Art Panorama 2009 Issue 3 The Realistic is an Attitude

The Realistic is an Attitude
zhang you min

..............page:9

mian xiang xian shi de shang hai shuang nian zhan
shi yue jun

..............page:12

Free Introspection-Written Notes on Line Sketches
tian yi zuo

..............page:20

The Originator of Out-of-print Color Woodcut-Luo Yingqiu
luo qiu fan

..............page:26

min zu feng qing yi yun de dang dai wen hua tu shi zhang jin cheng de zhong guo cai mo hua yi shu
ma

..............page:32

The Structural Elements of Chinese Painting
chen hui

..............page:10

The Success of the Song-eriod Fine Brushwork of Flowers and Birds
liu lin

..............page:14

Traditional Elements in Modern Graphic Design
jing ming ming

..............page:148

"Negative Space"in Book Cover Design
ding yao lin ; deng xiao qing

..............page:146

The Dreamlike Graphic Analysis of the Native Culture
wa qi bi huo

..............page:106

Thoughts on the Harmony of Art and Management
zhu xiao xi ; wang jian

..............page:104

Animated Actions and Interesting Expression in the Post-Production
zeng jun mei ; wei kai ; zhang jing ; zhou bin

..............page:102

Philology and Seal Cutting and the Qing-period Seal Script, Official Script and Table inscription
xing meng zhi

..............page:100

My View on Inner-Mongolian Sculptural Handicrafts
guo qing ; bao xiao lan

..............page:98

The Effect of Linear structure and info Media on Personal Taste
pu jia hong

..............page:97

Experience and Painting
zhao li qiong

..............page:80

Expressive Approaches to Modern Picture Books
li zuo

..............page:79

The Effect of New Media on the Artist's Perception
feng cai zhi

..............page:78

Modern Landscape Design and Chinese Gardens
zhang qi zhuang

..............page:145

The Meanings and Future of Hand painting
me bing ru

..............page:144

The Shaping of Women's Underwear Brand Names
tan yu

..............page:142

The Uniqueness of Packaging
kang li li

..............page:141

Modern Packaging and its Originality
zhou sheng

..............page:140

Traditional Curly Grass Patterns in Modern Design
lu yuan

..............page:138

The South Jiangxi Hakkas' Interior Decorative Patterns in Posters
gao jian zuo

..............page:137

Creative Graphics in Network Ads
yang jing kun

..............page:128

Analysis of the Color of Modern Home Design
dong shun wei

..............page:127

The Art of Furniture Design
chen chen

..............page:126

Expectation and Chance in Design Practice
cai xiao ; yu xiao jie

..............page:124

The orentation of Packaging for Brand Names
wang zhao yang ; bai mei

..............page:123

Positive and Negative Process for Logos
yin qing fei

..............page:122

Psychological Space in Design
shi chun hong

..............page:121

Virtual Techniques in Product Design
xiao shi long

..............page:120

The Combination of Imagination and Technology in Modern Design
kuang zhi hua

..............page:118

Approaches to the Space of Chinese Gardens
wang yan

..............page:117

Cultural Meanings of Decoration in Traditional Architecure
lei yong ming

..............page:116

Space and Montage
xu lei ; cheng yan

..............page:114

The Impact of Western Gardens on Modern Chinese Ones
nan yang jing

..............page:113

The Use of the Duhuang Caves Murals as Reference in Chinese Oil Painting
chen jian yong

..............page:18

A Poem as Audible Picture and a Picture as Silent Poem
dai xue ying

..............page:16

Outdoor Furniture Design Based on Lifestyle Analysis
yang ning bin

..............page:151

Analysis of Modern Multimedia Advertising
na zuo yuan

..............page:152

Understanding of the Format in Poster Design
chen chen

..............page:154

Toy Design for the Baby's Behavioral Growth
zhao dong xia

..............page:156

Bamboo in Tonghu Scenic Area Expansion Project in Shaoxing
fu zuo fang ; jin xiao jun

..............page:158

Features of Folk Chinese Character Design
sheng lin

..............page:160

Features of Urban Waterscapes in Jiangsu
shi ming ; li qiu hao ; song xin ; shen peng

..............page:180

The Reform of HVC Landscape Painting Program
chen ; chen zuo ; hu sai jun ; zhao jie

..............page:162

The Reform of Higher Art Education
hao lei ; feng yan ming ; he hong ju

..............page:164

The Waterscape Design in Zhouzhengyuan
mao zuo hong

..............page:112

The 18th-19th Century Russian Urban Architecture
yang xi wen

..............page:110

Color in Chinese Painting and Impressionistic One
liu jin xiang

..............page:53

Nabis and Pierre Bonnard's Art
mao wei

..............page:52

The Esthetic Decoding of Paul Gauguin's Trip to Tahiti
yang zhong hua

..............page:50

The Role of Marcel Duchamp in the History of Western Art
wu ying qi ; yin zuo ran

..............page:49

Rural Business Advertisement and Planning
zeng wei

..............page:192

The Subject Lifeism in'Princess Mononoke'
bao meng zuo

..............page:190

Cultural and Ecological Perspective and the Miao People's Costume
jiang zuo zuo

..............page:108

Painting is Subject to the Heart
sun li chun

..............page:107

A Mixture of Calligraphy and Modern Design
dai yong fang

..............page:150

Feminine Anthropology and the Costume of the Tuchia People
huang zhun

..............page:58

"Guo Xi's Quotations on Landscape Painting"and His Art Theory
guo xiao bo

..............page:56

Status Quo and Trend of Illustration Instruction
xia ping

..............page:184

Art Education's Role and Approaches in Training the Student
luo qi lian

..............page:186

The Integration of IT and Senior High School Art Connoisseurship Course
zhao lun

..............page:188

Color in Cinese Patinting and Impressionistic One
li shu rui

..............page:55

The Difference between Chinese and Western Paintings
zhong jun zhu

..............page:54

Learning from and Understanding Nature Contribute to a Landscape Painting
tang li bin

..............page:30

The Re-orientation of Landscape Painting Esthetics
pan pan

..............page:28

Zither,Chess,Calligraphy and Painting
li ning ning

..............page:25

Chinese Painting and Chinese Operas
wang shuo

..............page:24

The "Wisdom"of Contemporay Chinese Painters
lin lin

..............page:22

The Teahcing and Learning of Color Theory in College Mutimedia Classrooms
li qiang

..............page:179

ji yu ling wu xing yuan ze xia de tu xing chuang yi jiao yu
jiang zuo

..............page:182

Creative Development in Modeling Training
yang yong jiang

..............page:178

Folk Style of the Murals in the Qinglong Temple's Middle Hall in Jishan
shi hong lei ; yi bao

..............page:76

The Evolution of the Miao People's Silver Ornaments in Southeast Guizhou
long jun

..............page:74

People in the Wuyishan Mountains and Their Harmony with Nature
sun ying chun

..............page:72

The Sketching Spirit of Drawing
wu dong mei

..............page:71

The Reform of Design-related Drawing Instruction
zhang ning ning

..............page:70

Appreciating the Beauty of the'Classical Dowry'
fang yan ; hu wei

..............page:68

Style and Materials of Decorative Murals
yang yin

..............page:67

Color Features of Chinese Folk Arts
wu jing hong

..............page:66

Housing Decoration in Xinjiang Autonomous Region
li yong

..............page:64

The North Shanxi Paper-cut
li jun ke

..............page:62

Paper-pasting and tying Art in malacca and Chinese Culture in Malaysia
yi li

..............page:60

My View about the Art of Teaching
zhao yong li

..............page:165

How to Improve the Student's Abilities in Color Perception and Scheming
li yue hong

..............page:166

A Study of College Training in Digital Animation
yin zuo

..............page:168

Creative Thinking in Design Instruction
lin hui shun

..............page:169

The Essentials of HVC Graphic Design Program
jiang chun li

..............page:170

The Teachin Concepts of Design-related Drawing
sun bo

..............page:172

Create a Situation to Inspire True Feelings
yuan zhi jian

..............page:173

Six Cannons of Painting' and Chinese Painting Instruction
duan shao ming

..............page:174

Integration Morphology into Landscape Design Curriculum
ma jia bo

..............page:175

Instruction in Making an Effect Drawing with 3D MAX
chen liang kui

..............page:176