Art of Chinese Traditional Opera 2005 Issue 4 The Spiritual Record of the Culture of Traditional Chinese Opera --On" Snapshots of Traditional Chinese Opera" Edited by Ms. Liang Yan

The Spiritual Record of the Culture of Traditional Chinese Opera --On" Snapshots of Traditional Chinese Opera" Edited by Ms. Liang Yan
Zhang Lei

..............page:115-119

Caring for the Art of Traditional Chinese Opera, Spreading the Culture of Traditional Chinese Opera --Impressions of "Snapshots of Traditional Chinese Opera"
Zheng Chuanyin;Ke Fan

..............page:113-114

Attaching Importance to the Theory of Traditional Chinese Opera, Studying on Outstanding Theoreticians --A Summary of the Symposium of the Publication of "collected Works of Guo Hancheng"
Bu Er

..............page:110-112

Women and Traditional Chinese Opera
Wang Yongen

..............page:104-109

Thoughts and Practice of Teaching of Piano in Group
Sun Xiaojie

..............page:101-103

The Introduction and the Enlightenment of the Music Education of Japan
Li Xiaotian

..............page:93-100

The Essential Characteristic and the Meaning of the Length of "The Story of the Western Wing"
Liu Xiaomei

..............page:87-92

The Change in the Style and Layout of "The Story of the Western Wing" Made by People of Ming Dynasty
Fu Dixiu

..............page:80-86

The Study on the Remaining of Nan Xi "Snow by the River at Dusk"
Xu Hongtu

..............page:75-79

A Brief Introduction of Handwritten Copies of Traditional Chinese Opear
Sun Chongtao

..............page:62-74

Covering Completely and Kaleidoscopically, Blending Inside and Outside --Some New Ideas about the Stylization of Traditional Chinese Opera
Tian Zhiping

..............page:53-61

Dramatic Assumption--The Philosophical Basis of the Performing Pattern of Traditional Chinese Opera
Ran Changjian

..............page:46-52

A Classical Theory of the Aesthetic Features of Traditional Chinese Opera
Zhang Jie

..............page:38-45

A Panoramic View of the Development of the Field of Drama and Traditional Chinese Opera
Liao Ben

..............page:35-37

Thoughts on the Writing and Rehearsal of Beijing Opera "The Sacrifice" Performed in Small Theatres
Li Liping

..............page:33-34

The Director's Elaboration of Kun Qi "Killing the Dog"
Zhao Weiming

..............page:31-32

Eight Teaching Methods of Plays of Kun Qu
Han Dongqing

..............page:23-30

The Formation and the Spread of Beijing Opera "Hanging Pictures"
Zhang Zhengfang

..............page:19-22

The Effect of Famous Performers on the Reform of Beijing Opera
Zhu Hengfu

..............page:14-18

Expectation for the Study of Beijing Opera
Gong Hede

..............page:11-13

Ren Guilin, A Dramatist Marching With the Times
Guo Hancheng

..............page:9-10

Emphasizing Features of the Academy, Achieving Condensation of Disciplines, Fortering Excellent Talents of Traditional Chinese Opera
Liu Jian

..............page:3-9

di san jie zhong guo jing ju you xiu qing nian yan yuan yan jiu sheng ban bi ye gong yan
li feng

..............page:120-121

qing zhu zhong guo xi qu xue yuan jian xiao 55 zhou nian

..............page:74

jiao xue shi jian xiang jie he , jiao gai gong zuo jie shuo guo -- ji yi shu chuan mei xue yuan tao yi zuo ping mian she ji zhan
zheng xiao fei

..............page:125

2005 bei jing guo ji dian zi yin le jie gan yan
yin le xi dian nao yin le zhi zuo jiao yan shi

..............page:124

jie bao pin chuan , ren zhong dao yuan -- wo yuan can jia di wu jie qing nian jing ju yan yuan dian shi da sai ce ji
chi jun

..............page:122-124

yan nan fei hua zi liang jiang yu ming nian chu gong yan
yao zhi qiang

..............page:121