Contemporary Cinema 2015 Issue 3 Multi-Film Culture in the "First Year of E-Generation"

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Contemporary Cinema
1002-4646
2015 Issue 3

Multi-Film Culture in the "First Year of E-Generation"
Yin Hong;Liang Junjian;

..............page:4-12

Overview of Chinese Films in 2014

..............page:4

New Aesthetic Configuration in Modern Society: Chinese Film Culture Landscape in 2014
Wang Yichuan;

..............page:13-17

The Analysis Report of Chinese Cinema Development in 2014
Liu Hanwen;Lu Jiajia;

..............page:17-24

The Production of Chinese Animation Films in 2014
Ma Hua;

..............page:24-28

wei ai zhi jian ru jia jing
gu chang wei ; liang ming ; pu jian ; pan ruo jian ;

..............page:29-36+202

zun xun chuang zao yi shi qi huan yin le xi ju zhong fan 20 sui ping xi
li chun ;

..............page:37-39+2

ji yi lun li yu qian jin de wen hua li liang cong qi guai de ta dao zhong fan 20 sui de wen hua gai xie
li jiu ru ;

..............page:39-41

zun zhong chuang zuo de chuang yi zhi pian ren
Wang Donghui;Peng Kan;

..............page:42-47

wu ying xiao , bu dian ying
Zhang Wenbo;Wang Wenjie;

..............page:47-52

Taiwan Film in 2014: A Poor Year
Tu Xiangwen;

..............page:53-57

Disscussion on Hongkong Film on 2014
Li Tiecheng;

..............page:57-60

The Evolution of Brotherhood from Hong Kong Films to Co-productions
Tan Zheng;

..............page:60-64

"Control" and "Catering" : Production Strategy of Cinema City Co. Ltd.(H.K.)
Ye Hang;

..............page:64-69

The Best Sound as Unnoticed
du zuo zhi ; zhang jin hui ;

..............page:69-72

The Road of Glory in a Small Country: The Film Education Strategy in Denmark
Tan Hui;Wang Xiaotong;

..............page:73-77

Empire Sunset: The Film World of Tomas Alfredson
Li Songrui;

..............page:77-81

Inheritance and Alienation :The Film Style of Nicolas Winding Refn
Wu Liangyu;

..............page:82-85

The Interview with Huang Shuqin
zhou xia ; wu zuo ; chen shang jia ; qiao zi qiang ; li fen fen ;

..............page:86-90

Oral History: Individual Human Memory Library and Media Studies Ⅰ
Chen Mo;

..............page:91-99

zhong zuo fu mo xue yao mo ling
zhao tian yu ; qin zuo ; shen shi qi ; chen han ; jin lei ; zhang huan huan ;

..............page:97

lang man tian jiang
you li li ; ning zuo ;

..............page:98

tian jiang xiong shi
li ren gang ;

..............page:99

yi lu jing xi
jin yi meng ; zhang yi fan ;

..............page:100

Documentary Aesthetics and Historic Analysis of Chinese Film Acting in 1980s
Li Zhenlin;

..............page:100-104

Issues of Chinese Film Star System in Difficult and Transitional Period of 1990s
Zhang Zhongnian;

..............page:104-109

Acting Aesthetics and Ecological Studies of Chinese Films since 21st Century
Wan Chuanfa;

..............page:109-113

Aesthetic Tendency of Film Space Narrative
Chen Yan;

..............page:113-117

Key Techniques and Development Strategy of Big Data in Film
Liu Da;Fang Jiexin;

..............page:117-121

Image Aesthetic and Intentional Analysis
Hou Jun;

..............page:122-126

Technical View of "Interaction of Photography and Cinematography"
Xu Jinghan;

..............page:127-131

Second-Realized Film Dream: Film Complex in Concept Cinematography
Ding Yanhua;

..............page:131-135

Film Music Design in View of Sound and Moving Image Relationship
Wang Tao;

..............page:136-138

Annotation on the Artistic Features of Film Music by Fu Gengchen
Shen Jiawen;

..............page:138-140

Film Music Analysis in August Rush
Wang Jingyi;

..............page:141-144

Self Cognition: Classic Film Analysis of Black Swan
Liu Shaohui;

..............page:144-147

Music and Stage Art Presentation of Road to Rejuvenation
Xu Qiong;

..............page:147-149

Artistic Expression of Chorus in Film: The Chorus
Ding Xiang;

..............page:149-151

Artistic Quality and Cultural Origination of Animated Films by Hayao Miyazaki: The Wind Rises
Zhao Guisheng;

..............page:152-155

Transcendent Beauty: The Aesthetic Pursuit of The Wind Rises by Hayao Miyazaki
Zhou Shengnan;

..............page:155-158

Experienced Soul of The Wind Rises : Featuring in Sacrifice Drama and Inheriting in Former Themes
Chen Jinsong;

..............page:158-161

Pick up Memory of Sound: Sound Design of The Wind Rises
Zhao Xian;

..............page:162-164

Treasurable True Love: Romance Motif in The Wind Rises by Hayao Miyazaki
Wang Haoyu;

..............page:164-167

A Commentary on the Thesis of Chinese TV Study in 2014
Hu Zhifeng;Liu Jun;Zhou Jianxin;Dong Wenchang;Wang Tongyuan;Fu Lizhuo;Yang Bin;Wang Zi;He Jingjing;Zhang Mingchao;Zhao Danyang;Li Liangyue;Gao Yun;He Biqing;Zhou Yun;

..............page:168-178

A Commentary on the books of Chineses TV in 2014
Hu Zhifeng;Zhou Jianxin;Liu Jun;Ma Quan;Hao Xianzhen;Liang Yan;Li Yijun;Shan Yanhong;Meng Xue;Xiong Jingqing;Li Ruoqi;Zhang Jinling;Wang Ru;Zhao Lun;Li Bing;Yue Wenzheng;Wei Shangzhi;

..............page:179-183

Review of Hot Chinese TV Dramas in 2014
Li Shengli;Du Bin;

..............page:184-188

The Year of Game and Differentiation: Summary of Chinese Internet-Produced Dramas in 2014
Wu Qiuya;Du Hua;

..............page:188-192

The Features of Taiwan TV Entertainment Program Analyzed through Program Elements
Duan Peng;

..............page:192-196

lao shang hai dian ying hua bao
shen zuo ;

..............page:196

A Summary on the Seminar of Twenty Years of the Imported Film and Chinese Film Enterprise
Guo Lu;Huang Ruohan;

..............page:197-198

Experience, Deliberation and Exploration: Overview of Oral Film History Compilation Symposium held by China Film Archive
Yang Liu;

..............page:198-200

lang tu teng
a lan gao de ; rang ya ke a nuo ; lu wei ; yue han ke li ;

..............page:201