Contemporary Cinema 2015 Issue 6 Digital Interaction between Film and Technology

Digital Interaction between Film and Technology

..............page:4

Between Imagination and Image: The Influence of Digital Technology on Film Directing
Guo Jinfeng;

..............page:4-8

Rethink of Film Aesthetics in Digital Times
Tian Yizhou;Shi Xiaoxi;

..............page:8-12

Film Performance: When People Meet with Technology
Fan Yang;

..............page:12-16

From Origin to Node: The Application of Digital Technology in Chinese Films
chang hong song ; zhou zuo ; guan zuo ;

..............page:16-20

EVER SINCE WE LOVE
feng tang ; hao jian ; you fei ; wang xia ; wu zuo feng ; tian yan ru ;

..............page:21-31

zai li shi yu xian shi de hu ying zhong zhan kai shuang xiang fan si xu shi ping wang xiao shuai de dian ying xin zuo chuang ru zhe
yu zhong min ;

..............page:32-34

zuo er : qing chun de fei yang yu yin tong
zhou xia ;

..............page:34-36

Splendid Journey in Space: The Evolution of Space Sci-Fi Film
Lu Chunyan;

..............page:37-43

The Origin Exploration of Aesthetic Psychology in Space Sci-Fi Film
Hou Jun;

..............page:43-48

Spaceship: Technical Decoding in Space Sci-Fi Film
Liu Miaomiao;

..............page:48-51

Interview with Jin Yimeng: Self-recognition of A Middle-Aged Director Flourishing in Film Market
jin yi meng ; yu ran ;

..............page:52-55

Individualism and Stratum Fairy Tale: Cultural Value Analysis of Jin Yimeng’s Films
Zhao Jingjing;

..............page:55-59

Exaggerated “Perfection”: Film Review on Sophie’s Revenge
Ding Miaomiao;

..............page:59-60

Commercial Press and Early Chinese Film Education for Elementary Students: A Case Study of Moving Picture(1918) and Moving Picture(1934)
Li Zhen;

..............page:61-64

Commercial Press’ s Film Production and Its Lessons to Learn
Yang Conglei;

..............page:65-68

The History and Animation Exploration of the Great Wall Picture Company
Zhang Qizhong;

..............page:69-73

On Chen Huangmei’s Filmwriting
He Qing;

..............page:74-77

Oral History of Chinese Filmmakers The Interview with Yang Wenhao
zhang jin ; gu peng ; yang wen hao ;

..............page:78-83

Oral History: Individual Human Memory Library and Media Studies(Part Ⅱ)
Chen Mo;

..............page:84-91

Being Director as My Way of Talking with the World
xiao yang ; xing bei zuo ; wang zhi zuo ;

..............page:92-97

chuang ru zhe
wang xiao shuai ; fang lei ; li fei ;

..............page:97

xuan feng jiu ri
fu hong xing ;

..............page:98

Dream Rooting in Reality
wei zuo ; zhang ying ; yan fu chu ; wang zhi zuo ;

..............page:98-102

shao nian ban
zhang ji ; xiao yang ;

..............page:99

mei li xiang chou

..............page:100

Michael Haneke: Fear Eats the Soul
Wang Fanghua;

..............page:103-112

Michael Haneka:There’s No Easy Way to Say This
Michael Haneke;Peter Conrad;Wang Fanghua;

..............page:113-116

“Funny Games” of Film Remake: On Michael Haneke’s Shot-by-Shot Remake of his Funny Games
Wang Baomin;

..............page:116-120

Filmography of Michael Haneke
wang fang hua ;

..............page:120-121

The Voice of African Cinema: The Film Conception and Practice of Ousmane Sembene, the Father of African Film
Zhang Yong;

..............page:122-128

African Cinema Is Not a Cinema of Folklore
Zhang Yong;Ousmane Sembene;Siradiou Diallo;

..............page:128-131

Filmography of Ousmane Sembene
zhang yong ;

..............page:131-132

From Sensitization Age to Tiny Times: The Spiritual Trend of Youth Film since 1990s
Ding Lili;

..............page:133-136

From Sensitization Age to Tiny Times: The Spiritual Trend of Youth Film since 1990s
Li Gang;

..............page:137-140

Situation And Strategy: Contemporary Chinese Genre Film Development
Wang Jingya;

..............page:140-144

Dramatic Narrative: Popular Narrative Strategy of Chinese Films of Ethnic Themes
Xie Wanruo;

..............page:144-147

Realistic Representation and Sympathetic Comprehension: Visualization of Xiao Hong, a Female Intellectual in Xu Anhua’s The Golden Era
Xu Qiuer;

..............page:148-150

Disappearing Subjectivity: Post-Colonial Rational Criticism of Immigrant Narrative in European Cinema
Ouyang Chunxue;

..............page:151-154

Dynamic Visual Symphony: Analysis of Animated Visual Symbol Expression in Koji Morimoto’s Film and TV Works
Yin Jun;Kang Lulu;

..............page:155-158

Montage, Burlesque, Subversion: Analysis of Shaping Technique of Sense of Humor in American Animated Films
Zhu Fangsheng;Zhu Mingjian;

..............page:159-161

Analysis of National Cultural Theme Expression in Animated Film Creation
Zhang Wei;

..............page:161-165

On Metaphor Application in Character Design in Animated Film Frozen
Zhou Yan;

..............page:165-169

On Public Art Concept Exploration in the Era of New and Traditional Media Fusion
Zhu Xiaofeng;Huang Xinyuan;

..............page:169-171

Analysis of War Theme in Animated Film Subject Choice
Zhou Yue;

..............page:171-174

Features and Limitations of Film and TV Adaption from Online Novels
Wang Zhiguo;

..............page:175-177

Bildungsroman and Meaning Creation: On Cases of Chinese Film Adaption from Online Novels since 2000
Ren Chuanyin;

..............page:178-181

From Network to Film Screen: Interpretation of Utopia Construction in The Love of the Hawthorn Tree
Yu Haiyan;

..............page:181-184

Interactive Consumption of Online Literature and Film
Zhang Shujuan;

..............page:184-187

Self-Redemption in “Ideal Youth”: Psychological Nature and Value of Online-Novel-Adapted Films in Last Decade
Zou Lin;

..............page:187-190

Chinese Film of Military Theme in the Blockbuster Era: Symposium Overview on Wolf Warriors
Meng Lijing;

..............page:191-193

Chinese Documentary and Its Marketing: Symposium Overview on Documentary Beautiful Nostalgia
Yu Xiao;

..............page:193-195

The Exploration of Chinese Artistic Animation Creation by Colleague Students: Symposium Overview on Animated Film Train of Dream
Chang Hong;Chen Xiaomeng;

..............page:195-197

New Landscape of Asian Cinema: Production and Industry, International Horizon and Cultural Awareness-- International Symposium Overview on “New Landscape of Chinese Cinema and Asian Cinema” during the 22nd Beijing Colleague Student Film Festival
Zhang Yan;Huang Ruohan;

..............page:197-200

shang hai dian ying ping lun xue hui di liu ci hui yuan dai biao da hui zai hu zhao kai

..............page:200

News Conference on Sino-India Film Cooperation and Exchange
gao shan ;

..............page:200+2

dian ying zhan lang yan tao hui

..............page:201