Art Panorama 2009 Issue 4 My Humble View on the Drawing Program in Repin Academy of Fine Arts

My Humble View on the Drawing Program in Repin Academy of Fine Arts
chen zun san

..............page:9

The Vocabulary of Chinese Landscape Painting
liao xin

..............page:12

Lines——Dancing Notes in painting
xie chao zuo

..............page:14

The Expansion of Multi-dimensional Space and Time-Experimental Ink
ren mei ping

..............page:66

Frescos and Modern Architecture
zhang zuo

..............page:64

A Fresh Look at Sketching from Nature
xue zuo ; chen han qing

..............page:62

Carving Features of Duan Inkslabs
wu zhen feng

..............page:60

The Medium Forms and Vocabulary of Video Installation
tan tie zhi

..............page:58

A Look at Visual Culture in Terms of'Photo Art'and 'Art Photo'
han feng

..............page:183

Form and Existence——Lin Jiabing's Flower Painting
li min

..............page:184

The Charm of Chrysanthemum Stone
zhou li zuo

..............page:185

Wash Drawing:the Best Device for Guangxi Genre Painting
zhao yu hua

..............page:186

oil Painting-Life and Art
li xiu peng

..............page:187

Thoughts on Organism-based Design in Education
cao wei zhi

..............page:188

The Esthetics of Huizhou Wood Carving
zuo hong fang

..............page:189

Virtual Space in Space Design
hu ai ping

..............page:190

ci shang qian zuo cai ren wu hua dui hou shi de ying xiang
guo ai hong

..............page:192

The Esthetic Value of Rococo Painting
li zuo ; xiong fei

..............page:194

The Cultural Meaning of Tuchia Brocade
xiang yun gen

..............page:196

Creative Patterns of Value That are From and Spirit Combined as Well as Eye-catching
wen jin yun

..............page:198

A New Perspective on Design Management
cao wen yi

..............page:199

Sexy Dress
liu lin

..............page:200

The Effect of Chinese Regional Cultures on Chinese Painting
chen he qing

..............page:202

From Southern Garden to Modern Landscape
wang zuo

..............page:56

Skills for China Seal-engraving
fang li

..............page:55

The Idea "Integration of Man and Nature"in the Jin Memorial Temple
wu xiao ling

..............page:54

Decoding the Esthetic Imagery of the Song-period Porcelain
chen sheng qi

..............page:52

Comparison of the Warring States-,Han-and Tang-period Bronze Mirrors
qiao zhen

..............page:50

Frank Gehry's Guggenheim Museum in Spain
xu kang ; zhou zun ; ma li ya

..............page:178

Creative Advertising
yang li hui

..............page:97

Post-modern Style in Current Interior Design——a Case Study of Lan Club of Qiaojiangnan Group
song ling

..............page:98

Modern Urban Park Desgin and Public Participation
xiang yan qiong ; luo qiang

..............page:100

The Effect of Charles Pierre Baudelaire's Esthetics on Symbolistic Painting
sun xiao zuo ; lu yang

..............page:80

The Artistic Meaning of Feng Zikai's Caricature
li ning

..............page:180

Chance Effect in Creative Art
li yan cheng

..............page:181

Enhance the Abilities to Produce Formal Beauty in Life
peng fei

..............page:182

The Artistic Accomplishments of Literati Painters
zhou da peng

..............page:204

The Order Patterns at the Kashgar Tomb
he zuo zuo

..............page:206

The Unique Esthetics of Drawing
chou yu

..............page:207

The Imagery of Contemporary Fine Brushwork Painting in the NAE
cai xiao man

..............page:208

tan " lv se " xiao fei guan nian yu shang pin bao zhuang she ji
yi yan bo ; zhang jian

..............page:209

bao zhuang she ji de shi zhi jue qian yi shi fen xi
di song qiao ; liu yang

..............page:210

The Creative Use of Morphology in Interior Design
huang yi

..............page:101

Trend: Man-centered Desgin for Office Environment
song zhi chun

..............page:102

Esthetic Elements of Calligraphic Compositions
liu xing hua

..............page:78

Look at Russian Landscape in Terms of the Regional Environment and National Culture
liang rui

..............page:76

A Creational Sketch of the Semi-panarama'Village in the Fall'
yang yong min

..............page:75

Inspiration Comes from Nature
zhang ning ning

..............page:74

Mourning Painting in the Form of Painting
li ben

..............page:73

The Tendency of Modern Packaging
tang bei ming

..............page:126

Original Business Wear Design for Young White-collar Women
yang xiao qi ; xie ru bang

..............page:128

The Application of Other Mediums in Gouache Still Life Course
song qi ming

..............page:138

Learning and Teaching: Splashed Ink Painting of Birds and Flowers
huo chang hong

..............page:140

Lifelike Realistic Masterpiece——"Han Xizai Gives a Dinner Party"
li he min

..............page:72

The Content and Form of the Eastern Han-period Brick Reliefs in Sichuan
li ai dong

..............page:71

The Use of the Ceramic Cooker with 3 Hollow Feet
he mao hong

..............page:70

Primitivism of Modern Art
wang hao dong

..............page:68

The Noble and Humble Ideas in Mongolian Handicraft
da ni sha

..............page:67

The Thinking and Methods for Packaging
qiao shu peng

..............page:104

Landscape Design for the Neighborhood under Renovation
hu yong sheng

..............page:105

'Chinese Style'in Modern Euro Decorative Design
zuo yan

..............page:106

Emotionality and Creative Advertising
zhao yong li

..............page:108

Man-centeredness in Interior Design
chen chen

..............page:109

Clothes Composite Design and Creative Thinking
xu zuo

..............page:110

The Function and Use of Color in Furniture Design
li li

..............page:112

Cultural Symbol and Design for Cell Phone Ornaments
li lin ; li hong dan

..............page:113

The Clashes and Mixture of Tradition and Modernity in Design
liu yan yong ; cao yuan

..............page:114

Landscape Design for Residential Areas
yang li yong

..............page:116

HVD Training Mode in the Form of'Studio'Offered by College and Business
pan qin

..............page:160

Designing the Mode of Printmaking Instruction
li ju ; li qin

..............page:162

How to Guide the Student through Psychological analysis of the Term'Spirit-resonance
zhu ming ya

..............page:164

Reform and Practice:Design-related Drawing Instruction
wang cheng ruo ; chen feng

..............page:165

Text Legibility in Book Design
zhang sheng li ; deng zheng

..............page:118

The Elements of Packaging
li wei tao ; ruan li ge

..............page:119

The Role of CIS in Shaping Urban culture
chen xu

..............page:120

Ceramics and Exhibition Design
zhang zuo feng

..............page:122

The Use of Traditional Arts in Modern Decorative Pattern
wei yu bin

..............page:124

Art in Chinese Textbook for Primary School
li qing

..............page:153

The Distinctive Service in the HVAC Library
lin yu zuo

..............page:154

A Survey of How the Student with Artistic Skills Studies
xiong long long

..............page:155

Current Higher Design Education:Formation of Two Ideas
fu rong

..............page:156

From Image to Mental Image——a Case Studyv of Basic Courses in 'Proiect-like'Design
li cheng rang

..............page:158

The Revelance of Line Drawing Training to Basic Sketch Course
wan yong hai

..............page:166

Lessons from Gouache Still life Instrtlction
li chun sheng

..............page:167

The Nature of Sketching from Life
wu xi ming

..............page:168

Thoughts on the Current State of MFA Program Education
zhang ling li

..............page:170

My View on Construction Design Course at University
wang shao xin

..............page:171

Lateral Thinkingh in Design Education
wang qing jian

..............page:172

Thoughts on Design-related Drawing Instruction
zhang hai bo

..............page:141

Multi-skilling-based Teaching System for the Environmental Design Undergraduate
du peng

..............page:142

chuan tong wen hua zhong guo hua jiao xue zhi yuan
nian xiao zuo

..............page:144

A Study of Fine Brushwork Painting Instrution
kuang ming zhu

..............page:145

Thinking Mode of Design Instruction
meng zuo ; sun bing

..............page:146

Color Scheme in Construction Design Course
zhao fang

..............page:147

How to Help the Student Discover Beauty
wu ze jun

..............page:148

The Educational Mode of Integrating Digital Animatioll Program and Business
wang jing bo

..............page:150

A Creative Course in Packaging
deng zuo

..............page:151

Reform and Innovation of Teaching Methods for Environmental Design
he yi hang

..............page:152

A Study of Designing Quality Courses in 'Environmental Design'
zheng dai feng

..............page:174

The Quality of Modern Designers That Makes China Strong
he feng chi

..............page:176

Decorative Painting's Beautiful Materials
zhang yuan zuo ; wang gui long

..............page:49

da xiang wu xing zhu de qun de chou xiang yi shu shi jie
hou de

..............page:32

The Esthetic Orientation of the 1980s Inner-Mongolian Oil Painting
gao peng

..............page:30

A Study of the New Year's Painting "Perfect Harmony"
bian peng ; chen jian dong

..............page:28

Difference between Chinese and Western Watercolor
fan bo

..............page:26

The Flat Styles of Modern Chinese and Western Oil Painting
yi miao miao

..............page:25

The Current State of Chinese Printmaking
li qiu shi

..............page:24

The Value Orientation of Lines in Chinese and Western Paintings
liu guo fang

..............page:22

Similarity in Guo Xi's Mountain Perspective and Western One
huang fang dao

..............page:20

Wang Yidong's Oil Painting in the Context of Regional Culture
yin de hui ; yu jing bo

..............page:18

The Esthetics and Formal Beauty of Lines in Chinese Painting
yu liang

..............page:16