Journal of Tianjin Conservatory of Music(Sounds of Nature) 2001 Issue 2 The Thought's Origin of the Viewpoints about Music in "Lü Shi Chun Qiu"

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Journal of Tianjin Conservatory of Music(Sounds of Nature)
1008-2530
2001 Issue 2

The Thought's Origin of the Viewpoints about Music in "Lü Shi Chun Qiu"
Wang Jun

..............page:15-21,41

zhou shao mei chuan pu guo le jiang yi diao cha jian bao
ni zhi pei

..............page:22-24

zhong guo shou feng qin zuo pin chuang zuo fa zhan gui ji
shen bo

..............page:25-29

du han si li ke de lun yin le de mei you gan
liu zuo

..............page:30-33,72

qian tan er shi shi ji yin le de " you xu " yu " wu xu "
tian wei ming

..............page:34-37

The Model of Comparative Research by Culture Mixing--The Impression of Rereading The Art of Sanxian
Zhao Zhi'an

..............page:38-41

The Essential Basis of Distinguishing the Modes --Rules of Music ( Ⅱ )--Talking about the 3rd Aspect of Distinguishing the Modes from"Ku Yin" Gong Mode
Yang Shanwu

..............page:4-10

Lutoslawski's Cello Concerto
YAO Heng-lu

..............page:11-14

zuo xiang ba qian nian yin le hui zai xiang gang ju xing -- tang pu lin gu zuo zuo pin shou ci zai xiang gang gong yan
xian xiang

..............page:80

wo yuan ke yan cheng guo huo jiang xiao xi
zhao yan chen ; gao yan sheng

..............page:78-80

yin xiang zi liao shi huo de yin le wen xian
zhao shi zuo

..............page:76-77

yong xian dai jiao yu li nian ren shi jiao cai chuang xin ge ming
zhu ge rui fen

..............page:73-75

The Dialectical Elements in Liszt's Music Comments
Tu Yan

..............page:67-72

Music Plays An Important Role in Quality Education
Xie Hongyan

..............page:64-66

A Brief Talk on Teaching Reform Based on Enhancing the Students' Comprehensive Quality
Ma Maolong

..............page:60-63

lun gao shi yin le zhuan ye qi le ji qiao ke de jiao yu xue
chen zuo

..............page:57-59

pei yang zong he neng li fa zhan jun heng shi li -- yin le jiao yu xi gang qin jiao xue si lu qian xi
cheng qi

..............page:53-56

The Singnificance of Lied in Vocal Performing and Teaching
Mao Hui

..............page:51-52,63

Talking about the Essential Principles of Pipa Education
Dong Jiuru

..............page:48-50

The Singificance of the Monthenatic Ternary Form in Compsition Teaching
Gu Zhimian

..............page:42-47