Art Panorama 2008 Issue 11 Subdivision of Market and Design

Subdivision of Market and Design
hu yan

..............page:219

Causes of the Prosperous Art Market in Mid-Qing Period Yangzhu
pei yuan sheng

..............page:220

Modern Landscape Mood Set by Modern Design Concept——Huang Woili's Landspace
huang sui min

..............page:68

Main Phases of Chinese Clothing Design History and Its Esthetics
hu da fen

..............page:66

Jewelry and Chinese Culture——Marks of Totem Worship in Pre-Qin Jewelry
cui heng ; zhao tao

..............page:65

Inheritance of Traditional Chinese Ornamentation in Modern Ceramics
guan tao ; jin ai ying

..............page:64

The Value of Huixhou Brick Carving
ren cheng da

..............page:62

Abstract Art in Chinese Style
yang liu fang

..............page:61

Free-hand Quality of Modern Ceramic Sculpture
he qin ; jie jun

..............page:60

The Going Native of Chinese Oil Painting
wu rang hong

..............page:58

A Look at Chinese Oil Painting in Terms of Western Painting's Material Science
li wen feng

..............page:56

Computer-generated Embroidery Patterns and Stitches
sun zuo ; xie jun

..............page:218

The Political Side of the Taipingtianguo' s Murals
zhang jing

..............page:216

Contemporary Chinesc Animated Characters with a Deficiency of Ethnicity
zeng zuo yi

..............page:214

Reflections on Chinese Animation
xiang yan

..............page:212

Reflections on Chinese Animation
zuo hai xia

..............page:211

"Viewing" in Tourism
lin jin xian

..............page:210

A Study of Esthetic Culture in Consumer Society-Today's Chinese Garden Design as a Case
zhao zuo

..............page:209

The Research about Relations on Behalf of the Group and Chinese Cartoon and Animation Development
kang xiu ji ; mao hong ping

..............page:208

A Study of Participating Exhibits in Hi-tech Exhibition
jiang ying

..............page:207

Esthetics of the Ming-and Qing-period Chinese Characters-Combined Locks
xie zuo

..............page:206

Thoughts on the Vertical Development in Chinese Oil Painting
liu zhen kun

..............page:204

Art and Region
lin pei de

..............page:203

Figure Watercolor and Creation
peng ka ning

..............page:202

Zen Buddhism and Painting Mood-a Few Inspirational Oil Paintings
shi zuo jin

..............page:200

Greek Architecture
gao hong xing

..............page:198

An Aspect of Esthetics in Chinese Painting——Nothingness and Clarification
li xiao qiang

..............page:196

Diversified Ornamentai Designs of Wood Carving in the Ming-and Qing-Period Dwellings
liang zhao hua ; gao guo zhen ; li yong lun

..............page:195

The Use of Semiotics in Design
lv jing

..............page:194

Protection and Renovation of Jingdezhen's Hallmark Communities
jie jun ; yan jun

..............page:193

Unique Weaving Art-Wall Hangings
hou wei min

..............page:192

The Developing Cultural Business and the Qualifications of Designers
zhang li

..............page:190

Captivating African Art
hu jia ying ; sun zhe

..............page:189

The Effect of "Nothingness" in Traditional Chinese Art on Design
liu you quan

..............page:222

Survey of the 20th Century Polish Poster' s Surreal Style and Visual Expression
jiang xue qin

..............page:49

"Modernity" of EI Greco's Painting
qian jun

..............page:50

Harmony and Freedom-the Significance of "Anthology of Lanting Poems"
xu tong lin

..............page:144

The Wei-and Jin-period Calligraphy
zhang yong hong

..............page:146

Ways to Appreciate Calligraphy
zhuang gui sen

..............page:148

Computer Technique and Expressional Thinking in Design
huang xi yun

..............page:100

Original Thinking in Design
li bo

..............page:102

Design-related Color Scheme
ren tao

..............page:103

Assimilating Shifts in Color and Music
yu dan ; wan li xia

..............page:188

Return to Nature-Oil Painting from Naure
zhang qing feng

..............page:80

Time and Space of Color: the Basic Tone of Color in Digital Animated Images
liao hong yong ; zhang chen

..............page:78

The Esthetics of West Painting School
wang yan lin

..............page:77

The Technique of West Chongqing Painting School
cao guo hong

..............page:76

Color of Video and Film Is the Motive Power Stirring the Viewer' s Emotion
li yi

..............page:74

Observations and Expression in Color Painting from Life
yang jing cheng

..............page:73

The Applying of Brush in Chinese Painting
tian gui kun

..............page:72

Personal Understanding of Painting from Nature
li da yong

..............page:70

The Truth of Art
cui min

..............page:54

Formal Logic and Non-hnear Thinking of Graphic Composition
zuo qi wen ; li bo ; chen kai

..............page:53

Early Qing-period Taohuawu New Year's Painting and Its Impact on Japanese Ukiyo-e
duan wen hai

..............page:52

Re-evaluation of the Tushanwan Studio in the History of Modern Chinese Art Education
ke yu yang

..............page:34

Analysis of Sun Guoting's "Exquisite Beauty"
dong jun chao

..............page:32

Analysis of Li Gonglin's Line Drawing
wang lei

..............page:30

The Drastic Change of Modern Chinese Art
xiong wei ; cong cong

..............page:29

The Cause of the Birth, Status Quo and Future of "West Chongqing Painting School"
zhang yong qing

..............page:28

Mirror-like Metaphor of Urban Culture-Review of New Realistic Painting
lei tao

..............page:26

Contradiction between Seclusion and Saving the World
luo yong zhong

..............page:9

qing xi da zi ran zhen jing chu qing shan du you hua jia wu jian zuo de zuo pin you gan
song hui min

..............page:90

A Dialog with Stone Sculptor Zhang Shen in My Eye
yang zhong

..............page:36

Traditional Chinese Patterns and Modern Packaging
zhang hong

..............page:104

Minimalism in Advertising
lei guang ; tan guang chao

..............page:105

Analysis of Color in Advertising
zhang shao jun

..............page:106

Clothing Design in Apparently National Style
liu xiao ling

..............page:107

Rudolf Arnheim's Visual Perception and Benxi Highway Landscape Design
li yan ; cao fu cun

..............page:108

Clashes Between Commercial and Man-centered Designs-Design Sustainability
cui xiao

..............page:110

Man-centered Bathroom Design for Modern Housing
zhang xiao dong

..............page:112

Ikea and Beauty of Product Design
ding feng ; jiang zhu ming

..............page:113

Information Coherence in Eye-catching Design
lei guang ; zhang yu hang

..............page:114

Bamboo Culture in Environmental Design for Modern Office
zhang sai juan

..............page:116

Formal Design
zuo qi wen ; zhou lei

..............page:118

Fasemating Waterscape Design
shen wei

..............page:119

Trends in Concept Car Design
xu hui ; zhong sheng biao

..............page:120

The Use of Semiotics in Interior Design
li yin bin

..............page:122

Building and Expansion of the Art expression in Visual Communications
gao liang

..............page:123

Alienation in Advertising Communications
zhang min

..............page:124

Rot-proof Wood in Environmental Design
li ke

..............page:126

Art Around-the Decoding of Modern Urban Landscape
wang hong ying ; zhang jun li

..............page:128

Model-making in Industrial Design and Originality in Experimental Project Course
sun yun biao ; wang jun tao ; yang mei ; song yu feng

..............page:150

Mental State of HVC Design Majors and the Policy
li liang jin ; li zuo ; zhang bing

..............page:152

Psychological Barrier in Doing Diploma Artwork and Its Solution
niu han ding

..............page:154

HVC Design Program-related Extra-curricular Teaching and Business-school Cooperation
xu guang

..............page:156

Teaching Mode of Environmental Design-related 2-D Construction
li shi

..............page:157

Analysis of British Design Education
liu jun

..............page:158

The Developing of Design Majors' Creative Thinking
xia lei

..............page:160

Stressing More Thinking than Skill in Design-related Drawing
zhang jin zheng

..............page:161

Design Majors' Learning Adaptability and Autonomy
dai yong

..............page:162

Reflections on Chinese Painting Programs in College
tao zhong sheng

..............page:164

Interior Color Design
pan ying ying

..............page:115

Heartening Progress in the Basic Study of Design-an Introduction to "Basic Course in Design"
liu jun ping

..............page:168

Reform of HVC Design Curriculum
cao qing mei

..............page:170

Issues in Interior Design Instruction
ye zuo

..............page:171

Classroom Teaching and Esthetic Assessment in Art Appreciation
ren zi peng

..............page:172

Inharmonious Phenomena of Contemporary Chinese Art Education in the New Age
qu lin

..............page:174

Reform of Design-related Drawing Course
guo dian sheng

..............page:175

Emphasis on Three Abilities Development in Helping Ss Writing Experimental Reports
zuo ping

..............page:176

The Reform of Core Courses Related to Advertising
ding rong

..............page:178

Re-evaluation of Higher Art Education Development
hu zuo ; liu jian li

..............page:180

Thoughts on Current Design Programs and Market
wang liang xiong

..............page:181

Modern Educational Technology in the Clothing of the Use Teaching
huang yu bing

..............page:182

Thinking in Terms of Movement in Animated Forms Instruction
pan zu ping

..............page:184

Creative Forms in Design-related Drawing
zhang yue hua

..............page:186

The Use of Computer and Multimedia in Color Scheme
cheng qing hua

..............page:187

Selections and Orientation of Today's Higher Art Education
cui yi

..............page:165

Analysis of Interdisciplinary Art Design Education
zheng yang

..............page:166

Figurative Expressionistic Painting and Its Adaptability
tian zhen

..............page:24

Moving toward Creation in Image
li shi lin ; wu wei ; wang ju

..............page:22

Types and Features of Painting Forms
yu hong shun

..............page:21

Diversified Elements of Lv Ji's Flower and Bird Painting
ma jing

..............page:20

Expansion of the Limited Space of Flower and Bird Painting
li lu cheng

..............page:18

The Heart of Essays and the Meanings of Paintings
zuo yan jun

..............page:17

Zhu Da's Landscape Painting Style
hu jun

..............page:16

Ancient Chinese Symbolic Literati Painting
fang wei

..............page:14

Vapor, Haze and Ease-the Reading of "A Spectacular Hunnan Landscape"
wang bao an

..............page:12

A Historical Study of Ni Zan' s Poems and Paintings of the Same Name
zhang zi jian

..............page:10