Journal of Tianjin Conservatory of Music(Sounds of Nature) 2009 Issue 3 shen qi de da ji le qi ding zuo

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Journal of Tianjin Conservatory of Music(Sounds of Nature)
1008-2530
2009 Issue 3

shen qi de da ji le qi ding zuo
yang jian

..............page:91-93

A Critical Study on "Note Borrowing"
LIU Yong-fu

..............page:94-96

"zhuang gu shi " yi shi tan xi
xiao yan ping

..............page:97-103

Polarized contrast and expansion of alternative "staticness" and "dynamicness"——Musical Structure Analysis of Tippetts "The Third Symphony"
LI Ru-chun

..............page:104-113

A Polyphonic study on Schnittke\'s Requiem
SUN Zhi-hong

..............page:114-122

The Music Soul of the Nation——My experience on performing Yap Sheng- chang\'s "Concerto for Solo Violin, Woodwind, Brass and Percussion"
TANG Tian-tian

..............page:123-127

gao yue

..............page:封4

ren wu jie shao

..............page:封2

Retrospect and Prospect of methodology of Ethnographic research in Chinese Music
YANG Min-kang

..............page:1-8

Related issues on the discipline construction of Chinese musical archeology
WANG Mei-jia;YANG Xiu-kan

..............page:9-13,20

Hidden Clues in Zhu Zaiyu\'s Thoughts on applied temperament and theoretical temperament
GUO Shu-qun

..............page:14-20

New Comments on the "Sheng LuFa" in Lushi- Chunqiu——New understanding of "upward creation" / "downward creation" and "Wei- shang" / "Wei- xia"
LIU Xi-guo

..............page:21-27

Hellenistic: General Introduction to Roman Aesthetics of Music
SONG Xiang-rui

..............page:28-31,36

Collision of Thoughts: Divarication between Xun Zi\'s and Mo Zi\'s musical sociology thoughts
QIANG Zhong-hua

..............page:32-36

The Bu - Se system in Jiaofang(Music Institution) of the Song Dynasty
CAI Fei;TIAN Ke-wen

..............page:37-45

The Bell and Chime Music in the ritual music of the Han Dynasty
CHEN Dian

..............page:46-51,71

Three Topics on the sleeve dance in the Han Dynasty
PENG Jie-bo

..............page:52-61

A study on Yelu Chucai\'s performing of "Guangling san"——The Evolvement of "Guangling san" in the Song and Yuan Dynasties
WU An-yu

..............page:62-71

Probe into the origin of the horizontal Konghou
LI Na

..............page:72-78,85

Rethinking on the emerging time of Horsetail bows used on cylindrical pulled-stringed instruments
XU Xiao-xia

..............page:79-85

gu le qi zuo yu de yin le te xing tan xi
zhao ling

..............page:86-90