Journal of Xinghai Conservatory of Music 2006 Issue 4 The present status and issues in studies for the history of Chinese musical thoughts

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Journal of Xinghai Conservatory of Music
1008-7389
2006 Issue 4

The present status and issues in studies for the history of Chinese musical thoughts
LUO Yi-feng

..............page:1-9,封2

The Explanation on the Ontology of Chinese Ancient Confucianism——the existence and the method of being of music works
GONG Ni-li

..............page:10-14

A study on the college students' learning and preference in music
CAI Li-man;HUANG Hong

..............page:15-18

My observation on the ancient Chinese psychological thoughts and cultural ideas in music
ZHANG Jing

..............page:19-25

The concept of dynam in melody
LIAO Sheng-jing

..............page:26-32

Classified Concepts and Term Discrimination of Single-movement Forms in British and American Musical-form Analysis Literatures
REN Da-min

..............page:33-41

On pluralistic styles of teaching for composing: Speech delivered at the Third Festival of Modern Music, Beijing
FANG Xiao-min

..............page:42-44

A holistic and integrated approach to musical listening training: The program tried and an analysis
GUAN Ming-shu;SHAO Shen-hong

..............page:45-52

An analysis of the musical features in Lyric Pieces by Gieg
FAN Xiao-jun

..............page:53-59

The features of choral composition A Remote Village by the Sea
YANG Nian-nian

..............page:60-62

Decoding the repertoire of folk song collection found on the bamboo writing slips during the Warring States Period
CHEN Wen-ge

..............page:63-65

A study on Senior School Music Texts by Huang Zi
YANG He-ping;WU Yue-xin

..............page:66-75

Changes for teaching sight reading and ear training for 21st century
REN Zhi-qin

..............page:76-80

Research-based learning of music for non-major college students
FANG Fang

..............page:81-85

The instructional values of piano arrangement
LONG Ying

..............page:86-87

Basic ways in piano performance: Non-legato, legato and staccato
ZHANG Xiao-ling

..............page:88-89

on the expressive function of piano accompaniment for vocal music
GUO Jie

..............page:90-92

San Bao Fo (三宝佛) The origin and a rendering guide
YUAN Jing-jing

..............page:93-95

On the problems found in the teaching for tenor and some useful countermeasures
SHAN Min

..............page:96-98

Some thoughts on aboriginal singing
FENG Guang-yu

..............page:99-102

A dialogue with Gang Shang Shi
WANG Shao-ming

..............page:103-106

A dialogue with Deng Yun
LIU Tian-shi

..............page:107-109