Art Panorama 2008 Issue 1 The Use of Blank Space in Graphic Design

The Use of Blank Space in Graphic Design
zou zuo lin ; peng yi qing

..............page:108

Chinese Original Design for Digital Devices
ding yi

..............page:106-107

The environmental installations 's designs of distinguishing feature in Dabazha commercial district
weng zuo

..............page:104-105

The Use of Glass in Product Design
he fei

..............page:103

The Use of Paper in Packaging
zhang li min ; liu jing ; wang jia

..............page:102

Ways to Visualize a Brand Name
li shao bo

..............page:100-101

xi bei nong lin ke ji da xue yi shu xi jiao shi zuo pin xuan

..............page:129-136

The Function of Children's Furniture Design
xu shi hu ; wang li

..............page:109

The Use of Lovely Elements in Product Design
zhang xiao yan

..............page:110

Creative Process for Interior Design
duan xin

..............page:111

Expressing the Real Forms of Point , Line and Surface
lei guang ; zuo qi wen ; he yan li

..............page:176-177

The Visual Perspective of Calligraphy-Name and Reality
li yu kun

..............page:137

Aspects of Psychological and Spiritual Qualities in Calligraphic Creation
lin hai

..............page:138-139

wei xue dong shu fa zuo pin

..............page:140

gu wen xue shu fa zuo pin

..............page:141

My View on Modern Drawing Instruction
shen feng

..............page:142

Esthetic Education——Art Education for College Students of Non-Art
zheng tie hong

..............page:143

Re-understanding of Instruction in Chinese Painting in Impressionistic Style
lv hai yang

..............page:144-145

A Study of Redesigning Logo Course
yin yi

..............page:146-147

Practice in 'Creative Pattern' Course
yang jing

..............page:148-149

lu dong da xue mei shu xue yuan ji chu jiao xue bu shi sheng su miao zuo pin xuan

..............page:98-99

cao jin ku you hua zuo pin

..............page:81

Fearless Truth-Paul Gauguin's Art and His Life
ma quan she

..............page:54-55

jiang xi ying yong ji shu zhi ye xue yuan jiao shi zuo pin xuan

..............page:94-95

da lian li gong da xue jian zhu yu yi shu xue yuan yi shu she ji zhuan ye bao zhuang she ji zuo pin xuan

..............page:92-93

zeng zi jie su xie zuo pin

..............page:128

he ye pin hui hua zuo pin

..............page:97

zhao yong gang hui hua zuo pin

..............page:96

gong xiao zuo she ji zuo pin

..............page:89

zuo cheng zuo she ji zuo pin

..............page:88

xie yan she ji zuo pin

..............page:87

shi xiang you hua zuo pin

..............page:86

hu dao chang you hua zuo pin

..............page:85

li wei ping shui cai zuo pin

..............page:84

wang xiao gao you hua zuo pin

..............page:83

chen jin chuan you hua zuo pin

..............page:82

The Design Program in an Idnependent College
zuo lin yi

..............page:150

Reflections on Design-Related Foundation Courses Offered by Schools for Ethnic Groups
wan guo ying

..............page:151

Design-Related "Plastic Arts" Foundation Courses in Higher-Vocational-Education Colleges
qian li wen ; yang zhi hong

..............page:152

Instruction with the Aid of Chalkboard Writing and Multimedia
xu jing fu ; zhou hui

..............page:153

Emphasis on the Development of Art Students' Abilities to Sketch
wang qi ren

..............page:154-155

2008 mei shu da guan xin chun ji yu

..............page:4-5

xian dai qi hua chuang zuo jin ru xin jie duan you gan yu di er jie quan guo qi hua zhan
zhu fan

..............page:6-7

lai gao xuan deng

..............page:90-91

God Bless the Wounded-Reading Marlene Dumas's Painting
liang hong xia

..............page:52-53

Concerto of Mystery and Passion The Value of El Greco in Western Art History
shi xiang

..............page:50-51

A Rare Classical Complex in Post-Modern Art-Looking at Fernando Botero
lv mei ; wang zhen ze

..............page:49

zhang shi you hua zuo pin

..............page:48

wu jian zuo you hua zuo pin

..............page:47

sun yan jun you hua zuo pin

..............page:46

jiang bo diao su zuo pin

..............page:44-45

meng meng guo hua zuo pin

..............page:43

liang zhi tao you hua zuo pin

..............page:42

bi guang guo hua zuo pin

..............page:40-41

qu chu jian you hua zuo pin

..............page:36-39

wang wen zuo shui cai zuo pin

..............page:34-35

cai dao dong shui cai zuo pin

..............page:33

Considering Ancient Chinese Architecture in Terms of the Tang-Period Garden Style
li jie

..............page:168-169

Creating Fashion Pictures Digitally
he jing wei

..............page:167

Ways to Paint Self- Portraits
liu li xue

..............page:166

The Impact of Cultural Connotations on the Establishment of Local Animated Imagery
zhang yue ; cong hong yan

..............page:165

The Use of Shape and Form in Relief
ma he

..............page:164

Analysis of the Audience of Children's Animation
zhong yuan bo

..............page:162-163

Color Decorating the World-Joanna Fortmer's Study of Colors
zheng de dong

..............page:160-161

New Art Form of Ancient Ceramic Material
chen jian

..............page:158-159

pin wei se cai wen hua
li shang zuo ; shi zi dong ; li ji

..............page:157

Studies in Pictures Modeled on Ceramic Painting and Their Application
dai ji ming ; liu tao

..............page:156

Symbolism of Clothing
zhang xue wei

..............page:183

Nothingness-Oriented Modern Art
liu dong

..............page:182

A Study of Carving Art in the Hua County Shadow Play
wei kai ; zhang xing ; jia tao

..............page:180-181

Aspects of Formal Beauty in Artistic Creation
li chun zuo

..............page:179

The Decoding of Contemporary New Visual Culture
ma ying

..............page:178

The Impact of Calligraphic and Painterly Elements on Graphic Design
guo lin

..............page:175

Waterscape in the Ancient Villages Huizhou
chen dan hua ; chen zuo chang

..............page:174

The Graphic Meaning of Line
chen chun yu

..............page:172-173

Chinese Pottery Pots for Pet Crickets
li chuang

..............page:170-171

Formal Comparison of Quadrangles' in the North and 'Indian-Style Houses' in the South
han rui

..............page:76-77

The Relationship between History and Public Art in the Xi' an Subway
sun hao zhang ; wang feng ; wang fang zuo

..............page:74-75

The Importance of Emotionality in Ceramic Creation
li zuo

..............page:72-73

The Orientation of Artistic Transcendence and Cultural Meaning
hou li li

..............page:71

Designing 'Taste' in Food Culture
bian wen jing

..............page:112

Chinese Elements in Modern Logo Design
dan zhen yu

..............page:113

Traditional Elements and Chinese Home Design
yang zuo ; shen su zuo

..............page:114-115

Notes on Landscape Design for the Jinglong ·Ideal Housing Development 1 #in Nanning
yang zi tao ; zhao chao hong ; zuo ying

..............page:116

Vision and the Visual Image of Business
yan chen

..............page:117

The Proper Use of Exhibition Space for Modern Commerciality
zhang shuai ; zuo qi wen

..............page:118

Corporate Identity System and Brand Names
tan dian

..............page:119

Lighting in Underground Commercial Space
zhu yu kai ; niu chun zhou

..............page:120-121

The Effect of New Media on Graphic Design and Its Meaning
zuo ru shan

..............page:122-123

Traditional Chinese Design and Modern Design
fan zuo zuo

..............page:124-125

Modern Citizens and Pop Art
miao yong zhong

..............page:70

Picturesque Scene, Circumstances and Artistic Conception
yang cheng fang

..............page:68-69

A Lack of the Classical-Creating Paintings in the Digital Context
wu dong

..............page:66-67

The Law of Formal Beauty
zhou bo jun

..............page:64-65

The Beauty of the Canglang Pavilion in Suzhou
zhang ming

..............page:62-63

Features of Chinese Portraiture
liang xiu xia

..............page:60-61

The Pursuit of Watery Effect in Chinese Watercolor
cui guo qiang

..............page:126-127

Instruction in Landscape Sketching
liu chang sheng

..............page:80

Taoist Ideas in the Tang-Dynasty Buddhist Icons
li

..............page:78-79

Looking at Zheng Banqiao's Art in Terms of 'Incomplete Image of Bamboo in the Mind'
wang zhi gu

..............page:58-59

The Naming Tendency of Contemporary Chinese Art
zheng li

..............page:57

The Innovation of Watercolor Technique
zou wei

..............page:56

How to Understand Abstract Painting
wang ming hui

..............page:32

The Difference between Plum, Orchid, Bamboo and Chrysanthemum in the Literati Painting and Vase Flowers in Western Still Life
shen li hua

..............page:31

The Inheritance and Reform of Chinese Painting
fan chun rong

..............page:30

Let Shitao into the 21st Century
chen min xin

..............page:22-23

Creating while Exploring-Contemporary Chinese Experimental Ceramics in Post-Modern Era
jiang bo

..............page:21

The Starting Point for Creation
ren ji hong

..............page:20

The Effect of the Ancient Verses on Stones on Wu Changshuo s Free Brushworks of Flowers
zhang chun xin ; guan jie

..............page:18-19

The Abstract Side of Chinese Painting
yang yan hui

..............page:16-17

The Cultural Interests of Landscape Painting
li sen

..............page:14-15

The Revolution and Innovation of Modern Chinese Printmaking
zhou dan

..............page:12-13

Thoughts on the Creation of Contemporary Chinese Painting
han an rong

..............page:10-11

Honesty out of Simplicity and Masterful Stroke out of Perseverance
mu zhi

..............page:9

di er jie quan guo qi hua zhan zuo pin xuan deng

..............page:封2,8,封3

Analysis of Sino-Japanese Painting based on 'Buddhist Culture'
lv chang juan

..............page:28-29

Inheritance, Development and Innovation
yu ying lu

..............page:26-27

Painting Spontaneously-Emotional Expression in Painting History
li shu jin

..............page:24-25