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Journal of Suzhou Art & Design Technology Institute
1672-3848
2010 Issue 2
Investigation and Introspection of Zhenhu\'s Embroidery
Zhang Xichang
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page:85-90
On the Orign of Tatoo
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page:43-46
Neo-eclecticism of Modern Chinese Design
Xue Juan;Geng Lei;Hu Tianxuan
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page:39-42
A Interiew with Zhang Fuye
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page:51-58
Ancient Tastes of Simplicity:Khitan\'s Gold Crown
Lu Fang
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page:47-50
Neutralization from Thought to Form: the Origin of Design of Paper Antique Repairing Equipment
Cao Yihua
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page:31-32
On Action Teaching Method of Interior Design
Mou Kai
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page:19-20
On Teaching and Teaching Method of Animation Design
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page:11-18
To Wander to the Deep of Blank:On Zhao Gang\'s Artistic Language
Cui Cancan
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page:71-74
Fierce Animal:a Way of Communication
Chen Ping
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page:21-26
Metalwork Refracting Japanese Civilization
Zhang Fuye
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page:59-62
Origin of Magic and 3D Construction: the Art of Bruce Pollock and Sarah Steinwachs
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page:91-96
Selected Works
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page:63-65
Let it Be:Shellkovsky\'s Art
Wang Yong
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page:97-102
Life of Suzhou Embroiderty: A Interview with Gu Wenxia
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page:77-80
Taste from Tasteless
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page:66-70
To Look into Regeneration of Traditional Crafts by Viewing Contemporary Suzhou Embroidery
Wang Xin;Zheng Rongrong
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page:81-84
What Be a Comfort:the Form of Incense between Han and Tang
Yang Haixia
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page:35-38
Teaching of Product and Space Design
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page:2-10
The Development of German Multimedia Arts(2)
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page:103-108
Sense Limit and Measurement:Training of Critical Ability in Product Design
Pan Pingguan
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page:33-34
Red Group in the Course of Modern Costume Design
Sheng Yu
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page:27-30
Why and How: Teaching of Visual Arts in Context of Contemporary Arts
Zhao Gang
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page:74-76