Journal of Nanjing Arts Institute(Fine Arts & Design0 2005 Issue 2 On the Theory and Pratice of Strengthening Students/s Art Ethics

On the Theory and Pratice of Strengthening Students/s Art Ethics
guan bin

..............page:142-143

the Motivity Systems of College Students and Their Becoming Talents
fang yi

..............page:137-141

the Change of Concepts in the Marks of CCTV
yang li ; cai shang wei

..............page:134-136

chuan mei fang shi xia she ji yu yan si wei zhi zuo yi
zhang li hua

..............page:132-133

ji chu mei shu jiao yu zong he li nian de shi dai jia zhi
zhao qin

..............page:129-131

huan xiang de lang man -- qiao er qiao na de hua
du jun ping

..............page:127-128

"Organizer in Advance" to the Teaching of "Plane Advertisements"
chen yan yan

..............page:124-126

Artistic Characteristics of Post-modemism Design of Fashionable Dress in the West
li zuo

..............page:121-123

Artistic Expression of Oil Paintings
Luo Wei

..............page:119-120

The Book-ridge :the Eyes of Books- Comment on the Design of Book-ridge
Ding Feng

..............page:117-118

On artistic design of landscape
Zhang Ping;Wang Shiyong

..............page:115-116,133

Analyzing the Design of Indication and Identfication
Zhang Jian

..............page:113-114

Analyzing the Designs of all the International Fair Badges
Zhou Jin

..............page:111-112

fang sheng she ji zai jian zhu yi shu zhong de yun yong
zhou xiao ru ; xu hong

..............page:108-110,114

Inquiring into the Style of Costume Paintings/Researches on the Nationality and Modemization of Costume Paintings
Shi LinXia

..............page:106-107

The Situation of the Watercolor Painting
Huang Chaocheng

..............page:104-105

lun xiao xiang hua de " yi xing xie shen " yu " xie xin "
zhao zhen

..............page:102-103

A Perception on the Forms in Art and Design
Shen Guandong

..............page:100-101

Researches on the Female Images in the Painting during the Great Cultural Revolution
Xue Yang

..............page:98-99

Comments on the Inscriptions by Huang BinHong
Kong Jin

..............page:95-97,99

zhong guo chuan tong qi ju she ji zhong gang gan yuan li de yun yong
xu bo wen

..............page:92-94

qing lu gu an shi lao yu -- qing kang xi qing hua ci qi shang xi
wan qin wen

..............page:90-91

Analyzing the Development and Their Decorative Features of Tea-Calices with Black Glaze in JiZhou Kiln
Kang Yu

..............page:88-89

Think about Artistic autonomy of Modem in West
deng yi mei

..............page:86-87

Culture Connotation of the Ming and Qing Dynasty's Noblewoman Painting
Wang ZongYing

..............page:83-85,91

Brush and Ink Artistic Conception/the Sprit of Chinese Landscape Paintings
Chen Shigui

..............page:81-82

On the order of Design
Cai Shunxing

..............page:79-80

yi wei yu dong fang yi shu shen jiao de da shi -- qian xi mo lan di de hui hua yi shu
zhang wen hao

..............page:77-78

mian " bi " sui si
qian zhi yang

..............page:75-76

Talk about the Poem Inscribed on Painting and the Development of Aesthetic Spirit of Landscape Paintings in Tang and Five Dynasdies
Liu Liang

..............page:73-74,78

Whisking the Dust off the History/Biographical Sketches of Lv SiBai's Teaching Activities of Fine Arts
Guan Shihong

..............page:70-72

The Leisurable Quality/Analyzing the Cause and Effect of "Mi's Cloud Mountain"
Ji Chunyang

..............page:67-69

qian lun yi shu yu dao de de guan xi
zhang de qin

..............page:144-145

On the Relations between Art and Ethics
pan yu ping

..............page:146-147

se cai ji chu ke cheng jiao xue de xin gou xiang yu shi yan
wang yu zhong

..............page:148-149

"shi zhang shi dai " cheng yin chu tan
chen dao yi

..............page:150-151,154

cong chuang yi si wei xun lian dao shi jue yu yan yan jiu -- guan yu xian dai shi jue chuan da she ji ke cheng jiao xue gai ge de si kao
zhu yong ming

..............page:152-154

cong yun gang shi ku kan fo jiao zao xiang de ben tu hua
zhong jian

..............page:155-156

zou chu su miao jiao xue de wu qu -- cong " gan zhi su miao chuang yi ying " yin fa de si kao
liu wei hong

..............page:157-158

Hercules Drawing a Bow
ji feng

..............page:159-160

hou mao ze dong shi dai de mao ze dong tu xiang --( bo shi lun wen mao ze dong tu xiang yan jiu jie lu )
yang zuo cheng

..............page:65-66

The thinking of chinese fine art education
Zheng Qi;Chen Yunhai

..............page:61-64

zhuang shi yi shu feng ge de gong xing yu ge xing zuo yi
li xiang wei

..............page:57-60

you ji zhi dao -- yi shu ji fa yu shen mei jia zhi de bian zheng yan yi
zheng zuo

..............page:54-56

yi shu she ji de wen hua pin wei he shang ye shu xing
zou ming

..............page:52-53

On the viewpoints of Brush and Ink of Huang BinHong and His Creations
Zha Lv

..............page:46-51

"the Self-Determined Twoness "of the Academic Spirit and its Presentation in the Art
Chu Shuhao

..............page:42-45

The Dualism of Academic Experiences and Facsimiling-Reflections about Academies of Art, Past and Present> written by Nikolaus Pevsner
Xu Dongshu

..............page:39-41

Academies and Higher Education of Calligraphy nowadays
Ding Zheng

..............page:35-38

Physical Exercise or Mind Exercise?/Reflections upon the Educational Ideas of Fine Art in Academies
Chen Shiqiang

..............page:29-34

Academies in the Tmsforming Period and Public Art Education
Yin Shuangxi

..............page:24-28

"mi zhe " bu " mi "," shu zhe " bu " shu " -- gu zuo zhi yu wu dao zi de xian tiao bi fa zhi bi jiao
zhang bo

..............page:21-23

qing chu yi min hui hua de shi dai te se
wang yang

..............page:17-20

The Establishment of the System of Chinese Painting History in Modem Times/Comment on Three Works of Painting History during the Republic of China
Zheng Minhui

..............page:14-16

xian dai zhong guo hua de wen hua pin ge
wu yao hua

..............page:11-13

Reconsidering the French Realism Painting/a Realism Painting School Bom against the Industrialization
Feng Minsheng

..............page:7-10

"Becoming Luxury "and "Returning to the Ancients"/Drawing Inspiration from the Houselike Coffins
wu hong ; zheng yan

..............page:1-6