The New Voice of Yue-Fu-The Academic Periodical of Shenyang Conservatory of Music 2002 Issue 2 xiao bang de jiang b xiao diao xie zuo qu

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The New Voice of Yue-Fu-The Academic Periodical of Shenyang Conservatory of Music
1001-5736
2002 Issue 2

xiao bang de jiang b xiao diao xie zuo qu
zhang dong sheng

..............page:46-52

wu dao yi shu jiao yu yu su zhi jiao yu chu tan
yang ; liu si zhan

..............page:79-80

lun tai shi yu yan zai sheng le jiao xue zhong de yun yong
wang bao hua

..............page:76-78

qian tan ji suan ji fu zhu jiao xue shou duan dui gang qin jiao xue de yi chu
hao guang

..............page:75

tan zhong you shi ge chang jiao xue zhong de qing gan xun lian
lv ying chun

..............page:74

lun gao shi sheng le jiao xue zhong de xin li xun lian
tian ding

..............page:71-73

zuo : nao yu shou de chuang zao -- ping chen bing yi de gu zuo yi shu
xiu hai lin

..............page:70

lun gang qin yan zou zhong de ling gan si wei pei yang
liang li hong

..............page:67-69

"ban da ha qian " de ge chang zhuang tai ji qi zai sheng le jiao xue zhong de yun yong
chen qing

..............page:64-66

chang hao zhong zou de yin zhun ji qi ji chu xun lian
bai fei

..............page:62-63

yan chang zhong zi wo kong zhi de zuo yong ji xin li su zhi xun lian
zheng lu

..............page:60-61

lun sheng le jiao xue de yi shi neng dong xing
zou chang hai

..............page:58-59

Is the Yue a Singular- pipe Instrument or a Multiple- pipe one?--a discussion with Mr. Wang Bingyi
tang pu lin

..............page:53-57

Some Issues on "Sitting and Standing Performance"of Yanyue in the Tang Dynasty
zou yue fei

..............page:43-45

wu ju zi ge de di li shu xing
dong xue min

..............page:40-42

Approaching Music Composition of the Man Nationality
liu jing

..............page:36-39

On the Important Characters of Harmonic Sound in the 20th Century from Functional Changes of Tritone
liu cong

..............page:24-35

Hero's "Fence"--paragraph analysis of the arias in the operaFidelio by Beethoven
an ning

..............page:19-23

jian xi jiang ben zuo de jiao xiang yin le zuo pin kuang xiang qu
peng yong qi

..............page:14-18

The Structural Feature and Technique of Expression of The Heroic Little Sisters on the Grassland, aPipa Concerto
hu jing bo

..............page:9-13

Formation of Music Criticism
ming yan

..............page:3-8