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Journal of Nanjing Art Institute (Music & Performance)
1008-9667
2009 Issue 3
Lecture on modem music of China
Li Lanqing
..............
page:1
On Li Lanqing's two grace and elegant songs
Wang Jianyuan
..............
page:5
Life of great musician Wu Bochao
Rui Wenyuan
..............
page:8
On the creation of Lu Baihua's masses songs in war time
Ding Weiping
..............
page:15
Research and prospect of Chinese polyphone folk song in three decades
Fan Zuyin
..............
page:21
Buddhism dance music of ancient Cambodia and the minority in Yunnan from "ZhenLa Fengtu Ji"
Yang Minkang
..............
page:27
On the feature and origin of Lijiang Dongjing music
He Limin
..............
page:35
The corner of non-material culture heritage——the protection of primordial religion music in the minority
Liu Guiteng
..............
page:42
Content construction of "Yishi Yinsheng Minzu Zhi"——on the writing of national history of research of the minority music
Zhou Kaimo
..............
page:46
On some problems of the advanced music education of the minority
Wu Lanjie
..............
page:55
Research through practice——the background, pattern and principle of series course of the minority music in central music college
SangDe Nuowa
..............
page:59
The musical thought in "cultivate oneself according to a religious doctrine of death" in Tibet Buddhism
Jiayong Qunpei
..............
page:65
Music life in Shilong village——investigation of folk music of Baizu
Yang Xifan
..............
page:73
Pedigree of vagrants and their art activity
Wang Hua
..............
page:82
Review of the research on music of Shezu between 1950 and 1997
Lan Xuefei
..............
page:89
On Suona——depiction of Guchui music in north Shangxi region
Zhang Zhentao
..............
page:97
On existence situation of Qin of new Zhe school
Wang Zini;Lang Wei
..............
page:105
Non-material culture heritage in nation context——research on Guqin
Wang Yong
..............
page:111
Common ground of Nanci and Tanci
Shi Wangwei
..............
page:118
The origin, development and decline of standing and sitting parts of music in Tang dynasty
Chen Shanshan
..............
page:123
How "the correspondence between mind and sound" become possible
Mao Yuan
..............
page:128
Die Vermischung und Zusammenwirkung der Kuenste
Moritz Lazarus;Jin Jingyan
..............
page:136
When Siren Encountered Odysseus: on Adorno's Aesthetics of Music
CHEN Quanli;Zhang Guanghua
..............
page:141
High reputation at North Europe——Chinese art delegation's visit to Sweden and Norway
Shen Zheng
..............
page:197
Research on music aesthetics teaching in general high school——reading "Foundation of Music Aesthetics"
Li Zhong
..............
page:193
Report of national musicology scholar Yang Minkang
Li Yanhong
..............
page:186
On Prof. Fan Zuyin's academic roed
Xu Tianxiang
..............
page:176
Evolvement of the music in Chinese swordsmen film
Wei Lingling
..............
page:171
Creation sight and depiction of Chinese anti-secret agent films between 1949 and 1966
Huang Peng
..............
page:162
Retrospect directors of the sixth generation and two "event of seven gentlemen"
Li Zhengguang
..............
page:156
On realism and spirit of comedy in "crow and sparrow"
Qian Tai
..............
page:153
Structure of music rhythm in 20th from mathematics and physics
Xiao Nannan
..............
page:147