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Art Panorama
1002-2953
2009 Issue 6
zhang xian cai zhi yu xing shi zhi mei ping ma nuo luo wa er dai si de dang dai yi shu
lu zuo
..............page:32
A Brief Analysis of the Artistic Features of Cezanne
ge yu kun
..............page:49
Seeking for the Codes of Carlville
wang ba ying
..............page:50
The Enlightenment of "Graphics" in Magritte's works
li xiang lei
..............page:51
On Hobbema's"Focus Perspective"
wu jing
..............page:52
On the Artistic Achievements of Huang Shen's Figure Painting
liu chang sheng
..............page:9
Huang Binhong and Traditional Culture
ye yun long
..............page:10
On the "YiQi" in Ni Zan's Landscape Painting
yang yi bi
..............page:12
Using Every Possible Detail to Reach the Ideal state——My View on Chinese Claborate-style Painting
ji rui qing
..............page:14
On the Artistic Achievements of Wu Daozi's Paintings
zhu zuo
..............page:16
The Plan and control of Positions in the Painting of Han Xizai's Banquet
wang fang fang
..............page:17
A Brief Introduction to the White Space in Chinese Paintings
mou he he
..............page:18
On Song Lian's Calligraphy——An Investigation in Song Lian's Long YuanYiSu Gravestone
xu wen ping
..............page:20
Tradition and Individuality in the Creation of Contemporary chinese Oil Paintings
luo si
..............page:22
The Cultural Tendency of Contemporary chinese oil Paintings under the Context of Globalization
ma ran
..............page:24
Discrimination of Prints
hao yan jie
..............page:25
Inhabiation of the Spirit——A Comparison between the Arts of BaDaShanRen and Lautrec and Others
li wei li
..............page:26
On the Learning and Cultivation of Artists
zhou yan fang
..............page:28
Harmonious and Elegant Artistic Realm——On the Origin of the Creation Format of Chinese Paintings and Poems
liu guang mian
..............page:30
On the Understanding of Lines in Chinese and Western Paintings
ren jun jie
..............page:54
Arts and Existence
liu ming
..............page:55
On the Artistic Charm and Cultural Connotation of the Dawang Cliff Paintings in Malipo
long ji feng
..............page:56
An Exploration of Zhangzhou Puppets,Fujian
sa yu bo
..............page:58
An Analysis of the Artistic Sculpts of Qianling Stone lions
zhang jing ; zhang zuo
..............page:60
Nothing is Unchangable——On the Uniqueness of Western Nude Art from the Perspective of Civilization Transmission
zhu dan hui
..............page:62
A New Tendency City Sculptures
mi cheng zhi
..............page:64
Techniques and Principles in the Color Tone of Paintings
cheng zhen
..............page:66
On the Contemporaneity of Water Color and the Its Use of Special Materials
shi ming xiang
..............page:67
On the Sensation and Emotion of Colors
lu jing
..............page:68
The Aesthetic Features of the Ornamentation on Islamic Buildings
huang zuo
..............page:70
An Innovative Study of Integrating Han Clothing Patterns into Modern Costume Art
chen qing ju
..............page:71
The Embroidery Art of Shizhu Tujia Nationality——A Colorful Chinese National Art
qian shun
..............page:72
The Portrait of people in the Paper cutting of the Man Nationality from YiWuLvShan
yang tian shu
..............page:74
On the Artistic Achievements and the Impact of Grotto Paintings in Song Dynasty
hao da wei
..............page:75
On the Generation and Development of Literati Paintings
wang he ning
..............page:76
On the Though on Immortality in Early Buddhism statue
zeng li jia
..............page:78
An Artistic Context Created through Mountains and Rivers——An Analysis of the Artistic Features of Wang Weiyuan's Ink Paintings
zou xiao
..............page:80
On the Artistic Charm of Lines in Chinese Works of Fine Arts
zhao yong
..............page:198
The Illustrations in the Picture Books at CG Times
guo jie en ; wang hui ying
..............page:199
Following the Artists to Carry on the sincerity and Creation of Outdoor Sketch
li ye
..............page:200
The Visual Image in Collective Thinking——On the "Wotuo" Pattern in Danzai Wax Painting,Guizhou
tang zuo
..............page:202
man tan hei tao yi shu
wang li qiu
..............page:203
The Application of Major Character Design to Commercial Animations
wang gang ; guo jin ling
..............page:204
jing zuo de cun zai jie du cang zuo zuo pin zhong de sheng ming yi shi
xiao wei
..............page:205
My View on Chinese and Western Architecture
sun zhao si
..............page:206
Enhancing Cultural Connotation in Decorative Art from the Perspective of Development
wang gang ; guo jin ling
..............page:207
A Study of the Digital Restoration of Shenyang " Legacy of Architectural Culture"
jian zeng qiang ; lei guang
..............page:208
On the Features of Wang Yue's Landscape Oil Paintings
qin an jian ; wang xiao gao
..............page:209
On the Artistic Quality of Fisherman Paintings in Zhoushan
wang yan zuo
..............page:210
The Language Feature of Plastic Arts
zhou jing
..............page:212
bo luo ke chou xiang biao xian zhu yi hui hua de yi shu jia zhi
qiu li jie
..............page:213
The Manifestation of the Realistic Scene in 3 D Animation
wu hai biao
..............page:214
On the Humanistic Value of the Design of Regional Folk Arts in Qiang Ethnic Group
ju zuo
..............page:216
The Green Care in Modern Health Care Buildings
liu hui
..............page:218
On the Application of Hand-painting and Computer to Art Design
liu na
..............page:219
Unsurpassed Artistic Giant——A Study of the Artistic Thought of Lenardo da Vinci
wang zuo
..............page:220
On the Movement of Decorative Art in France
li jun miao
..............page:221
On The Creation of Self in Chinese Contemporary Painting
song deng ming
..............page:222
On the Features of Cross-border Ideas in Product Innovation
tian ye ; gao yang
..............page:224
A Brief Analysis of Logo Design
liao feng
..............page:225
On the Human Oriented Design in Furniture
liu na
..............page:226
zhong guo wen zi de fa ming yu she ji
liu yong dong
..............page:227
On the Moral Beauty of Chinese Knots
ran ran
..............page:228
An Analysis of the Brand Images of "Xiaofeiyang","Xiaoweiyang" and "Grassland Pastoral"
dai wei
..............page:229
Time and Mission——A Rational Understanding of the Manifestation of Chinese Paintings
zhang jin cheng
..............page:230
Expressing the Whole through Details——A Note on Yang Weimin's Free Style Flower-bird Painting
tang hai tao
..............page:232
The Embodiment of Corporate Culture in VI Design
ji le
..............page:233
The Forms of Beauty in Chinese Landscape Paintings
wang hua
..............page:234
An Examination on the Graphic Rhetoric in the Easel Paintings of Contemporary Chinese Women
zhu jin lan
..............page:236
A Study of the Audio-visual Cultural Manifestation in Artistic Short Films
yang lin
..............page:238
On the Harmonious Relationship between City Sculpture and Environment
zhao qiang ; liu jing long
..............page:240
The Extension of Divinity and Poetry——On the Enlightenment and Impact of Medieval Art Heritage on Modern Oil Paintings
pei tong
..............page:241
Tapping Regional Advantages,Building Longjang Brand——A Research Report on the Industrialized Development of Fiber Crafts in Heilongjiang Province
zhang lei ; li shu min
..............page:242
yue bei yao zu chuan tong fu shi de yi shu te zheng
zeng li
..............page:244
su zhou yuan lin zhong shui ti de gong neng ti xian
zheng zuo
..............page:246
tang song shi qi mu dan tu an zao xing te zheng fen xi
wu qiao li
..............page:247
A Study of the Presenters of the Thought of Southern and Northern School
zuo chun peng
..............page:248
Art Design——A Choice without Regrets
li yi wen
..............page:97
A Reflection on the Connotation of Traditional Graphics in Poster Design
yang hai bo
..............page:98
On the Applications of Texture in Poster Design
wang hui
..............page:100
A Visual Innovation in Poster Design
xiong ling yu
..............page:101
On the Potentiality of seal Characters in Chinese Character Graphic Design
chen ying
..............page:102
An Analysis of the Influence of Cultural Conformation on Modern Modern Package Design
chen zhi quan
..............page:104
The Time Characteristics and Development Tendency of Modern Package Design
li zhen hua
..............page:105
On the Effects of Color Design in Commercial Illustrations
chen zuo
..............page:106
The Human Oriented Design in Product Design
liu zuo ; su hang
..............page:108
A Brief Note on the "Artistic Flavor" in Products Shape-designing
hou ke xin
..............page:109
An Analysis of the Identification of the Audience in Practical Art Design
li zuo zuo ; li xiang hui ; li chao zuo
..............page:110
The Embodiment of Regional Culture in Interior Design
zuo ran ; liu xiao yang
..............page:112
The Application of Esthetics to Interior Design
xu yong yi
..............page:113
On the Office Space Design in Terms of Culture
yang shu lin
..............page:114
A Call for Original Design——An Analysis of China's Current Situation in Costume Design
tan jing
..............page:116
On the Design of "The Third Generation" E-Journal
xu xiao xing
..............page:118
On the Necessity of Graphic Design in Cell phone Interface
chen zhi ming
..............page:119
The Application of Chinese Characters to Graphic Design——Traditional Chinese Characters and Modern Visual Design
liu qiang
..............page:120
Folk Art and China's Contemporary Design under the Context of Globalization
liu chao zuo
..............page:122
An Analysis of the Integration of Chinese and Western Design Philosophy
zhou zeng li
..............page:124
On the Indoor Lightening and Lamps Design
liu na
..............page:125
An Exploration and Reflection on the Nationalization in Product Design
li dan
..............page:126
On Shaping the Image of Brand-name Enterprises
xu
..............page:127
The Evaluation Method of Product Lifecycle in Ecological Design
jin hai ; lin wei
..............page:128
Exploring the Cultural Value of Tibetan and Qiang Folk Art in the Teaching of Art Design——On the Excellent Course in Sichuan Province "Designing and Making Tibetan and Qiang Nationality Travel Crafts"
yang rui hong ; liu xiao ping
..............page:138
On the Perception of Art Education
xu lin zhe
..............page:140
Coping with the Problems in Developing "Guide Design"
ai huan
..............page:141
The Manifestation in Hand Printing and Art Design Teaching
wang yun xia
..............page:142
On the Aesthetic Function and Implementation of Plastic Arts
li
..............page:144
Setting up Classrooms Combing Studying and Training to Pave the Way for Students' Employment and Starting Business
liu yan
..............page:145
A Primary Exploration of the Teaching of Color Scheme and Sketching Hue
tian wan zhi
..............page:146
On the Teaching of CI Design in Art Design Major
sun fei
..............page:147
Water Color Painting——the Preferred Course in the Basic Teaching of Art Design
han mei
..............page:148
A Reflection on the Topics of Graduation Theses in Design Major
zhao zuo
..............page:150
On the Teaching of Inductive Color Sketch of Still Life in Design Major
yang dong mei
..............page:151
On the Teaching of Landscape Painting and the Cultivation of Students' Humanity
ni yan
..............page:152
New Ideas in the Practice Teaching in Art Design Major
dai zuo
..............page:153
A Collision of Tradition and Modernism——A Reflection on the Bilingual Teaching of Traditional Ceramic Ornament
liu le jun ; zhao lan tao
..............page:154
On Beauty and Aesthetic Perception from the Perspective of Visual Thinking
bai rui liang
..............page:156
The Model of Practice Teaching and Cultivation of Innovative Ability of the Students in Art Design Major
zhang xiao zuo
..............page:158
The Teaching Methods of Semi-sketch——On the Inheritance and Development of the Basic Knowledge of Color
he wei ping
..............page:160
An Exploration of the Teaching of Underwear Design
tan yu
..............page:162
On the Teaching of Landscape Painting
guo zhi zuo
..............page:164
Aesthetic Education——An Important Way to Put Quality Education into Practice
li jin shan
..............page:165
The Application of 3-D Modeling Software to Human Anatomy Course
chen han fu
..............page:166
The Extension of the Concept of Sketch and the Expansion of the Teaching of Sketch
li ben ; li ming chang ; peng fei
..............page:167
On the Penetration of Traditional Patterns into the Teaching of Fundamental Pattern in Professional High Schools
huang zuo
..............page:168
On the Study and Practice of the Characteristics of Animation Major
li de bing ; cong hong yan
..............page:170
On the Practice Teaching of Art Design
fan you fang
..............page:172
An Exploration on the Teaching Model in Color Scheme
feng jin
..............page:173
Developing Sketch Teaching from the Perspective of Artistic Appreciation
liu qiu yan
..............page:174
A Reflection on the "Teaching" and "Learning" of Art Education n Higher Vocational Colleges
zhao yong li
..............page:176
On Reforming the Basic Art Course in Interior Design
tian jing na
..............page:177
On Creative Thinking and Aesthetic Education
liu nong
..............page:178
Understanding Teachers' Role and Classroom Teaching Effect
wang zeng
..............page:180
On the Cultivation of Painting Consciousness in the Teaching of Sketch in Normal Universities
shi yong song
..............page:181
The Reform and Practice in the Basic Courses in Figure Design Major
wang tao peng
..............page:182
An Exploration on the Reform in Engineering Courses in Industrial Design Major
li zuo
..............page:184
On Enshi's Unique Way of Teaching Natural Landscape Painting
shang shou shan
..............page:186
On the Importance of Creativity in the Teaching of Art
cong rong
..............page:187
On the Teaching Pattern of Cultivating Students Practicce Ability in Art Design Major
jiang jian ping
..............page:188
The Function and Practice of Art Education from the Perspective of Ecology
zhang li na ; li hui
..............page:189
On the Skill Training Model of Art Major in Vocational Schools
zhang hai hong
..............page:190
An Exploration of the Art Education Pattern to Modical Students
mi feng
..............page:192
chuan tong gong yi mei shu yu xian dai she ji ji chu ke cheng de hui gu yu si kao
zhou jing
..............page:194
On the Teaching of Black-and-white aPaintings and the Practice of Student Hand Painting in University
zhang fang
..............page:196
A Practice Research on the Teaching of Animation Sketch
yan ying xi
..............page:197
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