Journal of Nanjing Arts Institute(Fine Arts & Design0 2004 Issue 1 Where do we come from? What are we? Where are we going?_Iterpreting Gauguin' work of the same name

Where do we come from? What are we? Where are we going?_Iterpreting Gauguin' work of the same name
ji feng

..............page:114-115

Initial Research on Lei GuiYuan' Ideas of Patterns Education
wang xiang yu

..............page:116-119

The Predestined Relationship Between Hongyi And The Art Of Seal-cutting
chen hong mei

..............page:120-122

The Vicissitude behind Delight:the Spirit in Watteau's Works
liu chun hua

..............page:123-125

Material & Design
li bin

..............page:126-127

The Realistic Significance of Design Culture
liao zuo

..............page:128-129

Comparative Researching between Art Education and Potential Education in Colleges and Universities
cheng qiao ming ; yang fang

..............page:130-132

Talking about the Perceptual Functions of Products
li ju zuo ; lan juan

..............page:133-136

"The Two Roads" and The Plural Integration--The integration and Development of Modern Design in Science And Technology and Humanistic Culture
chu xiao qing

..............page:137-141

the Boundary between Conflict and Blend--Thinking about Culture of Design
hua jia

..............page:142-143

What Should Not Be Ignored--the Design of Page Numbers
zhang xiao juan

..............page:144-145

Cranes Dancing in the Air,Morning or Evening?--Interpretions about
liu wei dong

..............page:112-113

Tradition is Moon
zhu guang yao

..............page:108-110

da jia feng fan yi dai zong shi -- yi shu da shi liu hai su xian sheng chuan lue
guo feng

..............page:封二

Paramount Realm:Grandeur,Conciseness,Profundity,Beauty--Recognizing Cai YuanPei's Thoughts of Aesthetic Education in His Supporting ShangHai TrainingSchool of Fine Arts
chen shi qiang

..............page:102-107

Spiritual Values in the History ot NanJing Arts Institute
ding tao

..............page:97-101

On the Methods of Education and Administration in Middle Training Schools of Art
zhao xiao hua

..............page:94-96

Conception and Practice of Teaching Washing Painting of Figures Systematically
cui cheng yu

..............page:91-93

Color Plate

..............page:插页-插页

Talking about How to Arose Students' Interests In Fine Arts Teaching
hua qiang

..............page:88-90

the Use of Touches in Oil Paintings
xie zhong xia

..............page:84-87

Talking about the Value Sense of Body in Costume Context
qi zhi jia

..............page:82-83

Discuss theory teaching Import normal-institute ofline drawing class
zhang xiu lin

..............page:79-81

Design of Dualpurpose,Short-Distance Communication Instruments for Walking or Sliding on Tracks and their application
qu wu yi ; yang lian fa

..............page:76-78

learning Is Prior to Skill:Think about the new way of offering artistic specialties in the university
chen zhen zuo

..............page:4-8

The Challenges that Chinese Higher Education of Art Will be Confronted with and its Countermeasures
zhang xiao zuo

..............page:9-11

Tentative Research on the Establlshment of Calligraphy Subject
ding zheng

..............page:12-17

Reflections on the Development of Artistic Design Specialty
zhao jun chao

..............page:18-19

Reconslderation of Creative Education in Fine Arts
wang chang jing

..............page:20-23

Talking about the Paintings of Three Kingdoms through Lacquer Paintings in Zhu Ran Tomb,Wu Kingdom
lin shu zhong

..............page:24-30

Two Different Fairy System and the Religious Qualities of Stone-Images of Han Dynasty
wang xiao yang

..............page:31-35

Copybook--Studying the Working Models of Ancient Painters through the Frescoes in the Liao Tombs in XuanHua
li qing quan

..............page:36-39

the Patterns and Functions of Glutton Veins on Bronze Ware of Shang and Zhou Dynasties
cheng jie

..............page:40-43

Experimental Plot of Literati Paintings--on the Bamboo & Stone Paintings in Yuan Dynasty
sun hong

..............page:44-46

On the Evolution of Landscape Space Patterns
liu chun ; huang wei ning

..............page:47-49

Rise and Fall of Paintings of Beautiful Women in Tang Dynasty under the Influence of Literature
zhou bo jun

..............page:50-51

Two Pieces of Criticisms of Chinese Paintings
lang shao jun

..............page:52-54

A Dialogure on "the Phenomena of Artistic Suicides"
xu jian rong

..............page:55-57

Graphics, Signs and Words in the Design of Visual Transmission
zhu yong ming

..............page:58-62

White Horse is Not a Horse--Talking about the Boundary Line between Digital Images and Engravings from Basic Aesthetic Quality of Engravings
chen zuo

..............page:63-65

On the Musical Expression of Colours--the Research on Identity of Colour and Sound
chen qin quan

..............page:66-68

Substance and Comprehension:On-the-spot Report on Experimental Course of Free Art of Professor HaiSi
qiao shuang

..............page:69-73

Sign Characteristics of Concrete and Abstract Implications In Design Forms
pan chang xue ; lu jiang yan

..............page:74-75

Experience Emotional Design in Economical Conditions
yu li li

..............page:146-147

Female Artists Probe into the Female themselves after Post-modernism
cai xiao ni

..............page:148-149

Nan Jing Arts institute Fine Arts College Chinese Paint-ings Department
yu you shan

..............page:150-150

Nan Jing Arts Institute Design College Cartoon Studio
lv jiang

..............page:151-152

NanJing Aerospace University Art College
yun hai

..............page:153-154

Comprehensive Survey on Centenary Celebration of XiLing Seal Society
shen yu ; hu zhi ping

..............page:155-157

Comprehensive Survey on the Exhibitions of Professor Shen XingGong and His Students
dai gui fang ; lan jian

..............page:158-160