Journal of Xinghai Conservatory of Music 2013 Issue 1 On Characteristics of Lingnan Culture and the Influnces in Xian Xinghai' s Works

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Journal of Xinghai Conservatory of Music
1008-7389
2013 Issue 1

On Characteristics of Lingnan Culture and the Influnces in Xian Xinghai' s Works
Zhou Guang-ping

..............page:60-64

you bi jiao cai neng jian bie li chun yi zhu zhong guo shang gu chu tu le qi zong lun shi xue fang fa tan wei
li zhong juan

..............page:93-98

On the History Periodization of Chinese Contemporary Music
Ling Rui-lan

..............page:73-75

China Related Historical Music Literature and Research in Japan
Zhao Wei-ping

..............page:24-32

mo zhong yi shi de zhong guo yin le ju you jin pei da de yin le wu tai ju tian long ba bu yin fa de si kao
xiang zuo gang

..............page:165-168

shen xing de kua wen hua peng zhuang xi mo li si ao a na hun sheng he chang a wo ha de chuang zuo ji fa
liu qi

..............page:116-126

On Functions of the Ancient Chinese Court Musical Officers
Li Guo-tao

..............page:84-92

ren wu jie shao

..............page:封2,前插1-前插2

Cross Cultural Interaction and Hybridization of Gamelan In Canada
Sutrisno Hartana;Chen ke-jin

..............page:44-50

A Comparative Research on Traditional Chinese Wind and Percussion Instrumental Music in Daogong Ritual of Li People in Hainan
Yang Min-kang

..............page:51-59

Some Issues of Periodization of Contemporary Chinese Music History
Cheng Xing-wang

..............page:76-81

Ji Kang' s Theory of "Music without Sadness and Happiness" and Mind-Music Dualism
Hu Xiao

..............page:142-146

Musical Thoughts in the Analects of Confucius
Yang Qing

..............page:135-141

The "Four Dans and Seven Diaos" in Yuezhi (Record on Music) of Liaoshi (History of Liao Dynasty)
Liu Yong

..............page:82-83,108

xin xi dong tai

..............page:封3,前插4

Comparing Orchestration Features of Forest Song Suites and Happiness Suites by Ma Sicong
Dong Li-qiang

..............page:99-108

lun yao zu zong jiao yu li yi yin le yi yao zu shua ge tang wei li
xie yong xiong

..............page:65-72

On Yue Flute
Sun Ke-ren

..............page:16-23

gao deng zhuan ye yin le yuan xiao xin xing xue qian yin le jiao yu zhuan ye fang xiang de shi jian xing yan jiu yi xing hai yin le xue yuan xue qian yin le jiao yu zhuan ye fang xiang wei li
huang sha mei

..............page:153-156

yi xi qu si wei lai chuang zuo xi qu lian bo jiao shou xi qu zuo qu jiao cheng du hou
zeng zuo

..............page:169-172

ji yu jiao wang li lun shi ye de yin le jiao yu
zhu yu jiang

..............page:147-152

bu li dun xue yuan kang ta ta di ba le zhang fu jie gou yan jiu jian lun jie gou dui wei de ji shu yuan ze he yi shu biao xian
sun zhi hong

..............page:109-115

Overtone' s Scale and Musical Scale Origin
Ying You-qin

..............page:10-15

ming ren lun yin le ( xia )
jin jing yan

..............page:157-164

The Song Series: Aboriginal Australia' S Contribution to Ethnomusicological Theory?
Stephen Wild;Yu Hui

..............page:1-9

Music Heritage and Creation: Chinese Solo Instrumental Music under Contemporary Context
Guo Shu-hui

..............page:33-43,72

huang rong zan zi shu
huang rong zan

..............page:127-134