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Fujian Arts
1004-2075
2005 Issue 1
qi yu
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page:插1
mei shu hua ye
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page:封2,40,41
Spring Dream in Xiaoxiang
Zheng Huaixing
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page:72-80
Shift From Solemn Fervor to Tenderness
Fu Xiang
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page:70-71
Latest News
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page:68-69
Throw Away the Formula to Bring Up More Talented Performers
Wang Heping
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page:67
Sing with Feeling and Move the Audience with Feeling
Wu Zewen
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page:66
Trigger the Feeling with the Object, View the Objects with the Feeling
Lin Zhibin
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page:64-65
The Duty of Clappers of Yue Opera
Liu Zengben
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page:63
Distinguish Ming Opera With Suona
Chen Liangquan
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page:62
How To Make a Theatre Review "Authoritative"
An Kui
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page:5-6
Playing a Reversed Role as A Clown
Fu Duanfeng
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page:61
When Playing the Role of Fengpai
Yang Zhicheng
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page:60
The Charm of Ugliness
Chen Bingcong
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page:59
Reflections on the Composition of a Nanyin Music Performance, Song of Eternal Regret
Ma Lie;Liu Tao
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page:58
The Artistic Pursuit of Wang Laiwen
Xu Huaizhong
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page:57
A Village girl as Pure as the Limpid Water
Lao Fu
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page:56
Life · Countryside · Myths
Yi Zhongtian
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page:55
Observation of the "Cross-Over" Phenomenon in Taiwanese Performing Art
Li Wenshan
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page:52-54
The Trend of Cross-over in Taiwan's Contemporary Drama
Wang Youhui
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page:49-51
The Choice of Images and the Expression of Feelings
Lian Shuixing
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page:47-48
The Childlike Psychology of the Fifth-Generation Directors
Tan Jianjun
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page:44-46
Approaching the Impressionist School
Huang Dalai
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page:42-43
On Improvement
Chen Zui
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page:38-39
An Interview with Yue Meiti and Liang Guyin
fang li zhen
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page:33-37
The Immortal Huangzi
Dai Penghai
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page:24-32
Actors, Lights, Colors
Kan Hailing
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page:23
Game of The Oppressed
Guo Yuqiong
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page:21-22
Notes on Mr. Dong and Mrs. Li
Chen Shixiong
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page:19-20
A Communications' View of The Forms of Art
Tan Huafu
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page:16-18
Form And Charm
Zhu Yisa
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page:12-15
An Analysis of The Reform In Some Opera Troupes Ranked as Key Experimental Units
Fu Jin
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page:7-11