Art Panorama 2010 Issue 3 The Rational Application of Traditional Culture to Modern Animation Design

The Rational Application of Traditional Culture to Modern Animation Design
jia tao

..............page:106-107

Interior Space-time Art based on Deconstruction Concept
cai xiao

..............page:120-121

The Local Culture Awareness in Art Design Teaching
qin jie

..............page:146

tang song qing ci de zao xing yu wen shi yi shu tan xi
fan hua

..............page:66

An Interpretation of the Symbolic Significance of the Sun and Moon in Han Dynasty Portrait
wu zuo

..............page:178

On the Mode of Art and Design Education
bai xin yuan

..............page:155

Functions of Art Education in the Teaching of Primary and Secondary School
liu wen sheng

..............page:154

The Reform of Practical Teaching in Environmental Art Design Major of Higher Vocational Schools
li meng ling

..............page:158-159

Learn from Nature: Feel from Heart On the Formation of Chinese Artistic Conception
jiang chun zuo

..............page:12-13

zu tai zhi mei lun zan pan zao xing ji qi yi shu te zheng de yan bian
zhao lan tao ; liu le jun

..............page:68-69

The Audio-visual Language of Television Advertisement
zhou qing qi

..............page:176-177

Researches on the Design and Innovation of Constitutional Foundational Teaching
he ping

..............page:148-149

The Comparison of Visual Context and Aesthetic Features between the East and the West
ji hong

..............page:174-175

The Application of Multimedia Technology to Professional Costume Teaching
li jing

..............page:152

The Vagueness of Visual Information Transmission
li gang

..............page:125

Market Awareness and Textile Fabric Design
wang jian fang

..............page:122-123

Drawing by World-known Artists
luo shi yong

..............page:49

li xiu yang tao yi zuo pin

..............page:88

The Creation of Urban Public Space Experiencing
wang zhi hui

..............page:70

Painters\' Economic Life of Early Yuan Dynasty Taking Qian Xuan, Zheng Sixiao and Gong Kai as Example
yuan ping

..............page:22-23

The Comparative Study of Flat Plate Making and Three-dimensional Making in Costume Design
liu zhi zuo

..............page:182-183

Landscape Planning and Design in the Tendency of Commercialization
gong shen er

..............page:180

Drawing by World-known Artists

..............page:42-48

zhong guo dang dai you hua jia zuo pin jing xuan

..............page:4-8,封2

Reflections from Concept Book Design
zhao zhong ding

..............page:97

sun chao hong you hua zuo pin

..............page:83

jiang xiao zuo guo hua zuo pin

..............page:86

Chinese Woodcut for Thousands of Years
luo xiang ke

..............page:9-11

Elegant Strokes and Unique Painting Depict——On Lu Yanshao\'s Landscape Paintings
li yue qiu

..............page:25

liao ning mei shu chu ban she long zhong tui chu gao fang zhen gua tu

..............page:封3-封4

Researches on the Design Teaching Method of "Input-Digestion-Output"
li zuo ; jin hai

..............page:141

The Relationship between Design Aesthetics and Modern Design and Their Influence
kang yong ping ; liu yu

..............page:126

sheng zhong yi su xie zuo pin

..............page:137

Moisturizing Things in Silence Designers\' Showing Love with Details
lu chun li

..............page:116-117

The Application of Chinese Elements to Art Design Innovation
wang hong

..............page:114-115

On the Harmonious Development of Modern Chinese Lacquer Paintings
li ji chen

..............page:32

Small Space, Big Wisdom The Space Design of Small Apartment
zhao xiao ; he jing quan ; wang jian

..............page:109

The Application of Taoist Ideas to Garden Design
yang ya lin

..............page:181

An Investigation of Interior Design Talents Cultivation and Teaching Mode in Colleges and Universities
feng jing ya

..............page:140

An Interpretation of the "Phenomenon of TanYuan"
yu chang min

..............page:156-157

The Influence of Architectural Form, Color and Material on Psychological Rehabilitation
ma bo hua

..............page:113

On Art Appreciation and "Memories Brought back by a Scene"
lian xian feng

..............page:20-21

Love in Concept the Refinement of Products Design for Disabilities
deng wei bin ; hu ling ; li zuo zhong

..............page:118

On the Teaching Reform Theory of Foreign Art History
mao wei rong ; hong fu dan

..............page:166

Meaning before Painting An Investigation to the Practice of Integrating Oil Painting into Spiritual Connotation of National Culture
bai xiao jian

..............page:167

di shi yi jie quan guo mei shu zuo pin zhan lan shui cai fen hua zuo pin xuan

..............page:33-41

di shi yi jie quan guo mei shu zuo pin zhan lan zhong guo hua zuo pin xuan

..............page:129-136

Let\' Three-Closeness\' Become the Spiritual Support for Modern Artistic Creation
li ye

..............page:78-79

The Effective Way to Educational Development of Advertising Design in Colleges and Universities
zuo xin ci ; ma shuai

..............page:144

The Relationship between Design Sketch and Art Design
gao jun jie

..............page:71

The Three-dimensional Representative Form of Olfactory Symbols in Printing Advertising
xie wen zuo

..............page:128

Flowing Clouds Seem Like Flying, Steep Mountains Seep Mountains Seem Like Sharp Iron On Jia Youfu\'s Landscape Painting
li rui wen

..............page:18-19

kuang quan nong you hua zuo pin

..............page:82

The New Look Covering the Old, the Historic Relics Shining in the New Town The Restoration of Ancient Buildings of Guangji Bridge, Chaozhou
zhou yan ling

..............page:58-59

The Reform of art and Design Teaching in Higher Vocational Schools from the Perspective of Cultivating Creativity
ye guo feng

..............page:164-165

The Charm of Practice on the Organization and Performance of Human Body Oil Paintings
shang ya dong

..............page:30-31

Creative Sketch Inheritance and Transcendence
yi chun li

..............page:142-143

Techniques of Chinese Ink-paintings
song xiao bo

..............page:16

The Meaning of Materials in Works
ning xiao shen

..............page:60-61

The Folk Gem with both Elegant and Popular Tastes——An Analysis of Wenzhou Outstanding Folk Arts and Crafts "Ousu"
zeng zi zuo

..............page:172-173

dang dai jian zhu de qu xian xing shi tan suo
wu ai min ; geng yue

..............page:67

The Application of Human Engineering to Products Packaging Design
ling xiao hong

..............page:124

Explorations of Design Sketch on the Cultivation of Design Innovative Capacity
qin sui ming ; wei xu yan

..............page:168-169

The Culture Constructing Shangjing Longquan Mansion Located in Bohai in Tang Dynasty
pan chi yu

..............page:73

The Simplicity of Original Art
yin hong ; su man

..............page:80

di shi yi jie quan guo mei shu zuo pin zhan lan ban hua zuo pin xuan

..............page:94-96

Reflections on the Art and Design Education Development in Independent Institutions
long li hong

..............page:150-151

Drawing by World-known Artists
zhang zuo

..............page:50-51

Researches on Jiangnan Stove Paintings in Folk Culture
zhu jun

..............page:62-63

Indifferent to Everything The Application of "Abnormal" Formal Language to Art Design
lu zhi wei

..............page:56

zheng zuo ling she ji zuo pin

..............page:91

The Significance of Animation Creation
ma shuai ; zuo xin ci

..............page:100

guo hui ci ban hua zuo pin

..............page:87

Appearance and Internality The Visual, Informational and Conceptual Level in Layout Design
wei dong

..............page:55

Traditional Chinese Landscape Painting and Chinese Classical Garden Design
hua yong

..............page:52-53

Reflections on Landscape Sketch
li hong bo

..............page:75

Manufacturing Technology and Its Application to Three-dimensional Ink Animation
lai yi de

..............page:112

On Chinese Paintings
tao tie lin

..............page:57

The Nature of Ink Wash My Understandings to the Use of Chinese Brush, Ink, Water and Color
wang qing jun

..............page:64-65

The Performance of Rendering in Environmental Art Design
wang jia

..............page:153

On the Origin and Formation of Guo Xi\'s "San Yuan" Theory
li dong lin

..............page:26-27

On the "Form" in Head Sketch
liu ji zuo

..............page:145

shou jie " mei shu da guan bei " quan guo jiao shi yi shu zuo pin shuang nian jiang zuo pin zheng ji

..............page:190

wei yu bin she ji zuo pin

..............page:92

The Absorption and Utilization of Meng-Yuan Cultural Purification in Inner Mongolia Art Institution
meng bao he

..............page:162-163

The Poetic Flower-bird Art of Integrating Heaven and Earth as a Whole Roaming in Jia Pingxi\'s Special Flower-bird World
feng yi ; feng yan

..............page:179

kong yong jun guo hua zuo pin

..............page:84

The Relationship between Modern Architecture and Mural Art
yuan wei

..............page:76-77

On How to Achieve Western Painting Styles and Chinese Style
cao wan ping

..............page:14-15

On the Teacher and Student Affection between Li Shutong and Feng Zikai
yang wen jun

..............page:24

Preparations of Figure Sketches for Fine Arts College Entrance Examination
zhang bao yu ; jia jun

..............page:160-161

The Application of Ink Elements to Advertising Design
wang dong ; yang liu

..............page:102-103

Decorative Symbols in Visual Transmission
liu jing

..............page:101

Wolfflin\'s Theory of Artistic Styles
su xu guang

..............page:54

Reflections and Explorations of Book Design Teaching
hu hai yan ; zuo hai yong

..............page:138-139

The Scientific Design of Contemporary Exhibition Halls
liu hui

..............page:104

The Direction of Chinese Costume Design in Postmodern Context
dai geng

..............page:108

The Humanistic Design of Machining Center
ma ning

..............page:110-111

jia chao hong she ji zuo pin

..............page:93

The influence of education upon Chinese oil painting from Soviets art(1949-1976)
fan wen nan

..............page:184-189

Searching for All Strange Peaks for Painting Discussions on Guilin Landscape and Landscape Painting
zhang xue zuo ; guo yu qin

..............page:74

The Significance of "Soft Environment" in Interior Design
wang bo

..............page:105

On Fine Arts and Mental Education
tao tie lin

..............page:147

The Weakening in the Integration of Poetry, Books, Paintings and Print in Contemporary Chinese Painting
shi li jun ; ma ai ming ; shi li ming

..............page:72

The Significance of Hand-drawn Sketches in Interior Design
qi pei zhi

..............page:127

tan dang dai shi fan mei shu jiao yu zou xiang
liu dan chong

..............page:170-171

Interpretations of Creative Design in Fallingwater House
li wen jia

..............page:98-99

yin yao yao guo hua zuo pin

..............page:85

Natural, Unrestrained, Affective and Exuberant——On Chen Xiangxin\'s Bamboo-drawing
zou xiao

..............page:17

Reality and Ideas Reflections and Experience on the Creation of Ink Figure Paintings
yuan jun hua

..............page:28-29

shi guo qiang you hua zuo pin

..............page:81

An Analysis of the Rational Flow Line Design on Hotel Space
shi gao min

..............page:119