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Juornal of Xinjiang Arts University
1672-4577
2013 Issue 3
Work Conception of Director in Beijing Opera "XiTianFeiHong"
Cao-Qizhi
..............
page:78-83
Concept and Construction of Chamber Music Course of Xinjiang Arts Institute
Sun-Liping;Xiao Yong
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page:102-105
Animation on the Theme of Ethnic Minorities Significance for the China Western Region
Bayinchahan
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page:70-72
Dawazi and Zoushen in Chinese Historical Records
Zhou-Jianguo
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page:7-13
The Schema Comparison of Traditional Chinese Painting Turned out Silver Cable Composing a New Song
Li-Shibing
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page:48-52
Research on Figure Sculptures of Xiaohe Cemetery
Wu-Yanchun
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page:1-6
On the Hidden Lyrics in Huar Culture
Yan-Zimian
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page:45-47
A Study on Imagery Performance of Watercolor
Du-Jihai
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page:63-66
On Artistic Pursuit of Chen Jianhuan
Li-Kairong
..............
page:106-110
Research on the Traditional Folk Games of Uygur
Ablat Jelili
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page:25-27
Cultural History of the Nomads:Legends Spread from Mouth to Mouth
Huang-Shiyuan
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page:14-17
The Aesthetic Standards under the Diversified Background Of Era in China
Lu Kai
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page:67-69
Artistic Analysis on the Shape and Color of the Clay Figurines Unearthed in Turpan
Yao Shuwen
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page:18-24
On the Analysis of TV Industry's Marketing Creativity after Chain Separation
Wang-Fangfang
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page:98-101
Central Asian Ikats——From the Rau Collection
Ruby Clack;Mu-Xinhu;He-Jingjing
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page:33-44
On Current Situation of Contemporary Oil Painting in Xinjiang
Alimjian Kasim
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page:73-77
zuo pin xin shang
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page:111,中插1-中插4
Ethnic Identity Theory of the Dance——Yili Sainaim in Local Uygur
Maierhaba Mijit;Dai Hu
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page:28-32
On the Ontological Characteristic of Timeliness in Chinese Painting
Yan Jun
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page:53-56
The Analysis of the Present Situation of the Adobe Houses in Kashgar——Take Saiyihana Village as an Example
Ma-Liguang
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page:57-62
Planning Principles of TV Shows from the "Flowers"
Zeng-Yaonong
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page:88-94
On Three Equal Emphasis on Strategic Consciouseness in the Development of Culture Industry in Xinjiang
Ma Feng
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page:95-97
The value of "Strolling in Aesthetics"
Shen Lu;Cheng Zhi
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page:84-87