The New Voice of Yue-Fu-The Academic Periodical of Shenyang Conservatory of Music 2014 Issue 1 guan yu he sheng de min zu te dian wen ti

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The New Voice of Yue-Fu-The Academic Periodical of Shenyang Conservatory of Music
1001-5736
2014 Issue 1

guan yu he sheng de min zu te dian wen ti
zhao song guang ;

..............page:5-11

A Study on Tonality Extension Techniques in Huang Huwei's Musical Compositions
Fan Zuyin;

..............page:12-21

A Study on the Thinking and Technique of Harmonic Language of Chinese Contemporary Composers
Liu Kanghua;

..............page:22-51

The Pattern Sketch of Tonality Marginalization
Wang Jin;

..............page:52-65

The Simulation Writing of Technique Characteristics and Styles of European Romantic Harmony
Xu Pingli;

..............page:66-82

A Study on the Harmony System of Scriabin's Late Years
Jiang Zhiguo;

..............page:83-97

ping liu xue yan liu ming zhu si bo suo bin he sheng xue jiao cheng de jiao yu xue tong bu fu dao jian tan liu xue yan he sheng jiao xue de jing yan yu te dian
pu ying ;

..............page:98-102

ren wu jie shao

..............page:封2,前插1-前插4

On the Source of Functional Group Theory in Practical Harmony and Its Influence
Peng Cheng;

..............page:103-106

The Duality of Brahms's Music Creation -"Inheritance" and "Innovation"
Liu Xuna;

..............page:107-116

On the "Harmonious Tone" Idea and Technique Feature of Chen Yi's "Chorus of Five Ancient Chinese Poems"
Zhang Baohua;

..............page:117-124

The Pitch Organization Relationship in Wagner's Opera Overture
Ren Dongni;

..............page:125-134

The Analysis of the Pitch Organization Relationship of "Musical Prosody from the Third Pole of the Globe"
Yang Yiwei;

..............page:135-144

The Analysis of Pitch Organization Materials in Opera "Diaoyucheng"
Yuan Wang;

..............page:145-153

The Preliminary Discussion on "Pan Tonality"
Wu Jingjin;

..............page:154-162

jing dian de fu zhi yu fan xin du mu ba lei wu ju ka men zu qu yin le de bian pei zhi ping xi
fan zhe ming ;

..............page:163-178

xi fang yin le chuang zuo zhong de fu ti cai xian xiang chu tan
chen hong zuo ;

..............page:179-184

ting jue de ying xiang yi da li zuo qu jia ni nuo luo ta chang di san zhong zou fen xi
guo zuo ;

..............page:185-190

xian xu you yin pi pa pu yan jiu
zhuang yong ping ;

..............page:191-196

ji an gao ju li yin le wen hua yan jiu
wang xi dan ;

..............page:197-201

lun wo guo min zu da ji le yan zou yi shu de yi shu te zheng ji qi yu xian dai yin le jiao yu de jie he
yi da zuo ;

..............page:202-205

bu lu he g xiao diao xiao ti qin xie zou qu di yi le zhang de jie gou te zheng ji yan zou
yang yuan ;

..............page:206-207

la wei er gang qin zuo pin de biao yan yi shu
cui zuo ;

..............page:208-214

qing qing zuo ge jiang jie de da ai qing huai he ren xing zuo li ge ju jiang jie dao yan zha ji
leng yong ming ;

..............page:215-221

xiao ti qin yin le zai zhong guo liu bian zhong de shen mei te zheng
li zheng gen ;

..............page:222-227

chuan qi zuo wang zhao yu zhai ji nian zhao yu zhai xian sheng dan chen jiu shi nian
jia xiao li ;

..............page:228-230

20 shi ji 80 90 nian dai zhong guo yin le ping lun jie yan jiu
zhang zuo ;

..............page:231-233

gang qin lian xi zhong yin fa de si kao yu tan suo sheng bi de bao yin le xue yuan fang wen xue xi zhi you gan
yin hui zuo ;

..............page:234-240