Journal of Xinghai Conservatory of Music 2003 Issue 2 Luciano Berio, the Superior Master of Sequenzas in the Contemporary Music

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Journal of Xinghai Conservatory of Music
1008-7389
2003 Issue 2

Luciano Berio, the Superior Master of Sequenzas in the Contemporary Music
xu chang jun

..............page:1-11

The Social activties and Pure Music In Copland's "Practical Music" and Drama Music
he ping

..............page:12-16

A Technical Analysis of Bach's E - flat Minor Prelude and Fugue From his Well- Tempered Klavier
xu zuo

..............page:17-22

Commemorating 240 Years of Gluck' s Opera Reform Movement
zhang fan

..............page:23-26

Through Theory of the Two Brain Hemispheres' Work Division to Look for the Solution of Stage Fright Problem-An Inspiration of Tennis Ball Movement in Heart
wang chao gang

..............page:27-29

Content is not Equal to Connotation--Difference and Analysis of the Commonly Used Concepts in Music Aesthetics
zhou xin ye

..............page:30-31

On Piano Player's Mental Makings
li lin

..............page:32-34

Studying and Collating of Music of Going Dragon Boat
zhuang yong ping

..............page:35-38

My personal Views to the humanistic spirit of the erhu (Two-stringed fiddle)
zhu dao zhong

..............page:39-45

On the main features of the Chinese bamboo flute's solo art development in the 20th century
geng tao

..............page:46-48

Study of Rules in Lyric's Image Perception in Vocal Works
miao yu

..............page:49-53

About the Completeness of the Piano Playing Training
liang hai dong

..............page:54-55

Combination of Skill and Art is the Soul of Singing
xin en li

..............page:56-60

About the Hands' Position & Fingerings in Basic Piano Exercises
long ying

..............page:61-64

wei ge jiao xue zai yin le jiao xue ji neng xun lian zhong de ying yong
ye qiao zuo

..............page:90-91

tan tan gao shi shi chang lian er ke zhong de jie zou xun lian
li

..............page:92-95

zen yang gen ju ge qu zuo pin de shi ji jin xing xi zhi de tu zi gui yun diao jie
di xue jing

..............page:96-97

lun dan huang guan yan zou jiao xue zhong de yin zhun
dong de jun

..............page:98-99

Application of Communication Techniques in Music Education
sun da feng

..............page:100-101

tan tan yin le yuan xiao de fei shu zi liao
wu liang hua

..............page:102-103

lun tu jia zu " da liu zi " de yi shu xing tai
chu yi

..............page:104-105

chao le ya yun sheng shi jiao xiang
cai song zuo

..............page:106-106,108

guang zhou gang qin jiao yu jie de tai dou -- tong xing zhuan jia sheng zan li su xin jiao shou
luo xiao ping

..............page:107-108

Explanatory Notes on Playing "Estampes" by Debussy
wang yuan

..............page:65-68

The Two Errors Easily Commited in Piano Performance and The Corresponding Measures
liu chang

..............page:69-72

From Khachaturian' s Violin Concerto to Discuss the Utility of Violin's Timbre
yu li

..............page:73-77

A Talk of the Elective' Course Content & Frame Design of Vocal Music in Normal Music School
xu xiao zuo

..............page:78-83

The Standard of Music Curriculum and Reform of Radical Music Education
luo ke man

..............page:84-85

Evaluation on Present Situation of Primary and High School Music Education in Guangdong Province and Countermeasures
wang chao xia

..............page:86-87

The Importance of Folk Music Education & Implementary Suggestions
zeng you jun

..............page:88-89