Hundred Schools In Arts 2007 Issue 3 On the Amateur Music Education-Analysis to the Case of Chongqin and Its Solution

On the Amateur Music Education-Analysis to the Case of Chongqin and Its Solution
SUN Wei;ZHOU Bing-ying

..............page:157-158,150

The Singing Definition and Practice of Bel Canto
ZHU Xiao-yun

..............page:154-156

Comparing Social Piano Teaching Between U.K and China
XIONG Ru-jing

..............page:151-153,179

Reconstruction of the "Three-dimensional Vision" in Music Aesthetic Education
WU Yue-hua

..............page:147-150

On WU Xiao-bang's Dance Education Ideas
WANG Ying

..............page:145-146,81

An Exploration into the Professional Training Characteristics of the Schools of Arts of Local Colleges and Universities
JIN Ling-qiu

..............page:159-161

The Three Game Players and the Fakes in the Arts Collection
LU Xiao-hong

..............page:162-164

On the Publicity of Sculpture Theme Parks From the Longevity Park
LIN Yuan

..............page:165-167,38

The application of Chinese traditional water and ink paintingin animation design
ZHZNG Xiao-chu

..............page:168-170

On the Social Function of Fine Art Education
LI Xin-sheng

..............page:142-144

Design Education: Directing Innovative China-On the Contemporary Chinese Design Education in the Background of Cultural Innovation
TIAN Jun

..............page:139-141

On the Aesthetic Implication of Chinese Painting and the Contemporary Solution of Scenic Design
YIN An-shi

..............page:136-138

On the Aesthetic Style of Li An from the View of BROKEBACK MOUNTAIN
YAN Wei

..............page:54-57

Literature · Painting · Spirit-The Artistic Character of Contemporary Writer and Painter LIANG Bin's Paintings
CHEN Shi-ning

..............page:58-60

On the Correspondence Between Color and the Painter's Subjective Awareness
YIN Cheng-jun;FENG Zhi-cai

..............page:61-64

Reinterpretation of Hieronymus Bosch's Garden of Earthly Delights
FENG Wei

..............page:65-69,91

Freedom and Happiness——Decipherment of Raoul Dufy's Artistic Standpoint
PENG Yan-yan

..............page:70-72,16

The overturn of composition
LIU Yi-yu;JIAO Su-ping

..............page:73-75

On the Foresight of Roden's Sculpture Art
ZHONG Ying-ming

..............page:76-78

On the Aesthetic Differences of Chinese and Western Culture in Sculpture
TAO Xing-lin

..............page:79-81

On the Role of Modern Sculpture Material
LI Zheng

..............page:82-83,57

On the Recognition and Transmission of the Product Functional Meaning
CHEN Yan

..............page:84-86

The Application of Digital VF Wave Pattern Analysis——Analyzing the Main Tunes in Xindanneihong
QIAO Qian

..............page:87-91

Genesis and Analysis of Stravinsky Violin Concerto
TAO Jie

..............page:92-95

Title Music and Its Development
ZHONG Jia-ming

..............page:96-97

On Regional Crisis and the Present Outlet of Folk arts
Cao Huai;Chen Xiao-hua

..............page:123-126

The Origin of Dunhuang Bianxiang-Also On Its Relationship with Dunhuang Bianwen
YU Xiang-dong

..............page:127-131

On the Korean Peninsula Local Culture and the Formation of Gaoli Porcelain Artistic Characteristics
JIANG Mei-xian

..............page:132-135

On the Cultural Form of TV Abroad
SUN Min

..............page:50-53

A Study of the Editions and the Author of the SHENYINJIANGULU
HU Ya-Juan

..............page:46-49

Comparison Between Wutongyu and Hangongqiu:Similarities and Differences
LIU Ai-lin

..............page:43-45

The Instillation and Transformation of the Folk Psychology in Mengxi Opera
ZHANG Jun-hua

..............page:39-42,49

Discussing on the Influence of Taoism Culture To Li yu's Drama Activity
HU Zhong-shan

..............page:36-38

A Variety Show of Singing-dancing Acrobatic, or Ritual Drama?
CAO Guang-tao

..............page:32-35,86

On LingTingKan' Theory of the Chinese Operas
LUO Bing

..............page:28-31

The Exploration on the Hereditary Variability of the Polt of the Traditional Opera Liang Zhu
WANG Ning-bang

..............page:22-27

Textual researchon the Team Opera
Zhu Heng-fu

..............page:17-21,11

The Dilemma of Artistic Criticism in the Mass Media Age
ZHU Guo-hua

..............page:12-16

The Artistic Study in Progress
YI Gun-guo

..............page:7-11

On the Harmonious Culture
ZHANG Jian-hua

..............page:1-6

The Performance Aestheticism in Xishanqinkuang
QIN Qin

..............page:98-100

The Origin of ArtoThe Origin of Life-On the Accumulation and Relief of the Artistic Emotion
NIU Zhan-guo;SHI Yan-ying

..............page:101-103

On the Function of the Throat in Singing
WANG Xiao

..............page:104-107

"Western" AppearanceoTraditional Essence——On CHENG Wu-jia's Pipa Reform
JIA Yi

..............page:108-109

The Development and Cultural Evolution of the Erhu Art
YU Xue-qin

..............page:110-112,100

On the Bow Movement in LIU Tian-hua's Erhu Music
WU Xiao-yong

..............page:113-115

The "Local Study" Awareness in Chinese Painting History——The Launch of An Approach
GUO Jian-ping

..............page:116-119

District Culture and the Formation of Minority Ornaments' Aesthetic Properties
WANG Xiao-hui;CAI Ke-qin

..............page:120-122

Analysis to the Influential Factors of Artistic Journals
LU Hu

..............page:171-172,156

The Modern Charm of Freehand Brushwork——Also on the Condition and Tendency of Water-ink Portrait
ZHANG Guang-cai

..............page:173-175

"Usingnaturalwith ingenious ways, man and naturelive in harmony"——Simplyanalysis thedesign concepts of Mount Lushan " Meilu" villa to the inspirationofmodern ecological landscape design
WANG Na-na;JIANG Zhou

..............page:176-179

The Cultural Heritage Conservation and Tourism Development of the Slender West Lake New District, Yangzhou City
CHEN Xiao-yan

..............page:180-183

On QIAN Xuan-Painter in the Early Yuan Dynasty
ZHANG Li-bo

..............page:184-185

Great Beauty in the Great Desert-HUANG Ming——qian's Desert Series Chinese Painting
XU Zu-liang

..............page:185-186

The Glamour of Lines——On the Strokes in Chinese Calligraphy and Painting
LIANG Tong

..............page:186-188

"Me State" in Austerity
QIAN Ming

..............page:188-189

Title: Folk Fine Arts' Basic Characters and values
LI xin

..............page:189-191

Life: The Origin of Realist Art Creation
DU Guo-hao

..............page:191-193

Modernity in the Han Dynasty Portrait Stones of Xuzhou
ZHU Xiang

..............page:193-194

kua xue ke kua wen hua shi ye zhong de zhong yao cheng guo ping zhong gao yan jiu yuan xi yu yi shu tong lun
wang li

..............page:195-196

On the Formation of Pictorial Discourse "Image"
ZHONG An

..............page:198-199

Transformation and Assumption——Empirical criticizing to feminization design of Chinese contemporary industrial production
Hu Ping

..............page:200-201,205

The Artistic Conception of Naturalization in Chinese Classical Garden
WHANG Zhong-hua;YAO Zhong-yuan

..............page:202-203

The Training Way of Aesthetic Education in Art Teaching
ZHAO Yu

..............page:204-205

Discussion on Pang xun qin's Chinese industrial arts education and his art characteristic
ZHAO Si-you

..............page:206-207

mei shu zuo pin

..............page:封2,197,208-封4

bian ji shou ji

..............page:目次3