Art Panorama 2009 Issue 5 Dream and Reality—

Dream and Reality——Understanding Chagall
wang yu qiong

..............page:49

An Iconological Study on the Convex Mirror in Netherlandish Paintings in the 15th and 16th Century
he jing

..............page:50

A Brief Discussion on the Development and Application of Graffiti
zhou jun liang ; xia yan le

..............page:72

An Exploration on the Engraving Technique on PMMA
xiao zuo

..............page:71

The Shaping and Innovation of Calligraphy Art
zhang zuo

..............page:70

On Seal Arts and Paintings and Calligraphy Works
chang ri

..............page:68

A Brief Discussion on Chinese Folk Arts
zhang ning ning

..............page:67

The Symbolic Meaning of Mongolian Patterns
ren mei ping

..............page:66

Notes on the Consciousness in Aesthetic Creations
du yuan weng

..............page:65

Deconstructing Traditional Modern Yuan Ti Flower-bird paintings
su yun long

..............page:64

Study on the Relevance between China Culture and Costume Culture
zhu hui qiu ; liu shao zuo

..............page:62

The cultural Meaning of Yuan Ti Paintings
yu hui jian

..............page:60

On the Aesthetic Features of Seal Characters
guo ming feng ; xu qiang zhi

..............page:22

Notes on the Gray Color of DunHuang Frescoes
yu chao song

..............page:20

The Impact of Yang Ming's School of Mind on Xu Wei's Artistic Style of Painting
ji wang zuo

..............page:18

A Talk on Arts and Design
sun zhao si

..............page:203

sAn Analysis of Huili Ancient Pottery
he xia

..............page:204

Development through Comparison——On the Different Styles of Chinese and Foreign Bookplates
wei zhi rong

..............page:206

On Qi Baishi's "Mundane" Entanglements
hu ling ling

..............page:207

Golden Edge and Silver Corner——The Word Art of Inscriptions of Traditional Chinese Paintings
zhao tao

..............page:16

The Significance of Li Gonglin's Baimiao Figure Paintings in the History of Chinese Humanistic Paintings
feng hui

..............page:14

Scholarly Tendency in Contemporary Arts——On the Scholarly Complex Represented in Chinese Contemporary Arts
li wei li

..............page:12

Cultural Speculation on Chinese Contemporary Oil Painting Art and Traditional Cultural Spirit
xu jun dong

..............page:10

The National and Cosmopolitan Character of Chinese Oil Paintings
yang zhong

..............page:9

The Role Model of Modern Architectural Design-Otto Wagener
kang li chao ; zuo li

..............page:52

The Modeling Training in Animation Design
yu dong jiang

..............page:196

The Comparison of Perspectives——on the Realm Differences in Expressing Space between Chinese and Western Paintings
feng shuo

..............page:198

Redemption on the Ruins——An Analysis of German New Expressionism Painter Anselm Kiefer
shi zhong qi

..............page:200

The Modeling Features of Dough Sculpture in Northern Areas
yang jing

..............page:201

On the Ornamentation Art of Lacquer Ware
wang hui

..............page:202

The Technological and Artistic Features of Digital Arts
feng shao ling

..............page:78

The Aesthetic Appreciation of Buddhism Woodcarving at Nanyue
chen li ; meng xian wen ; yang xian shun

..............page:223

On the Elevation of the Attraction of Art Gallery
sun ping

..............page:224

The State of Mind Needed in Appreciating the Waters in Suzhou Gardens
zheng zuo

..............page:226

A Comparison of "Lines" in Chinese and western Paintings
yan hui

..............page:227

Establishing Ecological Art Market
wu wei min

..............page:228

Clothes of Miao Nationality——The Crystallization of the Blending of National Cultures
chen li xia

..............page:230

The Application of Formal Language in Modern Painting
song qiu min

..............page:231

Making Use of Different Materials to Create Elegant Decorative Paintings
zheng zhong ying ; ye fan

..............page:76

A Short Account of the Carrying forward of Gansu Calabash Carve Art
xu lin

..............page:74

A Reflection on Techniques and Arts
fang yuan

..............page:73

The Classical Works of Modern Photography——On MacBain's Self-shot
wu xiao juan

..............page:80

On Modern Calligraphy
lu ye

..............page:190

Ways to Revitalize Handcrafts
zhang lei

..............page:192

Explaining the Beginning of Landscape Painting Theory——Song Bing's Preface of How to Paint Landscape
liu ling ; li zhi guo

..............page:193

A Brief Discussion on the Persistency of Emotion in the Process of Creating Meticulous Painting Drawing
wang gui ping

..............page:194

An Analysis of the Aesthetic Factors in Gouache Drawing from Life
zhao hai xing

..............page:195

The cultural Interest of Sculptural Arts in the Shaping of City Images
li man li ; han tian ren

..............page:58

On the Relative Independence of Artistic Appreciation from the Viewpoint of Reception Aesthetics
liu feng xia

..............page:56

Notes on the Artistic State of Portrait Photography
han feng

..............page:55

A Brief Review of the Role and Charm of Lines in Paintings
ma yan

..............page:54

In Pursuit of Free Style in Meticulous Painting Drawing
zhang chuan

..............page:32

Soul Language beyond "Paintings"——An Essay on the Creation of My Lotus Pond
yang xiao xin

..............page:30

Between Sounds and Paintings
zhang wei ping

..............page:28

Phoenix——The Artistic soul of Traditional Chinese Culture
yang ke shi

..............page:26

On the Constancy and Variability of Water Color Language
cao wan ping

..............page:25

"A World in Chinese Ink"——Gong Xian's Influence on Modern Chinese Painting
lu shi yun

..............page:24

On Fauvism——a Color Form Modern Western Arts
ding ling yun

..............page:221

On Ieoh Ming Pei's Glass Pyramid and Its Architectural Style
zhao jing jing ; deng zheng ; ye jing wen

..............page:222

On the Disadvantages of Fine Arts Entrance Examination and Ways to Reform
hong xin fa

..............page:166

On the Development of Art Education in Higher Education
tao ya ping

..............page:167

On the Study and Practice of "Three-dimensional Practical Skill Training" in Terms of Three Dimensional Composition Teaching
sun da li

..............page:168

University as a Place with Academic Altitude——Consideration of the Creative Teaching Model of Color in Art Design
lin jun

..............page:170

On the Proper Usage of Colors and Pictures in Course Ware Producing
kang li li

..............page:172

On "Form with spirit" and "Form without Spirit" in Paintings
han ke tao ; bi yan mei

..............page:232

Creating with Soul
wan hong wei

..............page:233

The Cartoon Style of Modern Chinese Arts
zhang mo

..............page:234

They
tie rui ge

..............page:235

Inviting "Light" to Participate in Creation
liu sai nan

..............page:236

The Diversity of Language Used in Chinese "Post-Modern" Oil Paintings
zhao liang

..............page:237

On the Nature of Western Paintings
cao da lin

..............page:238

Pen and Ink Writing Should Follow the Times——The Evolution of the Pen and Ink Writing in Modern Ink-portrait Paintings
xu peng

..............page:239

Opportunities and Challenges——On the Development of Haerbin Ice and Snow Landscape Art and the Cultivation of Talents
zhu jin song

..............page:240

Manet——a Non-Impressionism Painter with Impressionism Features
wang zi ming

..............page:242

In Search of the Art of Space——Abstract Painting
zhang qiang

..............page:218

On the Factors beyond Painting in Constructing Figurative Paintings
zhang jie

..............page:219

The Effect of Ming Dynasty Picture Books on Jianghu Arts——taking the Illustrations in Heroes of the Marshes as an Example
wang cui ping

..............page:220

Scientific Outlook on Development and College Aesthetic Creation
jie rong chang

..............page:161

A Brief Discussion on the Teaching Strategies of Fine Arts Entrance Examination
ye xiong

..............page:162

Using Comparative Observation to Solve the Problem of Daxing in Sketch
ye fan

..............page:164

A Reflection on the Academic Art Teaching Model in Higher Education
song guang lin

..............page:165

The Visual Power of Words
yang wan chun

..............page:208

An Analysis of the Artistic Value and Structural Mechanics of Ancient Chinese Wood Architecture
zhao meng ; li chao xin ; zhang jing xue

..............page:210

On the Application of Color in Advertisement Design
guo zuo

..............page:212

The Recognitions of Products under the Concept of Modern Advertising Planning
chai peng ju

..............page:213

The Idea of "Nature and Man in One" Expressed in Contemporary Interior Design
wu lin chun

..............page:128

On the Visual Perception Notice in Graphic Design
wang hui

..............page:127

Paying Attention to the Artistic Creation of Animation and Cyber Culture
wang gang ; guo jin ling

..............page:126

The Impact of Digital Arts on Easel Paintings
he shi

..............page:214

Considering Art Value from the Viewpoint of Semiotics——On Roland Bart's Principles of Semiotics
lai jie

..............page:216

The Oriental Context in Western Oil Painting
li jian nan

..............page:217

Humanistic Spirit and Education
wei yu long

..............page:184

Emphasizing the Application of Traditional Chinese Culture to the Teaching of Logo Design
li guang

..............page:186

On the Teaching of Fundamental Design
zhao xiu lan

..............page:187

lun shi zhi jue xing shi dong li li lun zai ping mian guang gao she ji jiao xue zhong de ying yong
ning hai lin

..............page:188

On the Cultivation of Innovation in Design Basis Course Teaching
zhao fang ; zhang qiang

..............page:145

The Construction of the Teaching Model of Two-dimensional Design Basis Course
wang lei

..............page:144

Options,Images and Emotions——The Key Points in Appreciating Flower-Bird Paintings
wang hai ping

..............page:142

On the Teaching Practice of Digital Animation Products in Institutions of Higher Learning
yuan yu zhen

..............page:141

On the Optimization of Teaching Digit Arts Design
sun de yu

..............page:140

The Cultural Orientation in Building Fine Arts Discipline in Regular Institutions of Higher Learning
zhang xin ci

..............page:138

Considerations on the Teaching of Design Sketch
liang ning

..............page:174

A Brief Discussion on the Safety Design of Children Recreation Equipment
liu zuo

..............page:104

A Brief Analysis of the Effect of Architectural Space Shape on Stage Space Design
hao li yao

..............page:102

On the Integration and Position of Package Design
lin zuo

..............page:101

On the Value of "Design Water Ink" in Visual Arts
sun shuang ying ; huang hua ming

..............page:100

An Analysis of the Creative Ideas in Symbol Design
xu na

..............page:98

A Brief Discussion on the Significance of Semiotic Semantics in Creative Products
li dan

..............page:97

On the Formation of Chinese Academic Photography
jia la jie

..............page:175

Reforming Curriculum of Art Design Major to Foster Practical Quality Design Talents
xu dong ming ; li chun hua ; lu chun mei

..............page:176

A Dialysis of the Development of Modern Chinese Art Education in the Early Twentieth Century
feng jian wen

..............page:178

An Exploration on the "Three Plus One" Pattern for Cultivating Creative Talents in Art Majors
cong hong yan

..............page:179

Innovation——A Way out for Chinese Art Design Education
fu xiao ping

..............page:180

The Application of "Virtual Program" in Academic Animation Teaching
jian zeng qiang ; lei guang

..............page:182

On the Multiple Teaching of Engraving
luo wen di

..............page:183

A Case Study of Sketch Teaching in "Project-based" Design Basis Course
li cheng rang

..............page:148

A Brief Analysis of the Components of the Basic Quality of Modern Fine Arts Talents
wang gui long ; zhang yuan zuo

..............page:150

The Impact of Fine Arts Recruitment Examination on Fine Arts Education in Normal Universities
fu guang hui

..............page:151

A Further Attempt to the Nationalization of Sketch Teaching——On "Creative Dictation Sketch in Oriental Five Primary Elements"
han ying ; sun han ying

..............page:152

A Brief Discussion on the Problems Existing in Chinese Modern Oil Painting Education and the Development Strategies
luo si

..............page:154

A Brief Analysis of Arts Appreciation Teaching in senior Middle Schools
zhou ben

..............page:156

The Application of Modern Educational Technology in the Teaching of Design Basis
zuo ying ; zhao ming hong

..............page:158

An Exploration and Practice of the Teaching of Color Composition in Animation Major
li na ; liu zheng jun

..............page:160

Aesthetic Education——A Leader to the Artistic Hall
meng jian

..............page:146

The Creative Features of Arts and Advertising Design of Shen Bao,1912-1918
mo dan dan

..............page:109

On the Cultivation of Creative Thinking in Graphic Composition Teaching
sheng zhen

..............page:173

The Cultural Significance of Traditional Patterns in Modern Graphic Design
li lian zhi ; chen shuang

..............page:108

Experiencing Grid Design
xu hai lun

..............page:106

The Ecological Design of Products
xu jing fu ; tian huan zi

..............page:105

lao zhuang mei xue si xiang de xian dai she ji yi yun
wang jun na

..............page:119

On the Development of Business Illustration in Digitalization Times
shao jing jing

..............page:118

Variation of Space Design
tang hong quan

..............page:116

The Character Design in the Context of Digitalization
zhong wen zuo

..............page:114

A Brief Discussion on the Graphic Design of Animation Shot
wu xian

..............page:112

Technical Design——On the Application of JiXian Technical Elements to Costume Design
chen xian chang

..............page:110

The Relationship between Advertisement and Harmonious Society
xu yang huan ; tang jin song

..............page:124

Coming from Substance,Perceiving from Heart and Expressing from Appearance——On Modern Decorative Paintings
che li juan

..............page:123

An Exploration of "Highlight" design in Costume Design
dong chu han

..............page:122

"Harmony" and "Difference"——On Design Culture and Chinese Design
yu zuo hua ; jin hui ; wang jia min

..............page:120