Journal of Nanjing Arts Institute(Fine Arts & Design0 2006 Issue 3 On the Multiple Education of Commercial Art Design Early in the 20th Century in Shanghai

On the Multiple Education of Commercial Art Design Early in the 20th Century in Shanghai
Guo Chengbo

..............page:96-98

chou ying jiang nan chun juan kao bian
ding wei wen

..............page:94-95,118

Beauty is the Key to A Successful Sell——Researches on the Industrial Design of GoodBoy Group
ji xin

..............page:90-93

Aesthetic Quality of Islamic Brick Sculpture Art in the Northwest
zhang jing

..............page:87-89,86

Reviewing the Actuality of Zhou Xiang Studies
Ma Lin

..............page:81-86

On the Roots of Realism Becoming the Chinese Contemporary Mainstream Art
Wang Xuefeng

..............page:76-80

Poetic Residence and Ideal Living Conditions
Zhan Heping

..............page:72-75

Textual Research on the Facts of Zhang Youzhi and Zhang Youzheng
Chen Zhiping

..............page:68-71

Analysis of "Extending the Head and Bearing the Ring"n the Figure-Stone of Han Dynasty
sun chang chu

..............page:52-55

she ji wen hua de yi yi
tu wei

..............page:134-135

The Symbolic Meanings of Whirl Patterns
wu xiao bing

..............page:136-137

Discussing the Symbolic Sign in the Design of Visual Communication
jiang zhu song

..............page:138-139

cong cao tang ji chi shang pian kan bai ju yi yuan lin she ji zhong de " tian ren he yi " guan
xu ping

..............page:140-141

lun chou xiang yi shu
wu wei min ; wang zong ying

..............page:142-144

bao hao si dui xian dai zhong guo she ji de ying xiang
yu jin jun ; zhu rui bo

..............page:145-147

jian lun yi shu yu xian dai she ji
ou yang ju bo

..............page:148-149

chan pin she ji de yu yan
pan lin

..............page:150-151,149

xing bie fu hao de zai she ji
kang xiu ji ; mao hong ping

..............page:152-153

guan yu zhong guo huan jing she ji si xiang zhong de yi ge qian zai de he xin
li yu jun

..............page:154-157,129

"cang hai xiong huai dan qing yi su ji nian liu hai su xian sheng dan chen 110 zhou nian yan tao hui " zong shu
nan bei

..............page:158-160

Textual Researches on the Time and Purpose of JianJiang Entering Ming
lv shao qing

..............page:56-61

On the Expressive Characteristic of KangXi Ancient Color
ning gang ; liu fang

..............page:62-64

li xing de shi jue biao da tan zhong guo gu dai bai gong tu xiang
shen ke

..............page:65-67

Restoration.Amalgamation.Dissimilation——The City Landscape in Paris Incarnates Three Gradations and the Imprint of Time in the Protection and Development
Yang Maochuan

..............page:110-113

The Portrait of the Age——William Hogarth' Satirical Series
tang jia qing

..............page:107-109

Beauty within it——Appreciating Botticellii' Primavera
wu hai zhuo

..............page:104-106,139

Talking about the Problems in the Education of Postgraduates of Design Art Studies
Tu Shuguang

..............page:99-103

On the Spacial Perception of the Layout
Cai Shunxing

..............page:114-118

On the Ideographic Means of the Characters and Paintings Had Common Ancestry
Ding Feng

..............page:119-120,147

The Simple Ecological Ideas in the Environmental Space of the Traditional Villages——Researches on the Environmental Character of Villages in HuiZhou
zhu zuo ; feng xin qun

..............page:121-123

Analysis of Contemporary Stage Art Creation
song yan ning

..............page:124-125

zai ben tu yu guo ji hua zhong xun mi qian yi da zhong wen hua bei jing xia de zhong guo you hua
liu shao niu

..............page:126-127

xian dai ban gong kong jian she ji de xin xing shi jiang su jing ji tai ban gong kong jian li xing si kao
li ke

..............page:128-129

Interpretation of Decorative Art
lu xiao yun

..............page:130-131,123

Interpretation of Landscape Inscriptions and Spirit
Zhong An

..............page:132-133

On the Noumenon of Art——Comparative Studies of the Courses of Chinese and Western Painting Noumenon
Zheng Qi

..............page:1-5

Convection and Interaction: the Modern Course of Chinese and Western Sculptures
Huang Zongxian

..............page:6-9,18

Impressionism and the Eight Eccentric Painters of YangZhou
qian zhi yang

..............page:10-12,113

Looking at the Actualities of European Adult Cartoons through the ALBUM Bookstore of Adult Cartoons in Paris
lv jiang

..............page:35-37

The Succession in the Tradition and the Development of National Art
wang feng xiu

..............page:38-40

hou xian dai zhu yi she ji yu dang dai zhong guo
wu

..............page:41-42

zhan zai xian dai yu hou xian dai de men jian shang dui zhong guo xian dang dai tao yi de wen hua fan si
zhang jing hui

..............page:43-45

bi mo dang sui shi dai zhong guo chuan tong shui mo hua " bi mo " dang xia de sheng cun kong jian
zhang yu jin

..............page:46-47

wen ti qing jing yu xian shi huan jing guan yu zhong guo dang dai yi shu yu jing de si kao
hui bo ; shao zhi jun

..............page:48-51

xian dai hua jin cheng zhong de zhong guo bi jiao mei shu
wang yu fang

..............page:13-14,109

xi hua dong jian zhong de qing dai tong ban hua
sun jin yun

..............page:15-18

The Types of Social Economy and the Orientation of Design
Zhu Gekai

..............page:19-23

lun " bi de " dao " chang shen " de shen mei zuo bian yu tang dai dian xing hua feng de yan hua
fan wen nan

..............page:24-26

Contemporary Thinking about the Art and Craft Movement in England and America
Liu Xuming

..............page:27-29

Looking at Chinese Folk Art from the Viewpoint of Modern Design Art
cao xiao jin

..............page:30-31

Interpreting the Concept of Design in two Contexts
du jun hu

..............page:32-34