Hundred Schools In Arts 2004 Issue 2 Music and Personnel Education

Music and Personnel Education
yang shu li

..............page:113-114,100

Spirit and Vitality
jin lei

..............page:115-117

"The Rough Man of Nature"--On the Artistic Life and Characters of Caravaggio
niu han ding

..............page:118-121,140

On the Painting Skills of the Oil Painting
yan ming

..............page:122-124,98

Adopting and Developing--Thoughts on the development of the Designing Education
cheng qi

..............page:125-126

On Children's Clothing
zhu ming

..............page:127-128

Principle Reflections on the Management of Art Media
cheng qiao ming

..............page:129-132

The Abstract and the Concrete in the Stage Sound Effect
xie cong mian

..............page:133-134

How to Develop" the World Heritage"?--Seminar or the 2nd Chinese Qunqu Opera Festival
zhu dong lin ; ni ying

..............page:135-138

Recording the History of the Artistic Personnel in Jiangsu Province--Thoughts upon Editing Cultural who 's Who in Jiang-su Province:Volume of Art
guan ruo song

..............page:139-140

On the Reform of Piano Education in the Normal University
he sui ning

..............page:110-112,94

Pay More Attention to Theory in the Singing Education of the Normal University
ou yang zuo zuo

..............page:108-109

On the Development of Hai-an Drum
lu yi bing

..............page:105-107

The Passionate Expression of the Singing Language
xia mei jun

..............page:101-104

On the Histiory of Huqin
chen yan ru

..............page:99-100

On Acrobatic Music
lv bao hong

..............page:97-98

On Bartok's Creative Ideas from the Misunderstanding of His Creation
zhu tong

..............page:95-96,78

Guzheng, the Treasure of Traditional Chinese Music--on the Musical Education of Guzheng
zuo qing

..............page:92-94

Thoughts upon the Artistic Techniques of Zhejiang Zheng
yan ai hua

..............page:89-91

The Aesthetic Value of Performing Posture
xie li rong

..............page:87-88,86

Understanding the Beauty of the Sound--from the Singing and Performing of the Sound
zhou hui guo

..............page:82-86

On the Artistic Creation in the Prodution of TV News
nan ying

..............page:79-81

Chicago:The Sordid World Hidden Behind The Gorgeous Stage
wang zhu yin

..............page:76-78

The Ethics and Aesthetics of Chinese Portrait in Transformation
hua qiang

..............page:73-75

The Narrative Time and Space in Traditional Chinese Drama
han li xia

..............page:70-73,39

Imagination and Imitation--Comparison of Stage Structure between Chinese Drama and Western Drama
ye shu fa

..............page:67-69,66

Quality and Art--On the Spiritual Core of Chinese Art
ni jian lin

..............page:62-66

On the Transformation of the Feminist Image in Traditional Chinese Art
wu ze feng

..............page:60-61,30

The Development of the Monodrama in Shanghai
shen hong zuo

..............page:53-59

On the" Two Dreams" of TANG Xian-zu
yao xiao fei

..............page:49-52

Desperate Ruin--On the Tragic Direction of Innocent DOU E
zhang mo zuo ; bai mao hua

..............page:46-48,107

Suggestions on the Reform in Performing Troupes of Drama and Art
yu zhi

..............page:1-4

Sum Up The SuccessfuI Experiences of Huangmei Opera "Company"
zhu heng fu ; dai song e

..............page:5-8

Let Chinese Traditional Opera Find Its Audience among High-school students--Thoughts upon a Survey
qian hui

..............page:9-13,59

Realistic Depiction and Aesthetic Idea of the Society in Transformation--On Modern Play Creation of Traditional Chinese Drama in the 1990s
yan quan yi

..............page:14-19,4

Pursuing the Realization of Great Dreams--On the Effect of the Culture Breakage in Central China upon Yuanqu Opera
tian tong xu

..............page:20-24

On the Documentary Value of The Standard Edition of Xi Xiang:Discussing with Mr.Jiang Xing-yu
chen xu yao

..............page:25-30

The Rhetoric Theory of Wang Jide's QuLu
liu hui

..............page:31-34

On YI Yu'Rearrangement of Other Dramas
luo bing

..............page:35-39

On WANG Yang-ming's Idea of "Chinese Traditional Drama Having Positive Effects Upon Morality"
wang ying tai

..............page:40-42

On the Aristic Form in the Traditional Plays of Gods and Ghosts
xia yue

..............page:43-45,8