Journal of Xinghai Conservatory of Music 2013 Issue 2 On Wagner' s "Endless Melody"

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Journal of Xinghai Conservatory of Music
1008-7389
2013 Issue 2

On Wagner' s "Endless Melody"
Chen Hong-duo

..............page:1-8,78

The Concepts of Love, Marriage and Feminity in Wagner' s Drama
Yang Jiu-hua

..............page:9-14

yin le xin wen yu ping lun ying dang cheng wei yin le xue zhuan ye de yi ge fang xiang
gan shao cheng ; li bo

..............page:68-71

ji yu sheng tai si wei de yin le ke cheng guan
dong yun

..............page:144-151

Classical Spirit and Gothic Legend:A Study of the Classical-Romantic Styles, and National and Social Class Consciousness in Wagner' s Theory of "Music Drama" around 1850
Wu Wei-xi

..............page:15-30,106

lun wo guo gao deng yin le yuan xiao he chang zhi hui zhuan ye jian she de bi ran xing
liu wei

..............page:72-78

wei kang zhan fa chu nu hou , wei da zhong pu chu hu sheng yan an he chang yun dong fa zhan ji lue (1935-1945)
shi yi bing

..............page:79-85

jiao liu yu dui hua di ba jie guo ji yin le kao gu xue hui yan tao hui zuo di si jie dong ya yin le kao gu xue hui nian hui zong shu
wang qing lei ; song zuo shuang

..............page:152-157

The Ideological Connotation of Wagner' s Parsifal
Kang Xiao

..............page:31-44

bai cheng ren shan gui yin xiang yi yun tan jiu
liu qin qin

..............page:86-92

ling nan chuan tong yin le yan jiu de xin qi dian 2012 zhong guo guang zhou ling nan chuan tong yin le yan jiu yu chuan cheng xue shu yan tao hui zong shu
li xiao wei ; ma da

..............page:158-162

On Identical Music Style of Diversified Lingnan Music:Popular Culture and Lingnan Music School
Feng Ming-yang

..............page:45-49,113

shu li qian zuo ji zong heng de jie gou xing xu shi ping li mei zhong li yin yin lv xian xiang de yan jiu
li min

..............page:163-167

ren min de xuan lv min zu de le hun lun zuo qu jia cai yu wen de yin le ren sheng
zhuang xue min ; liu zhi zhong

..............page:50-53

fa sheng xue shi ye zhong chuan dong zuo cao luo gu yu tu jia zu zuo yi zhi yi tong
liu xiao qin

..............page:93-100

mei zhou ke jia xiang hua fo shi wu dao de shen mei te zheng fen xi
cai xiang li

..............page:54-60

yu lan pen hui zhong de yin le shi liao
dai hong

..............page:101-106

wu mu jing xiang yin le ren lei xue jia bi xia de ai ji de sheng yin
li jin song

..............page:168-172

min jian ke jia shan ge zhu ti yin le xing wei de kao cha yu fen xi yi guang dong xing ning yang ru peng shan ge ting wei li
huang yan

..............page:61-67

he le de ji shi : nan dong min ge he qiang de yin le wen hua fen xi
su jin mei

..............page:107-113

zheng gao qi shi

..............page:前插3

ren wu jie shao

..............page:封2,前插1-前插2

ta jian xing liao zhong guo jing shen ji li zi li de chuan qi ren sheng
li ai qun ; mo hui ling

..............page:114-119

On the Relationship between Musical Emotion and Cognition: Dialogue between Aesthetics and Psychology
Cai Zhen-jia

..............page:120-127

wei ye na gu dian sheng le zuo pin zhong de zou ming qu shi yin su ji qi yi shu biao xian shi yi san shou zuo pin wei li shuo ming
feng cun ling ; nie pu rong

..............page:128-135

20 shi ji 90 nian dai yi lai dian zi yin le fa zhan de li cheng yu si kao
yin miao miao

..............page:136-143