Film Art 2007 Issue 4 2007 zuo na dian ying jie zhong guo dian ying chan ye lun tan

2007 zuo na dian ying jie zhong guo dian ying chan ye lun tan
zhong guo dian ying hai wai tui guang gong si

..............page:154

di shi jie shang hai guo ji dian ying jie " jin jue " guo ji dian ying lun tan ji yao
chen jing ; chen xi he

..............page:155

2007 ning bo zhong guo er tong dian ying guo ji lun tan
yuan zuo

..............page:156

dian ying yi shu gai ban ken tan hui zai xi nan da xue zhao kai
liu fan

..............page:157

dian ying zhu zuo quan si fa bao hu yan tao hui
cui li na

..............page:157-158

yi da li zhu ming dao yan wei duo li ao de xi ka dan chen 105 zhou nian
li ming ; qiu wen

..............page:158

bian hou yu

..............page:159

Book Review: The Story of Hong Kong Film in Hundred Years
Li Wei

..............page:151-153

Denied Peoples, Marginal Cities and Cinemas in the Anti-Japanese War
Liu Hui

..............page:149-151

The History and the Relation between Animation and Computer Game——Comments on Computer Game and American Contemporary Animation
Nie Xinru

..............page:146-148

Flash Animation: Seek Life Movement Forms of Network Virtual Space
Liang Guowei;Chen Tong

..............page:142-145

The Existence of Chinese Scientific and Educational Film in Market Environment
Yang Chenghu

..............page:138-141

Interview with the Directors of My Dream
Wang Yue

..............page:133-137

Interview with Rodrigo Prieto, Cinematographer of Brokeback Mountain
yue han ke hong ; xu bin

..............page:128-132

Significant Forms——Interview with Zhou Xinxia, the Film Editor of The Case
Li Bin

..............page:120-127

Vietnam Cinema: We are always on the Road
Nguyen Thi Bao Chau

..............page:116-119

Singapore Cinema: Development, Puzzledom and Challenge
chen shi zuo ; liu hui

..............page:111-115

Construction and Improvement of the Brand Development of Beijing Student Film Festival
Zhou Wen

..............page:108-110

Copy Asian Movies and Hollywood's Global Strategy
Wang Xianping;Wang Ping

..............page:105-107

Hong Kong Comedy Films Gone with the Wind
Xu Le

..............page:101-104

The Hong Kong Element of Hong Kong Films
Zhang Xi

..............page:98-100

From Infernal Affair to Isabella: An Attempt to the "Hongkongness" in the Post97 Hong Kong Cinema
Robert Chan

..............page:95-97

Roger Coman: The King of B-movie
Li Xin

..............page:87-94

Waiting for the Judgement of Audience: An Interview with Herman Yau
Robert Chan

..............page:81-86

On Lau Kar Leung's Kungfu Films Produced by Shaw Brothers Company
Su Tao

..............page:76-80

Hong Kong's Early Film Workers——Kwan Man-Ching
Zhao weifang

..............page:68-75

On the Cinema City Company of Hong Kong
Sun Weichuan

..............page:61-67

The History of Left-Wing Progressive Cinema in Hong Kong
Zhang Yan

..............page:54-60

Kongyi Style and the Studio Era of Hong Kong Cinema
Chung Po-yin

..............page:47-53

A Surprise of the Sword's Blade: An Interview with Patrick Tam
tan jia ming ; chen xiu ping ; chen yu

..............page:42-46

Globalization, Pan-Chinese Cinemas and Hong Kong identity: Rethinking Hong Kong Film after 1997
Hu Ke;Liu Hui

..............page:5-10

Longest Night in Shanghai: An Adult Fairy Tale in the Context of Global Metropolis
Shi Chuan

..............page:11-14

The Case: A Soft Landing of Psychoanalytic Theories
Yang Haiyan

..............page:15-17

Discord in Text and Syncopation of Space-time——Some Problems about Old Barber
Hao Yanbin

..............page:18-20

The Doubt of the Film Symbologe
Yu Ji

..............page:21-26

The Misunderstandings of the Study on Film Narratology
Wu Yingjun

..............page:27-31

The Questioned Film Semiotics
Zhao Yong

..............page:32-35

No Better Life: Interview with Wang Fen
wang fen ; wu guan ping

..............page:36-41

zheng gao

..............page:160