Journal of Nanjing Art Institute (Music & Performance) 2009 Issue 4 On Xiao Ziliang and Liang Wudi\'s Contribution to Localization of Buddhism Music Qian Hui 068 Music of Suzhou Tanci In the Viewpoint of Heritage of Non-material Culture

On Xiao Ziliang and Liang Wudi\'s Contribution to Localization of Buddhism Music Qian Hui 068 Music of Suzhou Tanci In the Viewpoint of Heritage of Non-material Culture
chen jie

..............page:73-77

lun xiao zi liang liang wu di dui fo jiao yin le ben tu hua de gong xian
qian hui

..............page:68-72,107

On Aesthetic Feature of Movie Music
wang xin

..............page:64-67

On the Pronunciation, Meaning and shape of Chinese Ancient "Flute" Wang Xiaojun 043 Manifesting Drama With Colorful Rhythm——Success of Rossini\'s The Barber of Seville
tu yan

..............page:56-63

Colloguing Accomplishment, Facing Present Situation, Marking Out Future——Preface of "Collection of the Forum of Reform and Opening and Contemporary Musicology"
ju qi hong

..............page:31-34

"Liu Ban" and the Family of "Liu Ban"——Identification of Construction of Silk and Bamboo Song of South of Yangtze River Family
wu guo dong

..............page:22-30

lei meng wei lian si de dian shi ben ti lun " dian shi yan jiu " de li lun dian ji
yi qian liang ; jin chang qing

..............page:158-164

gu " ha " yin yi xing zhi kao
wang xiao jun

..............page:43-55

The Spirit of University of Musicology
yang zuo fan

..............page:39-42

Elabrate Construction of Internal Tensor in Music——Ma Youde\'s Theory of Teaching and Performance of Erhu
liu cheng hua

..............page:35-38

2009 nian 5 yue , li zuo qing zhong guo jin xian dai yin le zhuan ti jiang zuo zuo yin le hui jian ying

..............page:前插1

song zu ying deng xian ge di er jie quan guo gao deng yi shu yuan xiao min zu sheng le da sai ban jiang wan hui

..............page:封底

Television Ontology——Foundation of "Television Research" Yi Qianliang, Jin Changqing 158 Research of Contemporary Cross-Nationality Director In The World
cui jun

..............page:165-170

di er jie quan guo gao deng yi shu yuan xiao min zu sheng le da sai lue ying

..............page:封3

li zuo qing tong zhi san ci zuo lin nan jing yi shu xue yuan , guan zhu yi shu jiao yu de jian she fa zhan

..............page:封2,前插2-前插4

bu bai

..............page:11,77,164

Pattern of Movement in Kun Dance GuXin188 Imitation——Moving in Multi and One dimension of Dance
zhang chun he

..............page:192-196

kun wu zhong dian xian mian de yun dong fang shi chu tan
gu xin

..............page:188-191

On Science of Dance Training and Scientific Dance Training
feng bai yue

..............page:180-187

Dimension of distance——Analysis of Accept Psychology of Abroad Movie Yao Haoyun 171 Application Feature and Role of Sound in "Real Reoccurrence"
wang ling yu

..............page:175-179

ju li zhi wei jing wai dian shi ju jie shou xin li fen xi
yao zuo yun

..............page:171-174

Exploiter and Disseminator of Musicology of Nanjing Institute of Art
fan xiao feng

..............page:20-21,34

Recalling the Past That Is the Eventfuj Days——Interview With Mr.Zhao Houqi
zhao hou qi ; chen shu zhi ; wang li li

..............page:16-19

Splendid Life——Interview With Mr. Yi Ren
yi ren ; xu hai dong

..............page:12-15

Speech of the 10th of the Establishment of Department of Musicology Mao Yuan 004 Explanation of the Title of "Ming Jun" and Tontemplatiye Rhythm"
cheng gong liang

..............page:5-11

yin le xue xi cheng li shi zhou nian xian ci
mao yuan

..............page:4-4

The Road Toward the World——The perception of creativity of "Chinese Boat"
huang xiao bai

..............page:2-3

advocating quality education, practicing art creation——Comrade Li Lanqing\'s three times inspection to Nan Jing Institute of Art

..............page:1

On Historical Evolution and Musical Function of Harmony Displacement
li xiang jing

..............page:78-85

yi shu ge qu da jiang dong qu chuang zuo shou fa fen xi
huang cheng xiang

..............page:86-91

Analysis of Shostakovich\'s 24 Prelude
ding li ; quan hui

..............page:101-103

Analysis of Technique "Floating bast of Yangtze River" Huang Chengxiang 086 Trend of Song for Zheng
qiao qia

..............page:92-96

Analysis of Style of He Lvting\'s Piano Music
wu zhi xian

..............page:97-100

View of Opera Performance and Teaching of National Vocality
zhi yan

..............page:104-107

On Artistic Rules and Cultural Connotation of Pop and its Singing
xu yuan yong

..............page:108-114

Expression and Exhibition——Differentiating and Analyzing Aesthetic Feature of Primordial Folk Songs and Artistic Songs Singing
shi xiao ling

..............page:132-135,187

Construction of World Folk Music Based On Practice Philosophy
zhu yu jiang

..............page:136-140

On Multi-sides Conception of Cultivating Music Persons WithAbility In New Ages
guan shao hua

..............page:141-143

On Creativity and Performance of Henri Duparc\'s Opera
shen jie

..............page:144-150

Different Songs from Same Root——Analysis of "Liu Qing Niang"
cai shan shan

..............page:151-157

"Music for Children"——Analysis of Prokofiev\'s Piano Songs
xu jun

..............page:115-118,157

Application of and its Research in Singing of Yang Zhou folks
shao ping

..............page:119-125

Modeling and Spirit in "Beautiful Stars Make me Serene"
ma qiong

..............page:126-131