Art Panorama 2006 Issue 8 The Exploration of the "Process-style instruction" Theory in Art Design

The Exploration of the "Process-style instruction" Theory in Art Design
feng ming gao

..............page:110-111

Teaching Painting from Nature in Chinese Landscape Painting
ni yan

..............page:112

The Parallel Development of Chinese Calligraphy and Poetry
zhang zi yan

..............page:113

The Use of Color Scheme in Sketching
xie qian

..............page:114

Photography and Painting
luo xing yuan

..............page:115

The Formation of Grammar of Oil Painting Language
gong dong qing

..............page:116-117

The Unique Expressions of Watercolor and Its Instruction
xiao ya ping

..............page:118-119

An Analysis of the Pluralism of Methodology in Art Colleges
wen hong wei

..............page:120

Sketching Instruction in Art Colleges
ling ke

..............page:138

Thoughts on Some Issues of Art Education
wang xia li

..............page:139

The Importance of the Basic Art Courses in Art Colleges
zuo lin ke

..............page:140-141

The Beauty of Realistic Oil Painting
liu jian li

..............page:65

Broadening the Expressive Space of Easel Oil Painting
xu yan ping

..............page:64

"Exhibition Hall Effects" and the Reform of Calligraphy and Painting Instruction in Arts Departments
liu gen huo

..............page:88-89

Design Drawing:A Bridge to Design
chen xiang dao

..............page:85

The Idea "Harmony" in Ancient Chinese Design
wan chang lin

..............page:143

The Subject Matter and Conception of Poster Design
li hong dan

..............page:142

fan qiang shi zhuang she ji zuo pin

..............page:101

The Advantages of Natural Packaging Materials
song xing ; le zhao jun

..............page:100

How to Make POP Ads
peng yi qing ; zou zuo lin

..............page:99

The Origin of Structured Art
chen xu chun

..............page:98

A Study of Schools and Styles of Modern Design
cheng zhi li ; cao ya li

..............page:96-97

Conceptual Design for Home Space
wei zi li

..............page:95

Re-understanding Cultural Design in City
li shi

..............page:94

The Status Quo and Development of Modern Interior Design
zhang hui jie

..............page:92-93

Fishing Boats Returning in the Evening——Tengwange Pavilion Culture Used in the Nanchang Landsacpe Design
mao wen zheng

..............page:90-91

The "Interaction" between Arts
wang dan

..............page:136-137

The Functions of the Mediums in Printmaking
zhang cun gang

..............page:134-135

The Relationship between Impressionist Painting and Photography
zhang cong

..............page:132-133

The Meaning of the Brushstroke "Dots" in Chinese Landscape Painting
su chang yuan

..............page:130-131

The Study of the Evolution of Phoenix Patterns Based on the Shang-dynasty Bronze Vessels
li yi

..............page:128-129

The Impact of Traditional Culture on Chinese Garden
liu kai

..............page:126-127

The Formal Beauty of Chinese Painting
shen qing quan

..............page:124-125

Imperial Art Academies, Court Painters and Their Functions
qu chun lin

..............page:66-67

Notes on Chinese Painting Theory
shi rong hua

..............page:68-69

The Plastic Evolution from Traditional Ceramics to Modern Ceramics
zhu hui qiu

..............page:70

The Cultural Difference between Chinese and Western Paintings
ma jian ping

..............page:71

The Artistic Features of the Perfume Satchels at Qingyang
dai chun sen

..............page:72-73

The Calligrapher's Character and Artistic Morals
deng yun feng

..............page:74-75

The Golden Mean of Fine Brushwork Painting with Figures
yu li

..............page:76-77

The Artistic Features of the Butterfly Patterns on the Yongzheng-Period Famille Rose
ding jia qing ; ning gang

..............page:86-87

tan xie shi tu pian zai shang pin bao zhuang she ji zhong de ying yong
li man zhi

..............page:121

The Concept "Design Management" and Its Practice
wang ai hong ; xue xiao xia

..............page:122

Non-linear Editing and Digital Video Post-production
yang hong fa

..............page:123

Decoding the Connotation of Modern Tea House Design in Chongqing in Terms of Sichuan Tea Culture
xiao yu chuang ; wang yu ying

..............page:62-63

The Artistic Value of the Han-dynasty Stone Relief at Nanyang
xu yong bin

..............page:61

Evolution and Elevatiou of the yuan-dynasty Landscape Painting
zhang yu chun

..............page:40-41

The Cultural Quality and Value Orientation of Chinese Graphic Arts
huang you zhu

..............page:39

The Use of Perceptional Effect in Advertising
sun ya jun

..............page:38

The Times Context of Printmaking
guo you ming

..............page:36-37

A Look at the Relationship between Depiction and Expression in Terms of Western Art History
gao shuang

..............page:34-35

Reflections on Modern Painting
wang zi bao

..............page:33

The Local Color of Chinese Oil Painting
liang qiang

..............page:32

The Model Paintings from Life
li zhong hai

..............page:30-31

The "Possessiveness" of the Commercialized Oil Painting between 15th～17th Century
zhong lei

..............page:29

wu wu er bu wu yu wu zou chu ban hua de " wu "
long hou qiang

..............page:28

A New Space for the Experimental use of Ink
li mu zi

..............page:16

Dream and Mood
hu shi ping

..............page:14-15

A New Breakthrough in the Plastic Language of Chinese Ink Painting
he li

..............page:13

My Opinion of Chinese-Western Linear Art
shang chang hong

..............page:12

A New Trend toward "Adapting Foreign Things for Chinese Use"
chen zhong ke

..............page:10-11

My View on Ink Painting
lu ye

..............page:8-9

Nationalism of the Late-19th-century Russian Painting
zhang xiu mei ; xiao bin

..............page:27

bao li si zha bi luo xin de ban hua yi shu
li chun feng

..............page:26

han guo hua jia nan nong xu zuo
xu tian

..............page:24-25

wo xin fei yang gan wu hua ying
wang wen

..............page:7

shuo " wei "
hou yi min

..............page:6

Wu Guanzhong's Chinese-and-Western-style Application of Ink
hu cheng ming

..............page:4-5