Journal of Xinghai Conservatory of Music 2006 Issue 1 The cultural perspective for musicology--A review of the fifteen years study in Guangdong

Home | Survey | Payment| Talks & Presentations | Job Opportunities

Journals A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Journal of Xinghai Conservatory of Music
1008-7389
2006 Issue 1

The cultural perspective for musicology--A review of the fifteen years study in Guangdong
FENG Ming-yang

..............page:1-5

The traditional Ewenki, Oroqen, and Daghur music viewed from modern perspectives
FENG Guang-yu;WANG Gui-qin

..............page:6-9

Folk songs and folk-song-based composing--Topics related to Wang Luo-bing, Guo Song, Zhu Zhong-lu and others
LI Huai-zi

..............page:10-14

A study on the wedding songs: 1990's and beyond
KANG Ling

..............page:15-20

A proposal for the graduate program of music esthetics and the related issues
HAN Zhong-en

..............page:21-26

Two ways of thinking on the issues of music and ethnic groups
LI Shu-ming

..............page:27-32

Esthetical Listening and Survival Meaning
LU Xiao-ling

..............page:33-35

General principles and expressive characters of beauty in songs
MAI Qiong

..............page:36-39

Perfect Discipline of Scientific Research Process is the Key to Succeed a Qualified Academic Study: The fifth letter on academic writings of music
ZHOU Qin-ru

..............page:40-46

On the structure of Yin-Yang in contemporary composing and theory
FANG Xiao-min

..............page:47-57

An explanation of the musical language in the 20th century
MA Dong-feng

..............page:58-60

The Interrelationships of Art Song's Composition and Lyric in 19th Century
YAN Xiao-yu

..............page:61-65

On the four relations in playing Pi-pa
CHI Ling-long

..............page:66-68

Toward a perfect design for singing and its presentation
LIU Shan-zhen

..............page:69-74

The advantages of Italian phonemes and elementary training for Bel Canto
YU Xia-wen

..............page:75-78

Deliberations of Proper Limit Of Music Expression in Piano Performance
HU CHANG

..............page:79-84

A tentative discussion of the meaning of timbre in the cello performance
ZHANG Hai-min

..............page:85-87

A try-out study on a "reversing" strategy in teaching harmony for the musical performance majors
HUANG Yang

..............page:88-91

How to use PC in piano teaching
CAI Yang

..............page:92-93

The secondary creation made by performers
ZHANG Qiang

..............page:94-95

A new area of folk song study and an inscription for the life experienced
QIAO Jian-zhong

..............page:96-99

Attentions paid to Cantonese music on the basis of "problem-awareness"
WANG Shao-ming

..............page:100-104

A summary report: The Seventh National Symposium of Music Esthetics
WU Jia;YU Liang;YANG Jing

..............page:105-110

A summary report: The Second National Symposium of Music Psychology
LUO Xiao-ping;ZHANG Zhuo

..............page:111-112