Journal of Tianjin Academy of Fine Arts 2014 Issue 2 Editorial

Editorial
bei fang mei shu bian ji bu ;

..............page:1

xin xi dong tai

..............page:5-6

Speech at the Opening Ceremony of the Exhibition of Excellent Works by Graduates of 2014 of Tianjin Academy of Fine Arts
Deng Guoyuan;

..............page:7-16

The Strength of Conviction: A Brief Comment on "The Zero State" Installation Art Exhibition
Liu Shijie;

..............page:17-19

Existential Mode of Art in the Digitalized Era: Note on an Interview with the Artist Sheng Tianhong
Shao Liang;

..............page:20-23

An Interview with Sheng Tianhong on His Solo Exhibition "Love in the Digital Era"
Chen Qian;,Liu Shijie;

..............page:23-26

Impressions of the Impact 8 International Printmaking Conference
Zhang Wan;

..............page:27-28

Revelation of Artistic Creation: Thoughts After Writing An Introduction to the Art of Oil Painting
Zheng Dai;

..............page:29-30

The Expression of Time Element in Painting
Wang Jinling;

..............page:31-32

Comparison Between the Eastern and Western Concepts of Painting from Nature
Fu Jie;

..............page:33-35

Rectifying Deviations in Contemporary Chinese Realistic Oil Painting
Jiang Changhong;

..............page:36-37

Transformation from Painting Techniques to Language of Art
Duan Xiaogang;

..............page:37-38

The Role of the Conscious and the Unconscious in Painting Creation
Du Chao;

..............page:39-41

The Impact of State of Mind on the Art of Painting
Zhang Haonan;

..............page:42-43

Associative Thinking and Graphic Creativity
Ma Li;

..............page:43-44

Faces of the Patriarchal Society: Significance of the Portraits of Ancestors
Shao Yan;

..............page:45-52

An Examination of the Authenticity of the Catalogue of Painting and Calligraphy Found in Chihong Pavilion
Zhang Xiaozhuang;

..............page:53

Why Li Shutong Adhered Only to Calligraphy in His Old Age
Liu Jinku;

..............page:54-56

Changes of Images of Female Figures in Meticulous Paintings in New China (1949-2010)
Wang Peng;

..............page:57-59

Zhao Mengfu in the Multicultural Context of the Mongol Empire
Du Rui;

..............page:60-62

Changes of the Style of Literati Painting in the Environment of Commodity Economy: Ways in Which Art Intermediaries Affected Art Consumption
Li Zhen;

..............page:62-63

Cultural Characteristics of Chinese Folk Sculpture
Peng Bo;

..............page:64

The Trace Ⅲ: Poetic Expression of Visual Apperception
Gao Liang;,Jin Shui;,Shao Liang;,Zhang Lifu;

..............page:65-67

Poems and Paintings by Zhao Nong: Sing a Song Passionately and Leisurely in the Vast World

..............page:68-70

Poetry and Painting in the Art of Traditional Chinese Painting
Shen Hongli;

..............page:71

The Quantitative Study on Psychological Cognition of Historical Streets Space: With Tianjin Binjiang Road as an Example
Lan Xu;,Zhu Jiayin;

..............page:72-73

Design of Rain Gardens Based on the LID Concept
Sun Kuili;,Sun Kuiyong;

..............page:74-75

Net Art: An Entirely New Field of Art
Song Zheng;

..............page:76-77

When New Media Encounter Animated Cartoons
Wang Lisha;

..............page:78-79

Objects Speaking in Works: Profound Implications of Everyday Objects in Contemporary Photography
Gao Yan;

..............page:80-81

Hotel Design Under Experience Economy
Hou Yi;

..............page:82-83

Application of Ancient Chinese Theory of Painting to the Ideas of Contemporary Industrial Design
Han Jiuhai;

..............page:83-85

Lacquer of Lacquer Art
Li Mingqian;

..............page:85-86

Reporting Exhibition of the "Pixels and Sound" Course Held Successfully at School of International Art Education, Tianjin Academy of Fine Arts
Wang Yadong;

..............page:87

Investigation and Analysis of Innovation and Entrepreneurship Education of College Art Students
Liu Zheng;

..............page:88-90

Research into Creativity Cultivating Pattern for Industrial Design Major
Li Xiaona;,Zhu Yunlong;

..............page:91-92

Potting and Wisdom: Some Thoughts on Pottery Course Teaching
Zou Hongqin;

..............page:92-93

Practice and Research of Composite Materials in Basic Teaching of Design
Hu Jinghui;

..............page:94-95

Significance of Traditional Chinese Painting for Modern Art Education
Huo Yan;

..............page:96

Social Responsibility in the Education of Visual Communication Major
Wu Xi;

..............page:97-98

Faculty of Painting of Surikov Art Institute
Sun Xun;

..............page:98-100

zuo pin xuan

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