Art Panorama 2008 Issue 5 'Camera Can't Replace Sketching'

'Camera Can't Replace Sketching'
ma xian hu

..............page:185

How to Use Watercolor to Express Image Beauty
yang te wen

..............page:186

Evaluation of the Tourist Value of Henan Folk Culture
cai zhi hong

..............page:187

'The Unity of Poetry and Math': Digital Art
zhou fei

..............page:188

The Meanings of Current Materials for Art
li zhi qiang

..............page:189

Discovering the Aboriginal Arts-Donglu Shadow Play in Shaanxi
xie qian ; zhang heng ; xie deng xi

..............page:190-191

The drawing material evolvement of Australia aboriginal painting art
xu shi hu ; yang liu

..............page:192-193

Comparison of Decorative and Realistic Sculptures
zheng ze hui

..............page:194-195

Esthetics of the Materials for Freeze-Frame Animated Cartoons
ding yue hong

..............page:196-197

The Idea'Harmony of Nature and Man'and Modern Interior Design
jiao li qiang ; chen jian

..............page:101

Interdisciplinary Necessity in the Development of Landscape Design
li zuo ; mei wen bing

..............page:102

The Function of Fiber Arts in Modern Interior Space
song yi

..............page:103

Studies in Original Design for Tourist Souvenirs
chen xu

..............page:104-105

The Modern Variation on Ancient Book Forms
ming lan ; huang xin chu

..............page:106

Design and Basic Training
cang xiao dong

..............page:107

Unique Design for Courtyards
liu zhi hong

..............page:108-109

The General Principle for Designing Marts
yang ya li

..............page:110

The Ethnic Tendency of Modern Interior Design
wang xu

..............page:111

Emerging Artists'Survival Strategies
cui jin zhe

..............page:184

The Relevance of Advertising to Business
fu jian ming

..............page:118

The Personal and Trendy Design for Household Ceramic Utensils
tian dan

..............page:119

Color Design in Stage Costumes
ma wei

..............page:120

The Cross-Cultural Phenomena in Interior Design
he ai wu

..............page:121

The Use of West-Hunan Traditional Ethnic Patterns in Modern Design
li hua

..............page:126

Color and Forms: The Soul of Modern Furniture
he jing quan

..............page:127

The Importance of Material Language In Decorative Design
li shu qin

..............page:128

Interior Design-Related Hand-Paint Effect Drawing Class
chen chun hua

..............page:144-145

The Regular Pattern of Animation Motion
liu hai nian

..............page:198-199

Imagery in the Blurred-Abstraction in Ink Painting
wang jun lin

..............page:200

Gallery

..............page:33-36,40-48

Symbols in Klimt's Works
zhang chi

..............page:49

The Ornament and Color of'The Battle of San Romano'
yu an ji

..............page:50-51

Surreal Imagery: Zadok Ben-David's Sculpture
wang hai ying

..............page:52-53

The Cultural Esthetics of Pan-Chang Knots
liu zhong hong

..............page:182-183

The Fin de Siecle Mood in Symbolist Art
chen yun fei

..............page:180-181

Cultural Thoughts on the Ruichang Paper-Cut
jiao zuo rong ; yan zhi long

..............page:179

Space Forms in Chinese Art
wang shi min

..............page:178

The Birth and Status of Mixed Media Sculpture
liu yu zuo

..............page:176-177

The Folk Trend of Decorative Wood Carving in Ancient Architecture
lu xiao sai

..............page:174-175

Painterly Space
li jian ping

..............page:172-173

Reflections on the Making of the Paper-Cut'Black Pottery Studio'
dong qi zhi ; wang jing zuo

..............page:171

Decoding of Meishan'Masks'
zou shao ling

..............page:170

The Styles of Cezanne and Van Gogh
xue shu qin

..............page:54

The Exchange of Images and Background in Bruno Morandi's Painting
dong qin xin

..............page:55

Artist and Work

..............page:81-99

chang zhou fang zhi fu zhuang zhi ye ji shu xue yuan yi shu she ji xi shi sheng zuo pin xuan

..............page:129-136

The Role of Design Pioneering in the Building of Harmonious Society
bai shan

..............page:100

Foundation Art Education in the New Age
long hou qiang ; ren qing xin

..............page:146

Light and Color in Interior Design Class
liang zuo

..............page:147

The Reform of Design-Related Drawing Class
zhan xue jun

..............page:148-149

Studies and Practice in the Teaching Theory for Design
lei yu lin

..............page:150

Art Education Greatly Contributes to the Student's Thinking
yang ya ping

..............page:151

Computer Graphics Creates Virtual'Truth'
ma ming juan

..............page:152

The Role of Art in the Building of Harmonious Campus
wang bao cheng

..............page:153

Teaching and Practice in Graphic Design
dai zuo

..............page:154

The Meaning Communication of Product Design
zhang hui

..............page:112-113

Russian Architecture with a Mark of the Times
ai ya zuo ; liu ai wen

..............page:114-115

The Charm of Flash Animation
he fan

..............page:116-117

Innovative Pioneering in Pattern Class
zheng xiao ping

..............page:156-157

The Designing of Contemporary Life Class in Oil
ran guo hong

..............page:158-159

The Role of Ethic Education in the Design Curriculum
peng jin bo

..............page:160-161

The Effect of Traditional Lines on Figure Sketching in the ACEE
tang chuan zuo

..............page:162

Fostering the Creativity of the Student in Creative Chinese Painting Class
zhao yan qing

..............page:163

Enhancing the Students' Practical Ability to Further Combine Their Knowledge and Practice
tang jin song

..............page:164

The Setup and Run of the Hands-on Training Bases for Design Majors in Higher vocational Colleges
xia bin ; gu ming zhi

..............page:165

The Plight and Opportunities for the Current Oil Painting Education
wang mao zi

..............page:166

The Causes of Popularity of Chinese Book Collector's Stamps
dai ji ming

..............page:143

The Three Levels in Drawing from the Life for Flower-and-Bird Painting
li wei

..............page:142

Freedom and Harmony-Surreal Forms in the Miao Embroidery
qi xu ; luo dan

..............page:140-141

The'Jiangnan'Phenomenon in Contemporary Chinese Art
zhou jian

..............page:138-139

Bamboo Wares in the Peak Period of the Chu Culture
wu xiao

..............page:137

Colophons in Wang Hanshan's Flower-and-Bird Paintings
xie ya qiang

..............page:80

Aluminum Foil-Covering Ceramic Baking Technique
lin song

..............page:79

Emotion and Beauty of Ancient Chinese Costume's Patterns
zhang hai hong

..............page:78

zuo zuo wen yuan yu zuo you chong bai jian kao
chen li xia ; long xiang ping

..............page:77

Folk Paper-Cut in the Art Program in Normal College
wang li qiu ; dong qi zhi

..............page:155

Majestically Composed but Finely Painted-Decoding of'Pure Brightness on the River'
liang shuang sheng

..............page:64

qian xi qian su lian dui wo guo dong hua yi shu de ying xiang
li bao chuan ; gu ming zhi

..............page:62-63

The Impact of Science and Technology on Modern Ceramics
hu chang chun

..............page:61

Simple and Elegant-Blue and White Dishes
lin ye zuo

..............page:60

Art-An Endless Dream
sun ning

..............page:58-59

Zen Buddhism and Painting
liu shi sheng

..............page:56-57

Packaging Design for a Line of Products
zhong jian hua

..............page:122-123

Image Approach to Chinese Character Design
jiang hong yu

..............page:124

Creative Advertising and Public Consumer Psychology
wang zuo

..............page:125

The Confucian Ideas in Fine Brushworks of Flowers and Birds
mao yi nong

..............page:32

lun " cheng zhu li xue " dui song dai fu shi de ying xiang
xu zuo

..............page:31

The Development and Innovation of Watercolor Technique
zeng yi ping ; xiao you min

..............page:30

Natural Calligraphic Way
zhang xiao jun

..............page:29

The Form and Taste of Artworks
di zhi li

..............page:66-67

The Status of Folk Paper-Cut
wang jing zuo ; wang li qiu

..............page:65

A Study of Fan Kuan
wang wei sheng

..............page:16-17

The Effect of the Post-modern Context on Contemporary Chinese Painting
cui guo qiang

..............page:14-15

Zheng Banqiao's Bamboo
wang xiu jie

..............page:13

The Essential Technique Changing with the Times
zhao jian qiu

..............page:12

The Patron of Shanghai-Style Art Wang Yiting
zhou wen zuo

..............page:20-21

Harmony between Nature and Man——Review of Feng Jianxin 's 'Mount Huangshan 'Series
wang feng xiu

..............page:9-11

The Reform of Advertising Design and Making Programs
wei zhen quan

..............page:167

Calligraphy Education and Quality Education
du xu guang

..............page:168

Three Ways of Training in Drawing: Long-Term Studies, Fast and Slow Sketches
zou guo qiang

..............page:169

liu e ( su ) mei shu jia lian zhan zuo pin xuan

..............page:封2,4-8,37-39

The Cycle of the Chinese Painting Development
wang shi zuo

..............page:28

Women Art's Opportunity and Dilemma
gu chun hua

..............page:26-27

Wang Meng's Style of Landscape Painting
zhang chuan

..............page:25

Simple but Elegant, Serene but Charming-Zen Jiaokuan's Ink Bamboo
li rui wen

..............page:24

Painting with Her Soul-Pan Yuliang's Works and Their Spirit
jiang zhe feng

..............page:22-23

Understanding the Art of Mounting
zhang yue

..............page:76

The Impact of Ink Wash on My Oil Painting
xue fang ming

..............page:74-75

The'Divine Force'Idea in Traditional Chinese Ceramics
rao zuo zuo ; wu tian zuo ; yu cai yun

..............page:73

The Relationship between Painterly Rendition and Art Language
liu guang mian

..............page:72

Color Contrast and Harmony in Painting
ma jian hua

..............page:71

The Effect of Religions on the Ming-Period Blue and White Porcelain
zheng jun zhi

..............page:18-19

The Truly Captured Mood of the Figure in Sculpture'005017'
tang hai ying

..............page:70

Esthetic Distinctions between Traditional Chinese and Western Paintings
zhou yu ; shao guo liang

..............page:69

Issues in Fine Figure Brushwork Class
li xiao zuo

..............page:68