Journal of Xinghai Conservatory of Music 2008 Issue 1 On Construction and Application of Music Study Website:With Instance of Website for Study of Musical Instruments Frequently used in Lingnan Music

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Journal of Xinghai Conservatory of Music
1008-7389
2008 Issue 1

On Construction and Application of Music Study Website:With Instance of Website for Study of Musical Instruments Frequently used in Lingnan Music
HU Li-zhi

..............page:109-112

Solfege Discipline Theory Construction from the Various Point of View
REN Zhi-qin

..............page:106-108

Teaching Analysis of Brahms Piano Intermezzo OP.119 No.2
LI De-fang

..............page:103-105

On Development and Features of Folk Traditional Style Accordion Composition
LIN Wei-hua

..............page:100-102

On Electronic Keyboard Music Creation
XIE Ji

..............page:96-99

Coordination of the Piano Accompaniment in Cooperation with Singer
GUO Jie

..............page:93-95

Retrospect and Expectation of the Teaching Reform of Orchestration Course in Composition Department, Xinghai Conservatory of Music - Speeches addressed at National Orchestration Forum in Beijing Modern Music Festival, 2007
FANG Xiao-min

..............page:90-92

On Cultivation of Music Performance Skills
YI He

..............page:25-27,71

"Wen Zi" and the "Listening" Philosophy of Chinese
JIANG Jing

..............page:22-24

Dual Antinomy and Compatibility of Theology Connotation and Acoustics Form Gusto——A Quest of Mass Music Developement Course from Middle Ages to Renaissance
HUANG Yan

..............page:16-21

Xu Ru-hui and pop music in Shanghai: Documents of an individual's personal history of pop music
Xu Wen-xia

..............page:1-15

German Musical Teachers' Educational Reform in the Light of "Bologna Process"
DAI Bai-sheng

..............page:80-89

Practice and Exploration of China Pentatonic Scale with Chromaticalized Harmony
LI He-zhou

..............page:72-79

A Discussion on the Temperament of Bach's "48 Preludes & Fugues"
YAN Zhi-yuan

..............page:68-71

Discrimination between the musical form in traditional analysis and the form in Schenkerian approach
TANG Da-lin

..............page:63-67

Features of Zhang Xiao-fu's e-musical composing
Xu Xi-bao

..............page:59-62

A new quantitative-qualitative approach for illustrative tonal description and analysis with a discussion on the mathematical logic of tonal sequence found in the National Anthem (March of the Volunteers)
PU Heng-jian

..............page:54-58

Simple and Elegent and Enjoyable:An Analysis of the Artistic Style of Mr. Luo Jiuxiang's Hakka Zheng Playing
CHEN Xiao-er

..............page:49-53

About "Typological Copy" and "Typical Creation":A Discourse about "One Tune Multiuse" and "One Tune One Use" in Drama Music Composition
huang qiong ;huang qiong

..............page:46-48

An oral performing art: The relations between oral transmission and notation in folk performing group
WU Fan

..............page:38-45

Contributions of epilepsy research to the psychology of music
CAI Chen-gia;LIN Yung-yang

..............page:31-37

History of Western Music Aesthetics and Problem Consciousness of Chinese——Thoughts on "History of Western Music Aesthetics" Teaching
SONG Xiang-Rui

..............page:28-30