Decoration 2009 Issue 4 bei jing fu zhuang xue yuan zhong hua ren min gong he guo 60 zhou nian guo qing qun zhong you xing fu zhuang she ji xiao guo tu

bei jing fu zhuang xue yuan zhong hua ren min gong he guo 60 zhou nian guo qing qun zhong you xing fu zhuang she ji xiao guo tu

..............page:53-60

Formative and Structural Originality of Modern Cases and Bags
li xue mei

..............page:35-38

An Interpretation of Post-Impressionist Painters
xu dong qing

..............page:52,61

Discovering the Originalities in Advertisements
xue zhen tian

..............page:10-14

Rediscovery and Reinterpretation of "Riverside Scene at the Qingming Festival" and the Generation of the Concept "Song-Dynasty Genre Painting"
huang xiao feng

..............page:21-25

Modeling the Generation of Feminization of Modern Men\'s Wear Design and Exploring Its Influence
cai zuo

..............page:43-45

Striking a Balance between Freedom and Rule——a Brief Analysis of the "Rites and Music" Elements in Chinese Traditional Furniture
zhang qing

..............page:89-92

Applying Musical Temperament to Teaching Composition of Chinese Traditional Painting
chen lei

..............page:110-112

Interview with Professor Colin Renfrew, the Director of Design and Technology Department of London Institute of Fashion
xie ping ; lan zuo ; wang lu yang

..............page:31-34

Prospect for Luxury Goods and Fashion in a Competition to Win or Die
du bing bing

..............page:39-42

Survey on the International Seminar of Chinese Ancient Tomb Art
wang wei

..............page:26-30

Modern Chinese Ink-and-Wash Painting Art
ji shao feng

..............page:93-97

International Art in Chinese Style——an Interview with Mr. Wu Mingzhong, a Renowned Artist

..............page:98-100

Relations between Fine Art Education and Personality Rebuilding
ding fang

..............page:101-102

Dissonance and Harmony——- Application of Colors in Pattern Design
zhou tao

..............page:103-105

Instillation of Social Science Elements into Artistic Design and the Rise of Empirical Study Approach to Art——On the Theoretical Frontline and the Development Trend of Modern Artistic Design Research
zhu shuai

..............page:85-88

A Brief Analysis of the Design and Consumption of Women\'s Wear in Shanghai in the Late Qing Dynasty through Danshizhai Magazine
guo qiu hui

..............page:68-73

Art Nouveau and the Curves in Antoni Gaudi\'s Works
he ning

..............page:74-77

On the Four Cores of Historical Interpretation of Design
li li xin

..............page:62-67

Channels for "Credibility"——a Profile of 2009 World Design Conference and International Design Week Held in Beijing
bai lu ; li jun hong

..............page:78-84

The Meeting of Chinese Paper-Cut Art with Finnish Epics
qiao xiao guang

..............page:46-51

"Tintern Abbey" by Carl Gustav Carus and the Contemporary Romantic Paintings
ji de hei er ge fu ge er ; liu zuo shan

..............page:4-9

On Teaching Methodology of Introductory Courses of Industrial Design
jin hui jian

..............page:106-109

di si jie " wei zuo er she ji " da jiang sai zuo "40 ba yi zi " guo ji she ji shi zuo pin yao qing zhan can zhan zuo pin xuan

..............page:113-114

Hinging on Rulers while Soaring beyond Norms——the Development Track of Pre-Song Dynasty Jiehua
wang yan yun

..............page:15-20