Film Art 2007 Issue 6 cong fei : gan dong zhong guo

cong fei : gan dong zhong guo
wen guo

..............page:158

fa guo zhu ming dao yan heng li - qiao zhi ke lu zuo dan chen 100 zhou nian
li ming

..............page:159

bian hou yu

..............page:160

wu ke zi dan guan mo yan tao hui ji yao
wang chun

..............page:157

Researching on Culture of Homosexuality Films
Zhao Xiyan

..............page:155-156

The Possibility and Imagination of Movie as a kind of Language
Chen Jie

..............page:152-154

Arguments on Ontology with Relation to the Dictionary of Film Language
Zhang Li

..............page:44-49

Time Traits and Resembling Images of Chinese Ancient Figure Paintings with Long Scrolls
Wang Anzhong

..............page:39-43

Traditional Painting and Image Literary: Thoughts about Chinese Traditional Visual Ideas
Han Hong;Tao Anping

..............page:32-38

Blood Brothers: Anaemia and Gigantism of the Script
li Yanlin

..............page:29-31

Wild in Dreams: An Actor or a Director?
Fu Yu

..............page:26-28

A Postman of Paradise: Heaven、Angel and Hell
wang chun

..............page:23-25

Who the Hell is Producer?
Liu Fei;Liu Yue

..............page:5-11

Report on the 26th Golden Rooster Awards
Wang Chun

..............page:12-18

Benevolence Aesthetics of Chinese Film——Confucianist Ethics and Culture Values in Gun of Mercy
Ja Leilei

..............page:19-22

The Chinese Traditional National Spirit and "Main Melody" Movie
Huang Huilin;Liu Fan

..............page:110-113

Use the Experience of Chinese Traditional Cultuce for Chinese Cinema
Li Xinqing

..............page:107-109

An Essay on Children's Film
Huang Jun

..............page:102-106

A Study Chinese Film Music School of the New Age in Four Works
Xiang Xiaogang

..............page:93-101

People Film:The Second Wave Non-main Stream of the Seventeen-Year Period
Qi Zhi

..............page:86-92

Great work Great master——To Memorize Chinese Film Musician Lei Zhenbang
Yang Xianhua

..............page:80-85

Zhao Ming:Mediating between Politics and Art
Liu Dishan

..............page:72-79

Intensity and Calmness of Life——Interview with Cai ShangJun
Wu Guanping

..............page:67-71

About The Go Master——Interview with Zhuangzhuang Tian
Kuang Yimin

..............page:59-66

Conversation with Ingmar Bergman
ao li wei ye a sa ya si ; cheng xiao hong

..............page:50-58

Film Adaption' Spriority over Originality——A Reasonable Look at Animation Trend
Li Yizhong

..............page:149-151

Review "Chinese Animation School"
Li Sanqiang

..............page:142-148

Sientific and Educational Documentary Movie should be Looked as Public Service
Yu Ji

..............page:140-141

Changes and Challenges of Documentary Aesthetics Brought by Self-Documentary in China
Fan Qipeng

..............page:136-139

Interview with Dariusz Wolski,Director of Photography of Pirates of the Caribbean: At World's End
nuo ya ke de le ; shang yi

..............page:131-135

Creating with Harmonious Attitude——Interview with Wang YU,Director of Photography of The Go Master
Hou Kai

..............page:126-130

Notes on Cinema
jiang wei duo li ao ba er di ; yu fan

..............page:123-125

A Case Study to Analyze Contemporary Italian Cinema
Xu Yuan

..............page:119-122

Marco Bellochio——A Mirror of (70's) Italian Poltics
Gu BO

..............page:114-118