1-4

A Festival for Community of Asian Art Museums:A Summarization of the Fifth Directors\' Forum for Asian Art Museums
KUAI Lian-hui

..............page:235-238

Review of Regional Research on Ancient Chinese Painting
ZHANG Kai

..............page:195-202,78

Relationship between Installation Art and Post-Modern Furniture Design
Huang Yin;SUN Can

..............page:220-222

A Tentative Discussion on Transmission and Acceptance of "The Story of Wang Shipeng and Qian Yulian"
ZHAO Shan-lin

..............page:140-144,234

On Suzhou School of Kunqu
GU Ling-sen

..............page:162-169

Directing Consciousness in "Collection of Tasting Music and Appreciating the Ancient"
ZHAO Xiao-hong;JIANG Yan

..............page:158-161,219

Maybe it is a Voyage of Breakthrough:Hope of Chinese Language Art
SHANG Jie

..............page:85-87,32