Journal of Tianjin Conservatory of Music(Sounds of Nature) 2011 Issue 1 The contribution and Inspiration of the art of modern erhu by Wang Guotong——On the 60th Anniversary of his art devotion and 50th anniversary of his teaching experience

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Journal of Tianjin Conservatory of Music(Sounds of Nature)
1008-2530
2011 Issue 1

The contribution and Inspiration of the art of modern erhu by Wang Guotong——On the 60th Anniversary of his art devotion and 50th anniversary of his teaching experience
JIN Xue-dong

..............page:28-31

Three dialectical relationships in Erhu teaching
SONG Guo-sheng

..............page:48-54

ren wu jian jie

..............page:封2

bei duo fen gang qin zou ming qu yu qi jiao xiang qu de gong xing yan jiu
lin miao

..............page:109-116

Discrimination between Zheng and Gou-diao
ZHU Guo-wei

..............page:69-79

Gratitude and reflection by Beneficiaries
XIANG Yang

..............page:32-40

Zhang Jian Shijia and the Origin of Nantong music education
CHEN Zhi-gang

..............page:24-27

Musical reproduction of Chu rituals——The Blending of Tan Dun\'s "Nine Songs" and Chu rituals
WU Shuang

..............page:101-108

zai xi meng gu zu chuan tong sheng le yi shu hao lin chao er
yang hai yuan

..............page:44-47

gao yue

..............page:封4

Re-argument on "abdominal breathing"
ZHANG Ning

..............page:58-62,68

Musical Experience and historical study(1884-2010)of Li Shutong(Monk Hongyi)
SUN Ji-nan

..............page:1-14,54

The Contradictories between classical form and die Zeitgeist during the first half of the 19th century Romantic music and their Causes——Illustrated by Schumann\'s "Symphonic Etudes"
WU Wei-xi

..............page:83-100

wei er di ge ju zhong nan di yin sheng bu jiao se de yi shu te zheng
wei lun ji

..............page:121-127

ge chang fang fa de gui fan xing ji ling huo xing
yang bao li

..............page:55-57

dan tiao sao fu jiao zuo qie cuo za dan lun pi pa du zou qu qiu chan de chuang zuo
liang wen zuo

..............page:117-120

How were Gong and Shang generated? How to understand He and Miu?——Rethinking on music literature fragment in Huainanzi: Tianwen xun
X(U) Jin-yang

..............page:63-68

min zu yin le gai lun yu chuan tong yin le fen lei yan jiu
wang ya li

..............page:41-43,47

"di qi jie guo ji yin le kao gu xue xue shu yan tao hui " hai bao chen shu zhai yao xuan kan

..............page:80-82

The Relationship between Westerners who came to China during 1920～1930s with Chinese music
GONG Hong-yu

..............page:15-23,40