Art Panorama 2006 Issue 6 Summary of the Symposyum on 2006 Liaoning Watercolor Society Biennial

Summary of the Symposyum on 2006 Liaoning Watercolor Society Biennial
feng jian yu

..............page:4

Visual Language Reflects the Mind-Guo Peiping's Oil Language
yin shuang xi

..............page:5

zai shu you zai hua he zuo geng sheng hui -- jie shao zhu ming shu hua jia wang guan xian sheng " shu hua he zuo " de yi shu cheng jiu
bai zuo zhang

..............page:6-7

zhong guo chuan tong dang dai yin xiang -- gan shu dang dai guo hua jia zhou jing xin hui hua zuo pin
wang feng xiu

..............page:8-9

de yi wang xing -- sha zuo wan qi hui hua zuo pin fen xi
zheng lin

..............page:16-17

Chinese Tradition and Contemporary Impression
wang yang

..............page:10-11

Looking fof Artistic Comfort
chen yan chi

..............page:12

Advantages and disadvantages of the application of Digital Tech to Flower and bird Painting
yang gao zuo ; yang liu qing

..............page:13

Between the Similar and Dissimilar
wen bo ting

..............page:14

An Analysis of Expressionlsm
liu hai nian

..............page:15

Emotional Color and Spiritual Expression in Modern Western Art
chou yong bo

..............page:28-29

A Survey of the Ornamental Feaatures of New Year Woodblock Prints
zheng jun

..............page:32-33

shi lun zhu guan se cai yu biao xian
zhang lv jiang

..............page:34-35

qian tan shui cai hua zhong de ji li ji qi mei gan
yu hang

..............page:36-37

lun ming shi jia ju de mei xue te zheng
chen hong jun

..............page:38-39

The Cultural Connotations of the‘Jprse’Image in Chinese Painting and Their Artistic Achievements
chen xi wen

..............page:57

A Study of Artists' Unusual Mentaliry and Creation
wang hai yan

..............page:58-59

Advantages and Disadvantages of the Internet Ads
gao ying

..............page:60-61

hui hua ji chu zai yi shu she ji zhong de zuo yong
zhang yan geng

..............page:62

shu qing yu li xing xing xiang yu chou xiang -- lue tan tu an yu ping mian gou cheng dui she ji si wei de kai qi
zou hang ying

..............page:63

Not Only Extensive But Profound
zhang xiao rui

..............page:64-65

Unrestrained Strokes: leisurely Mood-Analysis of the Fuchunshan Scenery by Huang Gongwang
dai qing quan

..............page:66-67

The Critical Elements in Fashion Design
sun ping ; chen jing liang

..............page:96

sun ping she ji zuo pin

..............page:97

zhang shi yan bi hua zuo pin / su zi bing bi hua zuo hua

..............page:98-99

wu hong min tian hui long she ji zuo pin

..............page:100

Calligraphy and Modern Design
chen suo ; fan chao ran ; guo chen jie

..............page:101

The Status Quo of Exhibition Design Instruction and Our Strategy
yang fan

..............page:104-105

Application of colors in the interior decoration design
sun hong li

..............page:105

The Rendition of Structure and Decoration in Space Dpectrum
feng xin jun

..............page:120

The use of computer in Model-designing and-making
zhu bin ; pan ling xia

..............page:121

qian tan wu ding hua yuan de fa zhan yu jian zao ji shu
shao zuo

..............page:123

lun she qi shan shan hui guan shi lan xiao yuan ba zi qiang de shi diao yi shu ji wen hua gong neng
li fang ju

..............page:68-69

Decoding Wang Gensheng
shen xiao zuo

..............page:40-48,封四

Lost Landscape-the Local Color of Jiang Fuyue's Watercolor
wang zuo yue

..............page:70-71

Shanxi Paper-cut Spreading in Arts
wang xiang zi

..............page:84

The Combination of Modern Animation with Chinese Ethnic Cultures
liu yang

..............page:85

qian tan gong ye she ji zhong de zhi shi chan quan bao hu
wu gui xiang ; wang kai

..............page:86-87

The Relation of the Thinking Process of Folk Art to Plastic Arts
lv xiao shan

..............page:88-89

Six methods and Creation of oil painting figure
zhou yuan yi

..............page:90-91

A Survey of Ancient Chinese Sculpture
wang xiao feng

..............page:102-103

The Dragon Wall Shows "Harmony and Unity"
zhao shi xue

..............page:106-107

The Ink-applying Technique and Artistic Mood:The Features of Masterpieces
kuang chang long

..............page:108-109

guo hua su miao jiao xue fang fa gai ge chu tan
gong li hui

..............page:30-31

Improving Humanities Courses in Higher Vocational Education Is an Important Way to Realize an All-round Education
li gui shu

..............page:83

The Use of Traditional Elements in Teaching Design
yu dan

..............page:110

Reflection on the Application of Digital Information to Photography
dai jie

..............page:111

Reflection on the Application of Digital Information to Photography
geng cong

..............page:112-113

How to Teach a CAD Course
ning shun yi

..............page:113

Fashion Show and Appreciation
zhu zheng ji

..............page:114

The Artistic Expression Dealt Instruction and Our Strategy
ma qiang

..............page:115

Fashion Show and Appreciation
zheng zuo zuo

..............page:116

zheng zuo zuo ren ti su xie zuo pin

..............page:117

The Orientation of Packaging Design
guo xiao xia

..............page:118

The Basic Elements of Interior Space Modeling
jiao jian

..............page:119

Artistic Creation Teaching in Teachers Colleges
gan xue ming

..............page:122

cong fang xiang de tu di kan gao geng de li ti zong he zhu yi
huang xiao jin

..............page:25

Impression of Metropolitan Museum or Art
zhu lei

..............page:26

Combined Art
xia hai dong

..............page:27

Transition and Transcending--Ye Guofeng's Recent Oil Paintings
wang ping

..............page:72-73

Color Scheme on Campus
du ; li zuo

..............page:92

Form-based Design Methods in Ceramic Sanitary Equipment
wang ai hong ; wang yuan

..............page:93

The Role of Divergent Thinking in Fashion Design
fan qiang

..............page:94-95