Friend of Chinese5 Fine Arts 2015 Issue 5 The Past and Present of "Contemporary Art"

The Past and Present of "Contemporary Art"
he qing ;

..............page:7-11

The So-called Pure American Contemporary Art Does Not Exist
zhu qi ;

..............page:12-15

Chinese "Contemporary Art": Is "Contemporary" Truly Achieved?
song wen xiang ;

..............page:16-18

Reorganizing the Values of "Contemporary Art" A Case Study Focused on Calligraphy and Painting
xue yuan ming ;

..............page:19-21

The Tendency of Art in Contemporary World ——An Additional Discussion on Disputes of "Contemporary Art"
lin mu ;

..............page:22-23

NAMOC's Classic Collection Exhibition Series——Land Rich in Beauty
wu wei shan ;

..............page:24-27

The Exhibition of Chinese Army's Calligraphy Works of Art on the Chinese People's 70th Anniversary of the Victory of Anti-Japanese War and the World Anti-fascist War Kicked off in Beijing
zhong guo mei shu bian ji bu ;

..............page:28-33

The 4th Masters in Painting Contemporary Watercolours Opened in Macau
zhong guo mei shu bian ji bu ;

..............page:34-35

Noble Spirit of Mount Taihang——Lv Yunsuo Chinese Painting Exhibition is Unveiled at NAMOC
zhong guo mei shu bian ji bu ;

..............page:36-41

The Invitational Exhibition of Art Works with Contemporary Famous Artists' Local Engagement into the Frontier Zhuang Nationality and The 2nd Chinese Folk Art Development Forum Were Held in Nanning, Guangxi Province
zhong guo mei shu bian ji bu ;

..............page:42

xin xi dong tai

..............page:43

The Pioneer of New Picture-story-Gu Bingxin
lin yang ;

..............page:44-49

On Gan Changlin's Albums of Figure and Bird-and-flower Paintings
sun ke ;

..............page:50-55

Vanishing and Eternity: A Historical Narration of the Rail System by Liang Yu
chen bo ;

..............page:56-61

An Aesthetic Pursuit of Classical Sense
zheng pei kai ;

..............page:62-67

Painting Integrated with Calligraphy —— Shi Junyi's Free-hand Bird-and-flower Painting
wang ping ;

..............page:68-73

Painting Reflects Uprightness of an Artist——The Innovation and Returning to Nature in Zhang Yong's Free-hand Bird-and-flower Painting
ding ran ;

..............page:74-77

An Appreciation of Traditional Chinese Realistic Bird-and-flower Painting (Ⅰ)
jin hong jun ;

..............page:78-81

Master Wu Guanzhong's Special Feeling with Woods
guo yu ;

..............page:82-85

Accumulation· Research· Integration ——A Reflection on the Creation Teaching in the Department of Murals Art of China Academy of Art
zhang min jie ;

..............page:86-95

Bird-and-flower Painting: A Comparison of Meaning and Vision-Which is More Important?
pan feng quan ;

..............page:96-99

zuo pin xuan

..............page:封4,封2

Always Charming Either in Light or Dark Color ——The Art of Yu Fei'an's Traditional Chinese Realistic Bird-and-flower Painting
xu sheng ;

..............page:100-103

An Exploration into Jiexiu Kiln from the Perspective of Aesthetics
wang peng ;

..............page:104-106

From Sensitivity to Rationality, from Vision to Psychology——A Case Study of "Nature" for Discussing How to Create Fine Arts
wang ji xiang ;

..............page:107-108

From the Sacred to the Mundane——On the Sacred and Mundane Space on Eastern Tapestry and Northern Renaissance Painting
li wen feng ;

..............page:109-111

Polka Dot·Polka Dot·Yayoi Kusama's Polka Dot
tang cheng ;

..............page:111-113

On the Influence of Western Painting to the Folk Painting in the Ming and Qing Dynasties
huang xu zuo ;

..............page:114-115

The Orientation and Function of Higher Education in Art in Public Cultural Service System
yu hong wei ;

..............page:116-117

The Mark of Artistic Peak——The Significance of Publishing The Complete Works of Pan Tianshou
chen yong zuo ;

..............page:118-121

Editor's Note on The Complete Works of Pan Tianshou
guan hui yong ;

..............page:122-125

On the Publication of Xiushilu and East Asian Lacquer Crafts——A Study of Traditional Lacquer Crafts System
qiao shi guang ;

..............page:126-127

The Publication Description of Xiushilu and East Asian Lacquer Crafts——A Study of Traditional Lacquer Crafts System
zhang yan ;

..............page:128-129

Distance Learning of Master's Course—— Book Reviews on Man with a Blue Scarf and A Bigger Message
zhong he ;

..............page:130-133

An Examination into the Collection Market of Painting and Calligraphy Works in Omnimedia Era —— From the Perspective of the Safety of Painting and Calligraphy Art Works Market
zhang jin yao ;

..............page:134-137

Is the Market a Little Cold?——A Free Talk on 2015 Contemporary Chinese and Russian Sculpture Collection Market
sun long ben ;

..............page:138-141

French Modern and Contemporary Fine Arts (Ⅱ)——From Romanticism to Realism
wang rui ;

..............page:142-149

Grumpy Collector-An Analysis of the Ways of Hanging Artworks in Barnes Foundation (PartⅠ)
liu peng ;

..............page:150-155

A Muses in Decorative Arts Taking a Leap from Jazz Age——Commemorating the 20th-Century Polish Female Artist Tamara de Lempicka
chen zhen ;

..............page:156-159