Friend of Chinese5 Fine Arts 2014 Issue 5 Children’s Art Education：Before It’s Too Late

Children’s Art Education：Before It’s Too Late
he yun lan ;

..............page:7-9

On Children’s Fine Arts Education
yang jing zhi ;

..............page:10-11

“Dandelion Action” in Inheritance--Promoting the Inheritance of Diversified Cultures in Schools of Minority Areas by means of Fine Arts Education
xie li fang ;

..............page:12-14

A Morphological Analysis of Fine Arts Courses in Shanghai Youth Palace under the New Situation
chen fa kui ;

..............page:15-17

Art is not only about Art--Social Actions on Children’s Art
chen jun jun ;, guan xiao lei ;

..............page:18-19

The Opening of “China’s dream, Dream of Strong Army --Art Exhibition on Military Subject”
ben kan bian ji bu ;

..............page:20-23

“A Visit to the Carter Center --Contemporary Chinese Painting Exhibition in Commemoration of the 35th Anniversary of the Establishment of China-US Diplomatic Relations” was Opened in U.S. Carter Center
ben kan bian ji bu ;

..............page:24-24

Contemporary Chinese Fine Artworks Took a Long Journey to Armenia--“A Visit to Armenia--Contemporary Chinese Fine Arts Exhibition” was Opened in Asia
ben kan bian ji bu ;

..............page:25-25

Success Would be Achieved with the Inheritance of Tao--Exhibition of Wu Changshuo and Famous Painters’ Freehand Bird-and-Flower Paintings in 20th Century
ben kan bian ji bu ;

..............page:26-27

“On the Spot · the Second Chinese Oil Painting Biennale (2014)” was Opened in National Art Museum of China
ben kan bian ji bu ;

..............page:28-31

From Victory at Pingxingguan to Capturing Jinzhou--Ren Mengzhang's Historical Paintings
li song ;

..............page:32-34

Recollections of Paintings Developing into Priceless Treasure--The Review Exhibition of Ren Mengzhang's Artworks of the Last 80 Years
ben kan bian ji bu ;

..............page:32-32

Presidents of National Art Publishing Houses Annual Conference 2014 and Editors of Chinese Art Symposium Were Held in Qingdao
ben kan bian ji bu ;

..............page:35-35

A Review of “the 12th National Exhibition of Arts” Panel Going round to Inspect and Guide the Creation Prepared for the Exhibition
yang ping ;

..............page:36-37

Calligraphy and Painting Academy of the Central Research Institute of Culture and History Held the Symposium of “the Inheritance and Development of Chinese Painting”
ben kan bian ji bu ;

..............page:38-38

New Silk Road of Ink Painting--On China Artists Association’s Collection Activity of “A Visit along the Ancient Silk Road in
ben kan bian ji bu ;

..............page:39-39

yi xun

..............page:40-41

Bu Xiaohuai--Pioneer of Comic Strip in the People's Republic of China
lin yang ;

..............page:42-49

Inner Understanding and Hymn--Zhou Yansheng and His Bird-and-Flower Painting
liu da wei ;

..............page:50-52

Poetry and Mood--On the Exhibition of Zhou Yansheng’s Bird-and-Flower Painting
he jia ying ;

..............page:53-57

A Modern Reincarnation of Classic Arts--After Reading Wang Yushan’s Bird-and-Flower Painting

..............page:58-61

Sincerity, Levity and Spirituality--A Feeling on Wang Shaochun’s Oil Paintings
yang hui lai ;

..............page:62-65

jia zuo lian pin

..............page:66-81

The Beauty of Chinese Painting (II)
xue yong nian ;

..............page:82-86

Discovery--Teaching Experiments of Interior Design within the Framework of Construction Education in Art Colleges
fu dai ;, han tao ;, han wen qiang ;

..............page:86-93

Capturing the Memories--Recalling the Time When Professor Wu Guanzhong Gave us lectures
zhang sen ;

..............page:94-96

Huang Quan’s
kang yao ren ;

..............page:97-103

Textual Research on Cui Yanfu’s
wang zhao yu ;

..............page:104-107

Urban Sculpture and Its Publicity
li xing ;

..............page:108-109

A Brief Discussion on the Bronze Wares of the Ancient Dian Kingdom
zhang wen zuo ;

..............page:110-111

“Nihility and Tranquility, Natural Virtues”--An Analysis of the Spatial Morphology of Suzhou Traditional Dwellings
yang fang ;

..............page:111-113

An Analysis of the Diversification of the Linguistic Morphology of Photography
chang xiu qin ;

..............page:114-115,116

Technology Revolution and Fashion Aesthetics
shao fang ;

..............page:116-117

On the Form Features of Contemporary Chinese Landscape Painting
wang kui yong ;, xu xi juan ;

..............page:118-119

A Lesson from Delacroix’s Aesthetic Conception on Chinese Calligraphy
liu guang ;, zhang zuo zuo ;

..............page:120-121

The Construction of New Context in the Creation of Oil Painting
liu bo ;

..............page:122-124

A Multi-dimensional View of the Fundamental Functions of Brush and Ink in Chinese Painting
xiong wei ;

..............page:124-125

A Lesson from the Material Studies of Public Art
wang zuo ;

..............page:126-127

An Analysis of the Features of Lacquer Art in “The Beast Guiding Souls to Heave”
lv xiao zuo ;

..............page:128-130

Pottery, Porcelain and Their Decoration, Morphological Signs of Chinese Cultural Artery--Chinese Cultural Artery · Chinese Pottery and Porcelain Art was Published
jin hai bin ;

..............page:131-133

Elegance of Writing on Bamboo--Fast Learning of Bamboo and Wooden Slips Calligraphy--Bamboo Slips of Wuwei Empires’ Maces and Fast Learning of Bamboo and Wooden Slips Calligraphy--Bamboo Slips of Yinqueshan Art of War were newly published
zhou shao guang ;

..............page:134-135

Classics Recurring--The Origin of the Production and Publication of The Manuscripts of Classic Comic Strips
geng jian ;

..............page:136-137

Nine Questions on the Oil Painting Market
han jin song ;

..............page:138-141

The Highlights in China’s Antique and Artwork Auction Market--A Review of 10 Antique and Artwork Auction Companies in the Spring of 2014
zhao yu ;

..............page:142-145

German Modern Art (III)
li li yang ;

..............page:146-153

The Color and Light in the Musee de l’Orangerie
liu peng ;

..............page:154-157

The Artistic Life Revealed from a Love Diary--On Frida Kahlo, a Mexican Female Artist
chen zhen ;

..............page:158-160