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Film Art
0257-0181
2008 Issue 4
Grierson Model and Its Historical Impact
Zhang Tongdao;Liu Lan
..............page:147
All Films are Created Equal
Liu Lansun
..............page:152
zhu meng 2008 yan tao hui ji yao
..............page:154
Re-thinking Grierson: The Ideology of John Grierson
Peter Morris
..............page:143
Blood for Oil
Stephen Pizzello
..............page:137
The Visual Effects of The One Man Olympics
Xu Xin
..............page:131
The Childhood Motif in the Contemporary Greek Films
Zhang Zongwei
..............page:127
The Chinese Sports Movies
Zhao Ningyu
..............page:113
View Professionally on Wang Baoqiang's perform
Xiang Neng;Wang Chun
..............page:110
Politics in Hollywood
Chen Yu
..............page:101
King of Gimmicks: William Castle
Li Xin
..............page:97
Nuri Bilge Ceylan: An Auteur from Turkey
He Liang
..............page:92
The Significance and Course of Xia Yunhu as the Driving Force of"Kun Lun"
Ding Yaping;Zhao Changjun
..............page:86
Life is Elsewhere--An Interview with Luo Yan
Wu Guanping
..............page:73
The Experience of Examine to the Seventeen Years' Films
Chen Shaozhou
..............page:61
Learn from the Soviet Film
Yang Yuanying
..............page:48
A Theory Issue on Chinese Early Film
Zhong Dafeng
..............page:44
Context and Origin of Chinese "Shadow Play" Theory
Wu Yingjun
..............page:38
The Postmodem Role Theory
Li Zheng
..............page:33
A Review on Hahaha
Wen Xichui;Huang Tianshui
..............page:25
The Criticize to The One Man Olympics
Huang Shixian
..............page:21
In love We Trust: How can We Trust a False Love ?
Chen Jie
..............page:13