Hundred Schools In Arts 2007 Issue z3 The National Connotation of the Development of the Chinese Painting—

The National Connotation of the Development of the Chinese Painting——On FU Bao-shi's Painting Theories
LI Qin

..............page:69-72,77

On ZHANG Cao's Name and Truth
ZHAO Yan-guo

..............page:63-68

On the Development of the Students' Aesthetic Ability in the Singing Education in Normal Universities
ZHENG Hui-ling

..............page:162-163

Order Romance Pursuit——Research on the Formal Characteristics of Decorative Art and Its Basic Education
SHEN Bin

..............page:164-166

On HUANG Bing-hong's Landscape Painting Theory
HUANG Ting-hai

..............page:73-74,37

On the Multiplicity in the Aesthetic Characteristics of Contemporary Watercolor Painting
ZHOU Ming-yang

..............page:75-77

On the Centennial Development of Chinese Folk Fine Arts
MA He

..............page:78-80

Semantic Analysis of Traditional Chinese Symbolic Patterns
CUI Ya-ping

..............page:81-83

The Integration of Ideas and the Construction of Connotation in Design
YU Ying

..............page:84-85

Looks at the Method of Design Innovation through the History of Sweden Silverware
Wen Yuan-zhong

..............page:86-89

On the Narrative Design of Space
YANG Yan

..............page:90-92

Analysis to the Humanitarian Characteristics of the Urban Environment Colors
MENG Tao

..............page:93-94,89

The graphic creation in logo design
CHEN Xin-hua;ZHANG Lei

..............page:95-97

Application of the element of traditional propitious graph to the modern logo design
LU Lei

..............page:98-100

Female Clothing Culture of the Miao Minority Group and Its Artistic Characteristics
CHEN Lian

..............page:101-102,97

Concept of Professional Suit Design and Its Characteristics
RAN Hai-quan

..............page:103-105

Creative Practice of Masks on the Design of 2008 Olympic Games Souvenir
YANG Chun

..............page:106-108

From "wasteland" to "home"——the change in the aesthetic meaning of Cao Yu's drama and the cause
LI Wei

..............page:109-111

The Realistic Implication of Drama Masterpiece——Reading of The Tempest from Anthropological Perspectives
XU Ke-qi

..............page:112-114,111

The Thai Drama Combining the Tolerance and Nativity
YU Xiao-jing

..............page:115-117

On the Opera in Contemporary Chinese Music
CUI Xiao-lan

..............page:118-120

On the Singing Art of the National Opera
LU Yan

..............page:121-122,33

On the Artistic Creation of Opera from the Perspective of Performance
TANG Peng

..............page:123-125

On the Aesthetic Characteristics of the Opera Music
ZHANG Chun-yang

..............page:126-127,97

"Condensation" and "Uniqueness"——Keys to the Success of the Radio Opera
ZHANG Xun;JIANG Li

..............page:128-130,25

Erhu and the Wu Culture and Thoughts on Its Development
YI He

..............page:131-134

On the "Air" in the Performing Art of Erhu
LIN Dong-po

..............page:135-138

Characteristics of Chinese Folk Music Style and Its Formation
WANG Xing-nan

..............page:139-140,161

On the Impressionistic Style of Debussy's Moonlight
LIN Dan

..............page:141-143,202

Interpreting Bach's Toccata and Fugue in D Minor
LI Li

..............page:144-146

On the Problem of Bellows in Accordion's Performance
XIE Yan

..............page:147-150,134

On the Significance and Enlightenment of the Primitive Folk Songs
WU Rong

..............page:151-152,42

On the Folk Percussion Music in Middle China
LIU Liu

..............page:153-154,100

Lautrec-Seek Consolation in Drawing
SHI Xiu na

..............page:60-62

On the Significance of the Painting Background in the European Renaissance
ZHANG Yi

..............page:55-59

The Idyllic Complex: An Important Reason For the Emergence of the Landscape Paianting in Westen
ZHANG Jun-lin

..............page:52-54,77

On the Image of Chinese herbaceous peonyin Classical Literature
WANG Xiao-chun

..............page:49-51

On the Construction of Contemporary Chinese Painters' Aesthetic Context
ZHANG Ji-hua

..............page:47-48

On the Aesthetic Psychology of the Wood-Carve Calendar Creation
LI Jian-jun

..............page:45-46,12

Shaanxi folk "shehuo" culture stratum
YANG Hui-jun

..............page:43-44

Greatness in Simplicity——On the Artistic Glamour of Ancient Greece Sculpture
YU Xue-yong

..............page:40-42

Conscious Dialogue and Rational Integration——Rational Thoughts on the Contemporary Artistic Creation Integrating the Folk Culture Resources
QIAN Pin-hui

..............page:38-39,62

Study on Music of Fashion Show
YIN Min

..............page:155-156,146

Reflections on the Cultivation of Creativity in Chinese Violin Teaching
TIAN Kang

..............page:157-161

On the Influence of the Visual Art upon the Fine Art Education
ZHENG Wei

..............page:167-168,161

Musical Art Education and the Development of Creative Personnel in Universities
ZUO Jian-xin

..............page:169-170

On the Modeling Characteristics the Folk Fine Art
PENG Tao

..............page:171-173

Analysis on Influence of Costume's Change from the Stress and Dilution in Gender Difference
CHENG Wei

..............page:174-175,80

Stage Illumination in the Fashion Show
ZHANG Yi

..............page:176-178,21

Practical Exploration of the Light Modeling——Thoughts on the Light Design in Outdoor Advertisements
ZHUANG Jian;ZHUGE Yang

..............page:179-180,17

On the Preliminary Technology of Modern Multi-channel Recording
WANG Xiao-xu

..............page:181-183,186

Thoughts on the Social Grading Test of the Art
XU Bao-ya

..............page:184-186

How raises the model the comprehensive quality
Guo hai-yan

..............page:187-188,204

On the Elevation of the Aesthetic Value in Oil-painting Colors
CHEN Qi-lin

..............page:189-191,200

Tiqi Aestheticism in Chinese Study
XIN Jin

..............page:192-193

On the Significance and Influence of Yushancaotang
XU Yong-xia

..............page:194-195,193

WEN Bei's Ink and Wash Painting in the Contemporary Cultural Context
PAN Yao-chang

..............page:196,138

Seek the Truth, to do Good Deeds, Pure Beauty——On the Core Values of the WEN Bei's Arts
HAO Wen-jie

..............page:197-198

On the Urban Greenland Scenery Construction
ZHAI Yan

..............page:199-200

Evaluating Principles of Chinese Websites
wang yan ; li jing

..............page:201-202

On Contemporary explore Treat Existing Painting Patterns
FU Tao

..............page:218-219

On the Mongolian Folk Decoration Art
TIAN Jian-qiang

..............page:220-221

Thoughts on Traditional Chinese Culture and Modern Industrial Design
ZHANG Kai

..............page:222-223

mei shu zuo pin

..............page:224-封4,封2,213

Aesthetic Process and Migration of the "Sense of Concorde"
MA Dong-feng

..............page:18-21

On the Entertaining Function and Cultural Identification of Internet Songs
RUAN Yun-song

..............page:15-17

Perfecting the Existential Manner of "Public Art"
ZHAO Kun-lun

..............page:13-14

Public awareness: the protection of Intangible Cultural Heritage "The grass-roots level "
FANG Sheng-de

..............page:10-12

The Cycle of Patricide——Interpreting the Patricide Theme of Aunt Julia and the Writer in the Perspective of Cultural Anthropology
JI Ping

..............page:5-9

On the Negative Influence of Porcelain Decoration upon Contemporary Development of the Porcelain Art from the Evolution of Porcelain Production in Jindezhen
XIONG Wei

..............page:1-4,12

Experience as the Existence of Music——Thoughts on the Nature of Music in Multi-presentation
CHAO Yan

..............page:34-37

The Application of Traditional Chinese Painting Dialectics in Chinese Garden Scenery Design——Cases in Contemporary Chinese Garden Scenery Design as Examples
SONG Xiao-fei

..............page:26-33

Discussion on the creation of artistic works——from the perspective of Zheng Banqiao's "three stages of drawing bamboos"
LIU Yuan-ping

..............page:22-25

Rescuing the Heritage and Developing the Skill-On Pictures of Xiushilu
CHEN Xiao-dong

..............page:203-204

Global Experience of Meanings and Contemporary Chinese Fine Arts
LI Yan-li

..............page:205-206

Cultural Analysis of Contemporary Chinese Art in the Time of Globalization
CAO Li-fang

..............page:206-207

On the Three Resources Provided by the Economy to the Art
WANG Min;ZHU Qing-quan

..............page:208-209

The Educational and Social Functions of Mobilephone Music
HAO Ya-li

..............page:209-211

The Beauty of Wu Dance under the Influence of Wu Culture
LIU Li

..............page:211-212

Integration of Calligraphy and Painting——Transforming Studies on WEN Bei's Modern Calligraphy
SHAO Xiao-feng

..............page:214-216

Development Exploration Innovation——Preface to the Exhibition of Wanfenghuiyun
SU Jin-cheng

..............page:217,216

lai gao xu zhi

..............page:前插页