Journal of Nanjing Arts Institute(Fine Arts & Design0 2005 Issue 3 Talk about the Innovative Thought and Teaching of Costume Design

Talk about the Innovative Thought and Teaching of Costume Design
Hu junmin;Tang li

..............page:104-105

lun jie gou su miao jiao xue
wu wei jia

..............page:101-103

dang qian gao xiao mei shu zhuan ye jiao xue wen ti de tan tao
wu dong sheng

..............page:99-100

The Influence of Digital Images on the Photography Teaching
Zhong jianmin

..............page:96-98

How to Cultivate the Creative Ability in the Sketch Teaching
San delin

..............page:94-95

Political Power and Words Hegemony /On the Feudalism Imperial Power over the Calligraphy Art
Li tong

..............page:67-70

The "Divine Badge"in the LiangZhu Culture and the Man-Beast Motif in the Fine Arts of Shan Dynasty
Chen shengbo

..............page:71-73

On NiZan Being More Famous for His Poems than His Paintings
Lv shaoqing

..............page:74-76

More Discussion on Chinese Modern New Art
Long Hong

..............page:77-79

Critical Types of Chinese Calligraphy
Liu zongchao;Li lei

..............page:80-81,70

zhong guo shi bo pu yi shu de ruo gan te zheng
li mu zi

..............page:82-85,73

wang shu " chu bi " lun -- yu ri ben guo gu cun zuo zhai xian sheng shang que
zhang xiao zhuang

..............page:86-88

zhong ti xian dai xing : dang dai yi shu de biao zhun zhi yi
wang yong jun

..............page:89-93

"xin zhi yi zhu yi " de jian zhu guan
zhu xiang ; hang yong xin

..............page:106,110

"zou chu chuan tong " de bei hou -- rui shi san ren tao yi zhan
yang guo xin

..............page:135-136,134

Modern Packing Design Should Pay Attention to Affinity
Shan xiaotong

..............page:107-108

shi lun xin yin xiang pai hui hua zhong se cai de " bing zhi yu fen ge "
zhang shan qing

..............page:109-110

gong ye she ji de wei lai guan
pan lin

..............page:111-112

Ups And Downs / Try To Analyze the Change Of the Royal Painting Institute From Song to Qing Dynasty
Chen jiaquan

..............page:113,115

On the Misdirecting Tendency in Art Criticism
Ding tao

..............page:16-18

End of the Aesthetic Ideal of "Yiping"
Zhang Qian

..............page:19-21,15

On the Value of Modern Watercolor in Art Studies
Gu shenyi

..............page:22-25

Obstinacy;Tolerance and the Definition of Mural Painting
Zhang jing

..............page:26-28

yong ju zheng de fang shi lai tan xun zhong guo chuan tong gong yi she ji de ke xue li cheng -- zhong guo chuan tong qi ju she ji yan jiu ke ti zu zhu yao cheng yuan fang tan lu
qing yan

..............page:154-158

"wen hua zheng ce yu zhong guo xian dai yi shu de fa zhan " xue shu yan tao hui zong shu
wang xiu xia

..............page:159-160

On the Artistic Conception of Chinese Landscape Painting
Qing yuan

..............page:29-30

A Dialogue with Chinese Design Tradition
Wang hu

..............page:31-33

The Concept of Practising Calligraphy after the Copybook in the Cultural Circle of"TongCheng-YangHu" / the Circle of Wu DeXuan and BaoShiChen
Cao jian

..............page:34-37,42

Interpreting the Main Painting Patterns of the Decorative Woodcarvings in the Buildings of HuiZhou
Wang changjing

..............page:38-39

zai dang dai wen hua yu jing xia jie du lang jing shan de ji jin she ying
jin quan

..............page:40-42

Re-Reading the Female Images on the Calendar
Tian xiaojing

..............page:43-44

Researches on the Actuality of Chinese Popular Paintingbooks
Sha haiyan

..............page:45-46

Interpreteing MiFu's "Simpleness"
Cao yuansheng

..............page:47-50

zhui xun dong fang bie shu de ying zi -- zhong su xin hui pai san he yuan
zhu fang cheng

..............page:51-52

Problems and Resource / A Survey of Chinese Higher Education of Fine Arts
Zhi fu

..............page:53-57

Reflections on the Contemporary Academic Evaluating Mechanism of Art Institutes
Liu yazhang

..............page:58-60,57

A Random Talk on Chinese Contemporary Reform of Art Education
Zou feng

..............page:61-63

zhang seng zuo " mei gu shan shui " shi xi
yang hui dong

..............page:64-66

lun bei song guo xi shan shui hua de shen mei te se
shi qun

..............page:114-115

Artistry of Logo Designing
Mo junhua

..............page:116-118

kong jian yu xing shi -- bo wu guan ping mian she ji zuo yi
chen ya jian

..............page:119-122

Analyzing the Influence of Chu Culture on the Lacquerwork
Lv xiaowen

..............page:123,128

Interpreting DV Times
Song fangyuan

..............page:124-126

Understanding the Creation
Gaolei

..............page:127-128

The Fascination of the Handcraft / Analyzing the Characters of Modern Lacquer
Lu yong

..............page:129-130

cheng shi de jiu jian zhu gai zao sui xiang
mao bai tao

..............page:131-134

xiao fei wen hua shi ye zhong de she ji te xing
bao zuo xi

..............page:137-139

su miao jiao xue shi jian li she ji chuang xin jiao yu ti xi de ji chu bao zheng
xu cheng yi

..............page:140-141,130

qian tan shu ma ji shu zai dian shi guang gao zhong de zheng que ding wei
shi yue

..............page:142-144

Interpreting the Witch Theme of 《Duer Greet》
feng zuo

..............page:145-147

yi xin zao jing -- shen zhou lu shan gao tu de qi shi
he zuo zuo

..............page:148-149

The Applications of the Categories of Appearance;Meaning;Form and Spirit in Chinese Artistic Criticism
Chen chiyu

..............page:1-10

A Review of the Fate of Chinese Painting in the Course of Modernization
Fan bo

..............page:11-15

nan yi xiao shi shang de ming shi 6 wai shi zao hua zhong de xin yuan -- li chang bai jiao shou chuan lue
liang huai ping

..............page:封二

zhi ren wu fa -- tan li chang bai jiao shou gao yuan jing se shan shui hua
kong liu qing

..............page:150-151

"zhong guo chuan tong qi ju she ji yan jiu li lun yan tao hui " zong shu
nan bei

..............page:152-153