Journal of Nanjing Arts Institute(Fine Arts & Design0 2010 Issue 3 Outline of Art Princip

Outline of Art Princip
gu yong zhi ; gu xue shuai

..............page:130-133,114

Hand is the second brain——the differences of Sino-Japanese art design educatio
zhao yun chuan

..............page:153-155,122

zhuang shi yi shu she ji sui bi

..............page:191-192,彩1-彩8,封2,封3,封4

lun yi shu chuang yi de zhi shi chan quan shu xing
liu jun jian

..............page:145-148

Initial probe into the decorative characteristics on paper-cut of GaoMi and the application in art design
wang hong yan

..............page:115-116

Research on Liang Hu, a Calligrapher in the East Han Dynasty
yang kai fei

..............page:37-44

Noble and Unsullied Personality, Great Contribution——for the 100th Anniversary of Pro. Xie Haiyan
zhou ji yin

..............page:10-12

zhi cheng zhi ai zhi mei yi wo de fu qin xie hai yan
xie yan zuo

..............page:13-16

The Culture of Gate of the Local Folk House in Northwest Yunnan
zheng shao jiang

..............page:105-107

The background of the digital age of diversified development of visual communication design
chen hui

..............page:181-183

cong " ba zong jian xue " dao " fu xing guo cui ": jin dai ri ben nan hua de fa zhan zhi lu
sun zuo

..............page:62-70

Brief Analysis on Organizing and Managing System of the State-runned Manufacture in the Ming Dynasty
zhao yi

..............page:45-49,30

fang wei gan wu dao yu su miao jiao xue cong huang xian zhi xian sheng de jiao xue li nian tan qi
huang zai wen

..............page:149-152

zuo mie shu bai zai zhong sheng xian sheng shi zhu tai qia si fa lang gong yi fa jue chuang xin ji shi
yuan quan ; wang jin lin

..............page:126-129

Jia Sidao\'s Art Collection & Origin of Qian Xuan\'s Art Style
tan sheng guang

..............page:71-79,98

cong " ba zong jian xue " dao " fu xing guo cui ": jin dai ri ben nan hua de fa zhan zhi lu
sun zuo

..............page:62-70

The background of the digital age of diversified development of visual communication design
chen hui

..............page:181-183

The Culture of Gate of the Local Folk House in Northwest Yunnan
zheng shao jiang

..............page:105-107

zhi cheng zhi ai zhi mei yi wo de fu qin xie hai yan
xie yan zuo

..............page:13-16

Noble and Unsullied Personality, Great Contribution——for the 100th Anniversary of Pro. Xie Haiyan
zhou ji yin

..............page:10-12

Brief Analysis on Organizing and Managing System of the State-runned Manufacture in the Ming Dynasty
zhao yi

..............page:45-49,30

fang wei gan wu dao yu su miao jiao xue cong huang xian zhi xian sheng de jiao xue li nian tan qi
huang zai wen

..............page:149-152

Research on Liang Hu, a Calligrapher in the East Han Dynasty
yang kai fei

..............page:37-44

Initial probe into the decorative characteristics on paper-cut of GaoMi and the application in art design
wang hong yan

..............page:115-116

lun yi shu chuang yi de zhi shi chan quan shu xing
liu jun jian

..............page:145-148

zhuang shi yi shu she ji sui bi

..............page:191-192,彩1-彩8,封2,封3,封4

Hand is the second brain——the differences of Sino-Japanese art design educatio
zhao yun chuan

..............page:153-155,122

Outline of Art Princip
gu yong zhi ; gu xue shuai

..............page:130-133,114

Initial Exploration of Feature Combination Method of Bionic Design
chen hong

..............page:186-188

jiang qi tao ji xin tan yu xiong liao xian sheng shang que
deng he qing

..............page:93-98

san wei shu zi cheng shi dong hua de yi shu xing yan jiu
sheng ; zhou jian ; lu xiao tian

..............page:174-180

Differences of "Creation Paradigm" due to Dominant Economic Formation between Chinese Han Dynasty and Ancient Roman Society
zhu wen tao

..............page:89-92

"Ecological" or "Original"——When the Industry of Handmade Culture in the Countryside Meets the Urban Ecological Planning
zhang duo duo ; zheng shu

..............page:99-104

gao xiao she ji lei zhuan ye ji chu xi lie jing pin ke cheng de chuang xin jian she yu shi jian
peng zi li ; chen han qing

..............page:142-144

Jia Sidao\'s Art Collection & Origin of Qian Xuan\'s Art Style
tan sheng guang

..............page:71-79,98

zuo mie shu bai zai zhong sheng xian sheng shi zhu tai qia si fa lang gong yi fa jue chuang xin ji shi
yuan quan ; wang jin lin

..............page:126-129

Duan Yuhai: Sentimentalism in Contemporary Art
li sen

..............page:158-162,129

Study on Sustainable Developing Space of the Decorative Shadow-play Art in East Shaanxi Province
gao min ; guo xian lu

..............page:123-125

Study on Sustainable Developing Space of the Decorative Shadow-play Art in East Shaanxi Province
gao min ; guo xian lu

..............page:123-125

"Ecological" or "Original"——When the Industry of Handmade Culture in the Countryside Meets the Urban Ecological Planning
zhang duo duo ; zheng shu

..............page:99-104

Story of Society of Painting in Peking University
zhao pan chao

..............page:53-57

Dong Qichang & the Orchid Pavilion Preface
chen yi mei

..............page:31-36

Brief Discussion on Related Questions about "Customi± and" "Genre Painting"
lv shao qing

..............page:80-83

Duan Yuhai: Sentimentalism in Contemporary Art
li sen

..............page:158-162,129

zhong ri dong hua yi shu feng ge xing cheng de wen hua ji yin bi jiao
yin jun

..............page:170-173

Differences of "Creation Paradigm" due to Dominant Economic Formation between Chinese Han Dynasty and Ancient Roman Society
zhu wen tao

..............page:89-92

ji xiang wen shi zai jiang nan chuan tong jian zhu wu ji de yun yong
tang hong xuan

..............page:163-166

Abstracts

..............page:193-194

you yu de xuan lan zuo gao de yi shu xin li fen xi
li zuo cheng ; wei bo xuan

..............page:137-138

gao xiao she ji lei zhuan ye ji chu xi lie jing pin ke cheng de chuang xin jian she yu shi jian
peng zi li ; chen han qing

..............page:142-144

Discource Right of the User and Creator of Objects——Inheritance of the Capital of Jade Culture in the Traditional Chinese Society
zhu zuo fang

..............page:84-88,44

Initial Exploration of Feature Combination Method of Bionic Design
chen hong

..............page:186-188

jiang qi tao ji xin tan yu xiong liao xian sheng shang que
deng he qing

..............page:93-98

jing de zhen tao ci zhi zuo yu sheng tai jing guan de yan bian
zhan jia ; he bing qin

..............page:108-114

san wei shu zi cheng shi dong hua de yi shu xing yan jiu
sheng ; zhou jian ; lu xiao tian

..............page:174-180

zi bi yi shen qing san zuo xiang sui dao chu lv suo yi chuan tong suo yi she ji si wei de qi shi
liang sheng ping

..............page:117-122

qing bai zhi jian tan xian dai qing bai ci de she ji chuang xin
huang sheng

..............page:167-169

Abstracts

..............page:193-194

Story of Society of Painting in Peking University
zhao pan chao

..............page:53-57

Image Comparison of Edition Series of Han Xizai Evening Banquet——Discussion on Images of Han Xizai Evening Banquet for the Fifth Time
zhang peng chuan

..............page:17-30

Analyze the Method of "Time" Design in Product Design
gan yan

..............page:184-185,169