Art Panorama 2006 Issue 12 The Formal "Language"

The Formal "Language"
li jia

..............page:54-55

The Impact of Post-modernism on Contemporary Aesthetics
feng li sha

..............page:53

Comparison of Package Design and Architecturally Decorative Design
han xue li ; xu shi hu ; wang cheng yu

..............page:88-89

True and Strong Reconstruction
fang zeng lun

..............page:90-91

The Formation of Ad Conception
tang chao qing

..............page:92

The Expression of 2D Ad Conception
chen xiang dao

..............page:93

How to Use Traditional Auspicious Patterns in Modern Design
ling xiao hong ; wu wei

..............page:94

The Thinking Process of Poster Design
pu ming ji

..............page:95

The Decorative Evolution of Traditional and Modern Ceramics
zhu hui qiu

..............page:56-57

Touching Color
wang shu ying ; xu zhi li

..............page:58

Poetic, Pictorial and Zen Moods
huang yi li

..............page:59

Localized Space Design in the Context of Modern Tech
yang mao chuan ; li nai zuo

..............page:60-61

How to Return to the State of Being a Child in Artistic Creation
shi lin zuo

..............page:62-63

The Theory of "Image" in Chinese Painting
meng meng ; liang zhi tao

..............page:64-65

Progressive Modern Mural in China
wang cheng yu

..............page:66-67

"Plagiarism" and Appropriation in Modern Art
wang wei

..............page:162

Understanding Nature
lu chun jiao

..............page:163

The Cover and Illustrations of Writings from Ascetic Practices
liang jian bang ; li bin

..............page:164

The Interactive Art
hu rong

..............page:96-97

dui yi shu gao kao re fan ying de she hui wen ti de diao cha yan jiu
zhang wei

..............page:114

qian tan she ji yi shu jiao yu de chuang xin xing si wei
wu hong min ; tian hui long

..............page:115

yin ling fu shi she ji xin li nian 2006" xin tian di " bei shou jie gui lin da xue sheng fu shi wen hua yi shu jie
fang wei

..............page:116

The Importance of Art Appreciation and Its Major Ways
wang yu

..............page:142

Designing a Course in Creative Advertising
zhang yong

..............page:143

The Art and Technique in Teaching Drawing
ma jun

..............page:144-145

Issues in Spatial Expression When Teaching Patterns
mei ai bing

..............page:146

Designing the Environmental Design Curriculum
hu wei hua

..............page:147

The Function of Association in Teaching Drawing to Design Majors
lv bo

..............page:148-149

The Objective of Bilingual Course in Color and Its Achievement Measurements
he xiao xun ; xue fang rong

..............page:150-151

Teaching Drawing to Design Majors
an ji ming

..............page:152

Thoughts on the Basic Art Courses for Design Majors
zhang jian

..............page:153

Interaction in Teaching Activities at Today's Art College
xu jing fu ; liu zuo zuo

..............page:154-155

Reflections on Basic Drawing Instruction
zhang ji hong

..............page:156-157

Wen Zhengming and His Painting in the Palace Musem
tu jun ; gao yu tian

..............page:40

Designing Graphs for Commercial Ads
dan xiao tong

..............page:98-99

Unique Furniture Design and Its Analysis
feng chang xin

..............page:100-101

The Relevance of Artistic Styles to Landscape Design
dong tie jun ; gao li li

..............page:101

The System and Process of Eco-friendly Package Design
he ke

..............page:102

Studying Urban Environment and Designing Unique Landscape
yang jun lin

..............page:103

The Relationship between Ornament and Color
wang wei

..............page:104-105

The Graphic Expression of Modern Package Design
li li

..............page:106

Early Chinese Posters——Calendar Posters
cui hao

..............page:129

The Glorious Chinese Style
zhang hong hui

..............page:130-131

The Aesthetics of Site Sculpture
liu qiang

..............page:132

Review of Long Xiangping's New Book Handicraft in Western Hu'nan
chen li xia

..............page:133

Thinking and Painting
xiong gang

..............page:134-135

The Use of Sketches in Painting
tao li ming

..............page:136-137

The Evolution of Atriums in Buildings
wang zuo hua

..............page:138-139

Page Fiber Arts and Its Application
zhang

..............page:140-141

Indoor Color and Psychology
duan yuan gu ; wang zong xia

..............page:158

National Arts-based Attitude in Modern Design
wang cheng zuo ; li xue yan

..............page:159

The Decoration of the Ming-and Qing-period Gardens in Southern China and Humanism
cao ning ; hu hai yan

..............page:160-161

Hi-tech-based Modern Package Design
sun ya yun ; zhong xia

..............page:107

Re—look at Practices and Classic Examples in Art Teaching
li jun

..............page:72-73

zhao hui shi yi yang de chang suo lun yi shu kong jian te xing zai dang jin huan jing yi shu she ji jiao yu zhong de zhu ti zuo yong
ren hong fei

..............page:112-113

Understanding Color
chen zuo

..............page:39

Deep-seated—Liangping Children New Year Picture in Chongqing and Cultural Inheritance
wu ben xin

..............page:38

A Fresh Look at the Literati Painting
wang fei

..............page:36-37

Revival,Inheritance and Innovation
hu jian wei

..............page:34-35

The Impact of Cultural Ideas on Architecture in Terms of Traditional Dwellings
lei xue mei

..............page:33

The Wu Painting School and the "Four Masters of the School"
li ling peng

..............page:32

The Flowers-Hung Door and Transitional Space
han zuo

..............page:26-27

shui cai hua de jie du
liu chang

..............page:25

The Goal of Art Education Program in Normal Colleges
zhang dao sen

..............page:68-69

Empathy and Abstraction
liu yi yu ; jiao su ping

..............page:70-71

Analysis of the Tendency of Contemporary Oil Painting in China
wang li guo

..............page:74-75

A Mixture of Reality and Dream-the Charm of Painting
zhan hong

..............page:76

The Importance of Oil Language
bian xiao qiang

..............page:108-109

The Formation of Thinking and Conception in Terms of Chinese Freehand Brushwork
yang juan

..............page:110

guan yu feng jing xie sheng qu jing gou tu de ji dian kan fa
fei fei

..............page:111

Deficiencies in Carrying Out the Ad Plan
zhong lin quan

..............page:125

The Unique Expression of Traditional Art via Multimedia
zheng zhi liang ; jia yan feng

..............page:126-127

The Cultural Change of Contemporary Chinese Architecture
zuo yi lin

..............page:128

Black,Gray and White in Chinese Ink Wash Painting
niu jin liang

..............page:14-15

The Suzhou Museum of Art—Number One in Chinese Art History
wang yong

..............page:12-13

The Change and New Trend of Chinese Fine Brushwork Painting
li tong

..............page:10-11

The Ink Wash Painting Mirroring a Life Experience
bao zi chao

..............page:8-9

Humanistic Value of Van Gogh' Art
tian yi zuo

..............page:30-31

The Effect of Medieval European Religion on Western Clothing
yuan ying

..............page:29

The Chinese Elements of the Portraiture by Klimt in His Later Years
duan xiao ming ; yin xiao ke

..............page:28

Bringing the Times' Elements to Chinese Watercolors
jiang yue

..............page:16

The Landscape Showing Vast Solemn Wilds
chang cun wen

..............page:6-7

Technical Analysis of the Figure Paintings "Green Plateau" Series
he dong

..............page:5