Journal of Nanjing Art Institute (Music & Performance) 2010 Issue 3 The Model of Poetic Spirit and Artistic Imagination—

The Model of Poetic Spirit and Artistic Imagination——Robert Schumann\'s The Poet\'s Love
chu hai lun

..............page:79-85

Professor Wang Anguo, Music Theorist and Educator
cai meng ; xu hong shuai

..............page:171-174,185

The Tragic Style of the Pi Pa Playing in the Song Dynasty-Reading the "Song Pi Pa Script"
wang li li

..............page:36-39

The Cultivation and Training of the Mobility of Auditory Sense in Piano Playing
wang hai bo

..............page:136-139

On the Tragic and Comic Quality of Eugene O\'Neill\'s "A Touch of the Poet"
yin di

..............page:153-157,161

A Narrow Observation on the Vocal Teaching in the Tchaikovksy Conservatory
dan hong jian

..............page:110-114

On the Balance in Vocal Teaching
dai yang

..............page:120-123,135

The Teaching of Solfege in the Post Modern Epistemological Age
liu li

..............page:115-119

The Model of Spreading the Popular Music Based on Jürgen Habermas\' Theory
huang de jun

..............page:102-105

Research on Music Education and Music Performance The Misunderstanding of the Teaching on Ethnical Instruments in the Teachers Colleges
xue jun

..............page:106-109

The analysis of contemporary collage students\' music consumption behavior
wang jian yuan

..............page:93-96

Singing of the American and British Popular Songs
xu yuan yong

..............page:86-92

Interpretation of the Symbols and Reproduction of the Meanings: Thoughts on the Aesthetics of Vocal Performance
ye wen hui

..............page:16-19,46

The Music Procedure and Its Evolution in the Scriptural Reading Ceremonies in Jing Jiang
ma yun zuo

..............page:59-68

The Cinematic Language of "The Great Cause of Founding of the People\'s Republic"
liu yong ning

..............page:147-152

An Ever Deep and Never Ending Topic——Research on the Background and Musical Style of Mozart\'s Wind Compositions
chen jian hua

..............page:72-78

The Whirling Coffin and the Melody
zhang zhen tao

..............page:50-58

Wagner on Music (selected translations)
jin jing yan

..............page:1-9

Commemoration of the 30th Anniversary of the First National Ethnomusicology Symposium Held in the Nanjing Arts Institute
gao hou yong

..............page:47-49

The Discovery of New Sound Sources and the Disappearance of the Tonality in the 20th Century
wang an guo

..............page:69-71,109

The Important Pioneer of the Chinese Opera: On the 100th Birthday of the Chinese Operatic Composer Huang Yuanluo
cao zuo

..............page:40-46

The Journey of Seeking Beauty on the Keyboard: The Essays Written Since the 1980\'s on the Aesthetics of the Piano Music
yang zhu xiang

..............page:20-24

ben qi ming jia

..............page:封2,后插1-后插4,封3

Whose Voice is it?——The Singing of the Popular Songs in the Digital Age
zhang

..............page:97-101

xin xi dong tai

..............page:92,119

The "Four in One" Method in Piano Sight Reading
yang xiang yong

..............page:129-135

The Dialectic Unity of the "Meaning" and the Sound of a Composition: The "Existence" and "Existent"
zuo er kang

..............page:10-15

The Founding Piece of the 20th Century Cello Etudes——A Technical Analysis of Popper\'s Advanced Cello Etudes
wang ding zhu

..............page:140-146

On the Life Emotion and Appeal of the Art of Chinese Ethnical Dances
zhang peng fei

..............page:162-166

Studies on Music History and Ethnomusicology "Xiao Si" Court Music Bureau and the New Ceremonial Music in the Ming Dynasty
xiang yang

..............page:25-35

Abstract

..............page:186-188

Comments on the High Level Forum of the Ethnical Instrumental Music Writing of the "Golden Bell Award"
qian qing li

..............page:181-185

Passionate Romanticism and Romantic Passion: The Piano Recital of Ju Jin
xu wen zheng

..............page:178-180

Book Review: "Music Aesthetical Psychology of the Chinese People"
li xiao ge

..............page:175-177

The Pros and Cons of Group Violin Lessons
qin fang

..............page:124-128

Analysis on the Dancing Characteristics of Ceremonial Dances to Confucius
sun zuo

..............page:167-170

On the Adaption of Caricature Films——Using Ji Mi\'s Works as Examples
wang yan

..............page:158-161