Oriental Art 2010 Issue 21 The Exhibition of Post Impressionism: Roger Fry and Modern Art Curatorial System

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Oriental Art
1005-9733
2010 Issue 21

The Exhibition of Post Impressionism: Roger Fry and Modern Art Curatorial System

..............page:86-89

Between Mainland and Colonization: Wang Lin\'s View on "Post-89 Art" and Indigenous critical spirit

..............page:48-57

Cultural Anthropology, Natural Science and Roger Fry\'s Critical Methodology

..............page:84-85

xin xi dong tai

..............page:153-160

Old Melodie From Tuva

..............page:142-143

Advance Guard Died, Flank Guard Reigning -Discuss The Width of The Art Presentation In Classical Context

..............page:118-121

Perception of Reality: Alicja Kwade

..............page:130-137

Anxious and Optimistic Whitney Biennial

..............page:32-35

Termination of Subject: The Playful Experience of VR Art

..............page:108-113

How Did Paul Cézanne Become "Father of Modern Art" Roger Fry and His Cézanne and The Development of His Painting Style

..............page:82-83

The Dialogue With Nature: Icelandic Contemporary Art

..............page:138-141

The Artistic Meaning of Conversation

..............page:36-41

Pondering on Yejinglv\'s Portrait Photograph-Also On Conceptual Art

..............page:114-117

Public Political Scope of Contemporary Art: Art Institution, Artist and the Public

..............page:72-79

Post-Impressionism Artist

..............page:90-91

A Postscript on Post-Impressionism

..............page:96-97

Contemplating the Void: Interventions in the Guggenheim Museum

..............page:12-15

Post-Impressionism Artist Ⅱ

..............page:94-95

Up in the Air: Tom Friedman

..............page:26-31

Wang Qiang\'s Art and Interventional Aesthetics

..............page:152

Guggenheim Forum: Beyond Material Worth

..............page:144-147

Sealed Memory, Self of Uncertainty

..............page:20-25

The National Discourse In Modern Chinese Ink Painting: Hope or Knot?

..............page:68-71

The Converse of Monologue and Interruption

..............page:42-47

Divided Divided: The Secret of Carsten H(o)ller

..............page:6-11

Manifesto For The Future, What is Contemporary Art?

..............page:106-107

Avant-garde Art? Socialist Realistic Art?—— Comments on The Methodology of "Mao\'s Art" Through the Chinese Production Mechanism of Rent Collecting Courtyard

..............page:58-67

What is Not Contemporary Art? The View from Jena

..............page:98-105

Walk into Miroslaw Balka\'s 『Black Hole』

..............page:16-19

Interdisciplinary Communication: Jeppe Hein

..............page:122-129

Tate Symposium: Law and Art "Ethics, Aesthetics and Justice"

..............page:148-151

The Grafton Gallery-Ⅰ

..............page:92-93