Art Panorama 2008 Issue 8 long hou qiang hui hua zuo pin

long hou qiang hui hua zuo pin

..............page:85

wu jian zuo you hua zuo pin

..............page:84

The Use of Space in Terms of Interior Partition
yang ya li

..............page:122

Water and Landscape in Environmental Design
gao yan nan

..............page:123

The Figure of Pregnant Women and Dress Composite Design for Them
wen miao

..............page:124

Cultural Inheritance in Book Design
zhou ya qin

..............page:125

Logos with Chinese Characters
du xia

..............page:126

Artistic Beauty and Value
chen ken

..............page:127

Trend in Paperless Animation
huang wei

..............page:128

yang jian sheng she ji zuo pin

..............page:134

liu chang ying she ji zuo pin

..............page:135

chen xi she ji zuo pin

..............page:136

Ways to Appreciate Artworks
chen yan

..............page:142-143

Lateral Thinking and Drawing Instruction
lu xiao gen ; cai yi long

..............page:144

Teaching Benefits Both Teachers and Students
chang yong sheng

..............page:145

li bing you hua zuo pin

..............page:86

ma shan you hua zuo pin

..............page:87

zhao zuo zhuo ban hua zuo pin

..............page:88

ma xin ping you hua zuo pin

..............page:89

song zuo you hua zuo pin

..............page:90

zhong yuan bo you hua zuo pin

..............page:91

yu zuo qi hua zuo pin

..............page:92

sun hong tu qi hua zuo pin

..............page:93

ye feng you hua zuo pin

..............page:94

li kai wen guo hua zuo pin

..............page:95

The Reform of Environmental Design Program in College
wang da kai

..............page:159

Creative Training on the Design Program
zhang xiao fei

..............page:160-161

Foundation Education and Creative Thinking
li jie zuo

..............page:162

The Reform of Chinese Painting Methodology in Normal College
he ya feng

..............page:163

Oil Landscape Program and Chinese Cultural Context
qin jian

..............page:164-165

The orientation of Art Training in Normal College
zhao qing

..............page:166-167

Bilingual Education of Art Teachers for Primary School
tang lian fu

..............page:168

Instruction in Expressive Drawing
tang xiao juan

..............page:169

tian dan guo hua zuo pin

..............page:83

chu jing ye guo hua zuo pin

..............page:82

luo tian zuo hui hua zuo pin

..............page:96

zhang lei su miao zuo pin

..............page:97

chang jiang shi fan xue yuan mei shu xue yuan xue sheng zuo pin xuan

..............page:129

guang dong wen yi zhi ye xue yuan yi shu she ji xi jiao shi zuo pin xuan

..............page:130-133

Traditional Elements in Modern Packaging
cheng li zuo

..............page:98

Design Enhancing Value
luo ming jin

..............page:99

The Effect of"Likeness in Spirit"on Logo
liu jun

..............page:100-101

A Study of The Effect of Trend in Consumer Psychology on Product Design
xiao zuo qun ; wang de li ; yang run

..............page:102-103

Cultural Inheritance in Packaging
hua yu liang

..............page:104-105

Solutions to the Problems with CI Visual Design
guo yu liang

..............page:106-107

Pop Culture in the Context of Internet Visual Arts
zhong wen zuo

..............page:108

The Relevance of Emotionality to Product Design
yang jia fang

..............page:109

Design for"Ceramics"Themed Restaurants
yin hong ; cheng hui ; leng xin

..............page:110

qian lun dian mian zhuang shi yi mu
he feng chi

..............page:111

The Origin of Modern Chinese Design
tang xiang

..............page:112-113

How to Design Image Style
yang qiu hua

..............page:114

"Pop"Style in Logos
li ling

..............page:115

Cultural Dimension and Esthetics of Advertising in the Internet Era
wang xin

..............page:116-117

Computer Graphics,Image Software Used in Construction Design
li yu jie

..............page:118

Artistic Mood and Animation
zhang yue ; sun zuo

..............page:119

Ecological Landscape Design
lv jie

..............page:120-121

Arts Programs in Quality Education
guo di qiang

..............page:146-147

Hand-Painted Effect Drawing Course in College
chen liu hong

..............page:148-149

Advertising Program in Tertiary College
zhang jing ; li peng

..............page:150

Landscape Design with Cultural Interests for Campus
wen mi zhen

..............page:151

Sketching and Art Foundation Courses
bai zuo

..............page:152

Thoughts on Sketching Instruction In An College
liu wen sheng

..............page:153

The Grasp of Figure Sketching in Color
wang han zhou

..............page:154

My View on Ceramics Program in College
zhang jing li

..............page:155

How to Foster the Student's Creativity in Art Programs
li qiang

..............page:156-157

How to Learn Communication Skills with Clientele
huang jin feng

..............page:158

lu dan guo hua zuo pin

..............page:81

Cheng Yutian's Seal Cutting
li chang yun

..............page:140-141

Ugly Calligraphy, Exploration and Beauty Salon
zou zhi ; zeng guang

..............page:138-139

Hot Tips for Copying the Inscription on the Cao Quan Stele
chen long guo

..............page:137

Classical European Painting with Potential of Freehand Stroke and Today's Oil Painting
qin rui hong

..............page:62-63

Cultural Interests in Hayao Miyazaki's Cartoons
chen gui li

..............page:60-61

An Introduction to Impressionism
wang yun

..............page:58-59

"Boat Haulers on Volga"and Emotionality in Creation
tang ya ling

..............page:57

The Social Duty of Post-Modern Art
tang wei

..............page:56

Visual Arts of Light and Color; Impressionist Painting
pei ji gang

..............page:54-55

Inheritance and Use of Traditional Chinese Patterns
yang zhi hong

..............page:217

The Features and Causes of Russian Realism
ma jian

..............page:52-53

A Watchman of the Soul-Baba
li yu gong

..............page:50-51

Edgar Degas and His Works
xu jian wei

..............page:49

wu dong gong you hua zuo pin

..............page:43

zhou xiang yi you hua zuo pin

..............page:42

lu ye guo hua zuo pin

..............page:40-41

liu guo guo hua zuo pin

..............page:38-39

he wan li guo hua zuo pin

..............page:36-37

zhu jia lu guo hua zuo pin

..............page:34-35

liu han min guo hua zuo pin

..............page:33

Mineral Color Painting and the Spirit of the Times
liu zhen zuo

..............page:220

The Change from "White Huang Binhong" to "Black Huang Binhong" and Esthetic Enhancement
zhang lei

..............page:218-219

Proposals for Urban Color Regulation in Xi'an
zhang bao ping

..............page:184-185

Analysis of the Huili Ancient Ceramic Kiln Ownership in Sichuan
he xia

..............page:74-75

Religious Ideas in the Oil Figure Painting by the Qiang People
peng dai ming

..............page:72-73

Creativeness in Folk Plastic Arts
wang rui qin

..............page:70-71

How to Guide the Student through the Appreciation of Chinese Landscape Painting
zhou ji ping ; yue jin lian

..............page:68-69

Dispersion of Secondary Surface in 3-D Digital Animation and Its Theoretical Analysis
wang jing bo

..............page:67

Dissimilar Similarity and "Waterlilies"
ran cheng bi

..............page:66

Edward Bullough's "Psychical Distance" and the Distance in Esthetics
wang zhen hua

..............page:64-65

The Cultural Meaning of the Hanan Buddhist Stone Carving
peng yong zuo

..............page:216

The New Year's Woodcut at Zhuxianzhen Used for Modern Design
cui xiao

..............page:214-215

The Unique Paper-Cut in Yuxian County
qi wei jun

..............page:212-213

The "Positive"Space in Painting
zhang zuo

..............page:210-211

The Features of Tie-Dyeing
zhang song he

..............page:209

Literati Painting and Innovation
zhang bao zuo

..............page:208

A Re-look at the Northwest Chinese Painting
he li

..............page:206-207

Thoughts on the Hangzhou Traditional Craft Sector
gong qin yin

..............page:204-205

The Scientific and Esthetic Stone Carving in Quanzhou
wu bin

..............page:202-203

From Drawing to Design: Ability to Think in Image
zhou shun fen ; kong sai

..............page:200-201

Illustrations with the Aid of Digital Tools
zeng zhi lin ; yang qian ming

..............page:198-199

Implication of Incidental Dripping in Oil Painting
chen zi qing

..............page:196-197

The Formal Beauty of Painting
zheng wei feng

..............page:12

The Dawn of the Century——A Survey of One-Hundred-Year Ink Painting
niu jin liang

..............page:10-11

The Prerequisite of Taste
zhang xuan

..............page:9

Understanding Liu Hanmin's Style: Alike in Spirit and Profound in Meaning
wen yu zhi

..............page:32

gu dian yu wei mei ou zhou 19 shi ji hui hua jing pin xuan

..............page:封2,4-8,44-48

The Spirit of Contemporary Landscape Painters
yang xiao ling

..............page:195

Esthetics of the Ornamentation in Ancient Chinese Building of Brick and Stone
liu cheng

..............page:194

Chinese Cultural Ideas in Modern Public Art
pan zu ping

..............page:192-193

Landscape Planning in Southern Chinese Gardens
wang qin

..............page:190-191

On"Imitation"and"Study Nature"
ma dong zuo

..............page:189

Late Crisis
liu ming

..............page:188

Creating "Festive Atmosphere" -Spring Festival and Its Culture
li lian zhi ; duan jian kun ; li lin lin

..............page:186-187

Chinese Art Market and Trend in Contemporary Art
wei guo

..............page:182-183

The Sociological Decoding of the Concept "Non-Physical Culture Heritage"
li zuo ; wang tian xiang

..............page:180-181

The Tengchong Farmer's Painting's Past,Present and Future
yang shi ji

..............page:178-179

The Chu Cultural Elements in the Huaiyang Clay Toys
chen wei

..............page:177

Chinese Complex-Chinese-Style Furniture
zhao yan

..............page:176

Patterns Used for the 2008 Site Sculpture
xu jing

..............page:174-175

The Cultural Differences of South and North Courtyards
zhang bo

..............page:172-173

The Esthetics of the Statues at the Longmen Grottoes
zhang jin feng

..............page:170-171

The Romantic Charm of the Architecture in the Jingyuan Garden
guo da yao

..............page:80

The Space Integrity of Environmental Ceramics
zhen zhen

..............page:79

The Formal Beauty of Painted Pottery Patterns
yang chun fang

..............page:78

The Features of Window Paper-Cut at Yuxian County
wang yi wei ; yin li yun

..............page:76-77

The Psychoanalysis of Creative Process
liu yong ; li xiang hui

..............page:30-31

The Effect of Taoism on the Tang-Period Painting and Calligraphy
xie chang yong

..............page:29

The Relation between Heart and Objects in Creation
wang yu

..............page:28

Inheritance, Use and Innovation: Re-understanding Wang Shigu
li wen kui

..............page:26-27

Get Oil Painting Back on Track
liang wei min ; wei yan li

..............page:24-25

"Longmian"Technique in Pan Yuliang's Oil Painting
zhang xiao zuo

..............page:22-23

"Spirit and Charm" and "Positive and Negative" Used in Creation
hu peng fei

..............page:20-21

The Use of "Lifelike Spirit" in Chinese Watercolor
chen gen xiong

..............page:18-19

The Decoding of "Mount Huashan" by Wang Lü
liu qing qing

..............page:17

The Impact of Zhao Mengfu's Esthetic Idea
lv zuo

..............page:16

Trend in Chinese Landscape Painting's Composition
ying zuo

..............page:14-15

Liu Jianwei's Painting: Silent Land
zhang yang li

..............page:13